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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1845-1928
Size:
0.45 Cubic feet (consisting of 1 box, 1 folder. )
Collection ID:
NMAH.AC.0060.S01.01.Florists
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Florists forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1866-1968
Size:
0.49 Cubic feet (consisting of 1 box, 1 folder, 1 map case folder. )
Collection ID:
NMAH.AC.0060.S01.01.Philately
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Philately forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1871-1963
Size:
2.6 Cubic feet (consisting of 4.5 boxes, 3 folders, 1 oversize folder, 1 flat box (partial).)
Collection ID:
NMAH.AC.0060.S01.01.PostOffice
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Post Office forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Reid, Robert, 1862-1929
Dates:
circa 1880-circa 1930
Size:
0.9 Linear feet
Collection ID:
AAA.reidrobe
Repository:
Archives of American Art

The papers of New York painter Robert Reid measure 0.9 linear feet and date from circa 1880-circa 1930. The collection provides scattered documentation of Reid's career and family history through a certificate, letters, an essay of family recollections, scrapbooks containing letters, writings, printed material and family photographs, printed material about Reid, and photographs of Reid, his studio, travels, and works of art.

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Creators:
Presser, Josef, 1906-1967
Dates:
1913-1980
Size:
4.3 Linear feet
Collection ID:
AAA.presjose
Repository:
Archives of American Art

The papers of New York painters and teachers Josef Presser and Presser's wife Agnes Hart measure 4.3 linear feet and date from 1913 to 1980, with the bulk of the material from 1940 to 1980. The collection documents their personal and professional lives as artists and educators and consists of biographical material, business and personal correspondence, teaching files, printed material, and scattered photographs. The collection also includes writings, personal business records, and artwork by Presser.

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Creators:
Candido, Anthony, 1924-
Dates:
1950-2015
bulk 1957-1970
Size:
13.99 Linear feet
Collection ID:
AAA.candanth
Repository:
Archives of American Art

The papers of architect and painter Anthony Candido measure 13.99 linear feet and date from 1950-2015. Included are biographical material; correspondence with artists; teaching files from Cooper Union, School of Architecture; annotated sketchbooks and drawings; exhibition files; photographs of architecture, and paintings of Candido's wife, choreographer Nancy Meehan.

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Creators:
Bohrod, Aaron
Dates:
1507-1994
bulk circa 1930-1994
Size:
17.8 Linear feet
Collection ID:
AAA.bohraaro
Repository:
Archives of American Art

The papers of Wisconsin painter, ceramicist, and educator Aaron Bohrod measure 17.8 linear feet and date from 1507 to 1994 with the bulk of the collection dating from circa 1930 to 1994. The collection documents his career through biographical material, correspondence, gallery files, personal business records, writings, printed material, seven scrapbooks, photographs, and artwork.

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Creators:
Nutt, Arthur, 1895-1983
Dates:
1915-1981
bulk 1915-1945
Size:
5.57 Cubic feet (15 boxes)
Collection ID:
NASM.1987.0115
Repository:
National Air and Space Museum Archives

Arthur Nutt was an aeronautical engineer specializing in engine design.

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Creators:
Myers, George S. (George Sprague), 1905-1985
Dates:
circa 1903-1986 and undated
Size:
32.19 cu. ft. (63 document boxes) (1 16x20 box) (1 oversize folder)
Collection ID:
Record Unit 7317
Repository:
Smithsonian Institution Archives

The papers of George Sprague Myers provide extensive documentation of his research career in ichthyology and herpetology. The collection also offers substantial information concerning the development of Myers' interest in natural history; his college work at Indiana University and Stanford University; his teaching career at Stanford University...

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Creators:
Solomon, Alan R., 1920-1970
Dates:
1907-1970
bulk 1944-1970
Size:
9.9 Linear feet
Collection ID:
AAA.soloalan
Repository:
Archives of American Art

The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

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