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Creators:
Constantine, Mildred
Dates:
1945-2008
Size:
5.3 Linear feet
Collection ID:
AAA.consmild
Repository:
Archives of American Art

The papers of Mildred Constantine measure 5.3 linear feet and are dated 1945-2009. Subject files, writings, photographs, and a scrapbook provide an overview of her curatorial work in the Architecture and Design department of the Museum of Modern Art, and subsequent activities as an independent curator, and art consultant. Especially well documented is Whole Cloth, a book written with Laurel Reuter that presents an historical overview of how artists have used cloth in their work.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1854-1879
Size:
0.94 Cubic feet (consisting of 2 boxes, 1 folder, 1 oversize folder. )
Collection ID:
NMAH.AC.0060.S01.01.Weather
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Weather forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Church, Frederick S. (Frederick Stuart), 1842-1924
Dates:
circa 1895-1905
Size:
0.1 Linear feet
Collection ID:
AAA.churfsls
Repository:
Archives of American Art

This small collection of items of New York painter Frederick Stuart Church, measures 0.1 linear feet and dates from circa 1895-1905. It includes letters, some illustrated, from Church to various people, a sketch, and a photograph of one of Church's paintings.

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Creators:
Duveen, Albert
Dates:
1807-1946
Size:
1.1 Linear feet
Collection ID:
AAA.duvealbe
Repository:
Archives of American Art

The Albert Duveen collection of artists' letters and ephemera measures 1.1 linear feet and dates from 1807 to 1946. Unrelated letters written by over 170 mostly 19th and early 20th century American artists are found in this compiled collection of art critic, dealer, and collector Albert Duveen. Additional ephemera includes printed material and photographs of artwork.

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Creators:
Mundel, Marvin Everett, 1916-1996 (industrial engineer)
Dates:
1937-1996
Size:
15 Cubic feet (36 boxes)
75 motion picture films
Collection ID:
NMAH.AC.0676
Repository:
Archives Center, National Museum of American History

The Marvin E. Mundel Industrial Engineering Collection contains correspondence, reports, data, notes, publications, books, charts, certificates, awards, writings, photographs, films and videos that document the life and career of Marvin Mundel, a well-known expert in the field of work management and productivity enhancement.

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Creators:
Costume, Division of (NMAH, SI).
Shaver, Dorothy, 1893-1959
Shaver, Elsie
Dates:
circa 1920-1959; undated
bulk 1945-1959
Size:
14 sound recordings
32 cassette tapes
1 electronic discs (cd)
6 Cubic feet (22 boxes)
Collection ID:
NMAH.AC.0631
Repository:
Archives Center, National Museum of American History

This collection contains the personal and professional papers of Dorothy Shaver, one of the best-known female executives in the 1950s; Shaver became the first female president of Lord & Taylor in 1945.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1828-1957
Size:
0.94 Cubic feet (consisting of 2 boxes, 2 oversize folders, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Building
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Building and Construction forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Gazin, C. Lewis (Charles Lewis), 1904-1996
Dates:
1901-1984 and undated
Size:
23.91 cu. ft. (45 document boxes) (2 16x20 boxes) (1 oversize folder)
Collection ID:
Record Unit 7314
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1775-1945
Size:
1.17 Cubic feet (consisting of 2.5 boxes, 2 oversize folders.)
Collection ID:
NMAH.AC.0060.S01.01.Masons
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Masons forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Solomon, Alan R., 1920-1970
Dates:
1907-1970
bulk 1944-1970
Size:
9.9 Linear feet
Collection ID:
AAA.soloalan
Repository:
Archives of American Art

The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

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