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Creators:
Hills, Patricia
Dates:
circa 1900-2015
bulk 1968-2009
Size:
23.1 Linear feet
Collection ID:
AAA.hillspat
Repository:
Archives of American Art

The papers of art historian, curator, and educator Patricia Hills measure 23.1 linear feet and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

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Creators:
Strayhorn, Billy (William Thomas), 1915-1967
Claxton, William
Kenton, Stan
Leonard, Herman, 1923-2010
More …
Dates:
1920-2002
Size:
87 Cubic feet (188 boxes)
Collection ID:
NMAH.AC.0845
Repository:
Archives Center, National Museum of American History

Papers and audiovisual materials documenting Russo's career in music.

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Creators:
Al-Hilali, Neda
Dates:
circa 1960-1995
Size:
4.6 Linear Feet
Collection ID:
AAA.alhineda
Repository:
Archives of American Art

The papers of fiber artist Neda Al-Hilali measure 4.6 linear feet and date from circa 1960 to 1995. Al-Hilali's career is documented through professional files, commission and project files, writings, printed materials, artwork, and photographs. The bulk of the collection consists of Al-Hilali's annual activity files from 1967 to 1992, which contain lists of exhibitions; exhibition announcements, catalogs, invitations, and posters; letters and memoranda; sales records; awards; clippings; photographs; and loan records.

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Creators:
Smithsonian Institution. Office of Physical Plant. Horticulture Services Division
Dates:
1992-1993
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 96-034
Repository:
Smithsonian Institution Archives

These records document the administrative activities of the Office of Plant Service (OPlantS), Horticulture Services Division. Materials include correspondence and memoranda pertaining to greenhouse construction; Smithsonian grounds maintenance; outgoing loans, grants, and gifts; slide collections; contracts with private companies and ind...

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Creators:
Smithsonian Institution, Assistant Provost for the Arts and Humanities
Dates:
1989-1995
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 96-093
Repository:
Smithsonian Institution Archives

This accession consists of records which document the official functions of the Office of the Assistant Provost for Arts and Humanities (OAP-A/H) and its predecessors from 1989 through 1995, although the bulk of the records date from 1993 to 1995. They consist mostly of memoranda, correspondence, and reports generated both within and outside ...

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Creators:
Schaeffer Galleries
Dates:
circa 1921-1982
bulk 1935-1950
Size:
1.6 Linear Feet
Collection ID:
AAA.schagall
Repository:
Archives of American Art

The Schaeffer Galleries records measure 1.6 linear feet and date from circa 1921 to 1982, with the bulk of the material dating from 1935-1950 when the gallery was most active. Owned by Hanns S. and Kate Schaeffer, the gallery first operated in Berlin from 1925 to 1939 and later in New York City from 1936 to circa 2000. Correspondence, subject and exhibition files, purchase records, printed materials, and photographs document the gallery's operations. Primary correspondents include art collector Arthur C. Tate and the gallery's Pacific Coast Director LeRoy Backus.

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Creators:
Schmidling, David, Dr.
Rutherfurd, Lewis Morris, 1816-1892
Physical Sciences, Division of (NMAH, Smithsonian Institution).
Dates:
1846-1884
Size:
0.3 Cubic feet (1 box, 1 oversized folder)
Collection ID:
NMAH.AC.0364
Repository:
Archives Center, National Museum of American History

The collection documents Lewis M. Rutherfurd's work related to astronomy.

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Dates:
1865–1870
Size:
20,203 digital files
Collection ID:
NMAAHC.FB.M1053
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 20 rolls of microfilm described in the NARA publication M1053. These digital surrogates reproduced the records of the Superintendent of Education for the State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–70. The records consist of 11 volumes and of unbound documents. The volumes include letters and endorsements sent and registers of letters received and endorsements sent. The unbound records consist primarily of letters received and reports.

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Dates:
1865–1870
Size:
9 Reels
Collection ID:
NMAAHC.FB.M1000
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the nine rolls of microfilm described in NARA publication M1000. These digital surrogates reproduced the records of the Superintendent of Education for the State of Tennessee, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870. The records consist of eight volumes and some unbound documents. The volumes include letters and endorsements sent and registers of letters received. The unbound documents consist primarily of letters and reports received.

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Creators:
Kohen, Helen L.
Dates:
1978-1996
Size:
1 Linear foot
Collection ID:
AAA.kohehele
Repository:
Archives of American Art

The papers of Miami art critic Helen Kohen date from 1978 through 1996 and contain letters, postcards, exhibition announcements and invitations, and seventy-four untranscribed interviews of artists, dealers, and collectors in the Miami area.

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