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Creators:
Archives of American Art
Dates:
1957-2007
Size:
18 Items
Collection ID:
AAA.archiv57
Repository:
Archives of American Art

Recordings of meetings, lectures, symposia, and other events sponsored by or documenting organizational activities of the Archives of American ArtAAA) events .

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Creators:
Goossen, E. C.
Dates:
circa 1935-2004
Size:
10.8 Linear feet
Collection ID:
AAA.goose
Repository:
Archives of American Art

The papers of art historian and educator E.C. (Eugene) Goossen measure 10.8 linear feet and date from circa 1935 to 2004. The collection documents Goossen's career through biographical material, correspondence, artist files, writing project files and notes, exhibition files, other professional files and subject files, teaching files, and printed material.

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Creators:
National Museum of African American History and Culture (U.S.)
Dates:
1940 - Ongoing
Size:
825 Digital files
Collection ID:
NMAAHC.SC.0001
Repository:
National Museum of African American History and Culture

The Great Migration is a unique, ongoing digitization service program that partners the National Museum of African American History and Culture with individuals across the United States to preserve their important analog audiovisual media. While major motion picture film and television historically lacked diverse representation, black history was instinctively being preserved in everyday home movies. Today, these personal narratives serve as an invaluable tool for understanding and re-framing black moving image history, and provide a much needed visualization of African American history and culture.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 2001
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2001
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Frank K. M. Rehn Galleries
Dates:
1858-1969
bulk 1919-1968
Size:
21.8 Linear feet
Collection ID:
AAA.franrehg
Repository:
Archives of American Art

The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.

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Creators:
Bunn, William E. L., 1910-2009
Dates:
1863-2009
Size:
13.4 Linear feet
Collection ID:
AAA.bunnwill
Repository:
Archives of American Art

The papers of painter, muralist, and designer William E. L. Bunn measure 13.4 linear feet and date from 1863-2009. The collection documents Bunn's career as a painter, industrial designer, and his work on Treasury Department post office mural commissions through biographical material, scattered correspondence, project files, industrial design records, diaries and journals, writings and notes, printed material, photographs, and artwork. Also found are Bunn's papers regarding Grant Wood.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 11, 2011
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2011
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Favretti, Rudy J.
Dates:
circa 1950-2010
Size:
31.5 Cubic feet
Collection ID:
AAG.FAV
Repository:
Archives of American Gardens

The collection contains the project design records of Rudy J. Favretti. , a landscape architect and professor noted for his extensive work in historical restoration of gardens, parks, and landscapes. He donated his collection of garden design files, plans, and images to the Smithsonian's Archives of American Gardens in March 2011.

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Creators:
Cornell, Joseph
Dates:
1750-1980, bulk 1930-1972
Size:
196.8 Linear feet
186 Nitrate negatives
Collection ID:
SAAM.JCSC.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

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Creators:
Wagstaff, Samuel J.
Dates:
circa 1932-1985
Size:
6.4 Linear feet
Collection ID:
AAA.wagssamu
Repository:
Archives of American Art

The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.

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