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Creators:
Cheatham, Doc, 1905-1997
Cheatham, Amanda
Dates:
1939-1998
Size:
11 Cubic feet
Collection ID:
NMAH.AC.0814
Repository:
Archives Center, National Museum of American History

Papers documenting Cheatham's career as a jazz trumpeter. The papers include passports, appointment and address books; photographs, both personal and professional; a transcript of an interview of Cheatham; sheet music, including parts for various instruments; home movies from Cheatham's travels; awards and certificates; printed material including posters, programs, clippings.

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Creators:
Ybarra-Frausto, Tomás, 1938-
Dates:
1965-2004
Size:
33.1 Linear feet
1.27 Gigabytes
Collection ID:
AAA.ybartoma
Repository:
Archives of American Art

The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.

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Creators:
International Salt Company
Costain, Harold Haliday
Rittase, William M., 1894-1968
Dates:
1881-1993
bulk 1920-1929
Size:
3.5 Cubic feet (11 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1158
Repository:
Archives Center, National Museum of American History

The collection contains business records and photographic materials documenting the International Salt Company. The business records include correspondence, account and ledger books, a payroll book, patent and trademark information, print advertising and marketing materials, and a salesman salt display kit. The photographic materials include a series of photographs by William M. Rittase, a series of photographs by Harold Haliday Costain, a small photograph album, snapshots, and slides. The images cover all facets of the salt manufacturing and packaging operations, and include photographs taken in New York State, Michigan, and Louisiana.

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Creators:
Faris, James C.
Dates:
1960-2014, undated
Size:
7.67 Linear Feet
Collection ID:
NAA.2016-36
Repository:
National Anthropological Archives

James Faris (1936 – present) is an American cultural anthropologist and epistemologist who received his PhD from Cambridge University in 1966. He conducted fieldwork in the fishing settlement of Cat Harbour, Newfoundland, among the Nuba of Southeastern Kordofan in the Sudan, and among the Navajo in the American Southwest. His research specializations include cognitive anthropology, art and aesthetics, ritual, social organization and reproduction, anthropological linguistics, and visual anthropology and critical theory and representation. The James Faris Papers, 1960-2014, primarily document his fieldwork with the Nuba peoples of Southeastern Sudan. His papers also include materials related to representation of the Nuba peoples and various controversies in visual anthropology and documentary film that related to Leni Riefenstahl and her filmmaking among the Nuba. During the 1960s Faris was drawn into activism against the Vietnam War while at the University of Connecticut and his papers contain ephemeral materials on radical anthropology and racism from that period. The collection consists of field notes, correspondence, photographs, sound recordings, films (including scripts and transcriptions), videos, book and papers drafts, and news and magazine clippings.

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Creators:
Rice, Moses P.
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
More …
Dates:
1923-1940
Size:
15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Lynes, Russell, 1910-1991
Dates:
1930-1986
Size:
2.9 Linear feet
Collection ID:
AAA.lyneruss
Repository:
Archives of American Art

The papers of author, art critic, and art historian Russell Lynes, measure 2.9 linear feet and date from 1930-1986. The bulk of the material is related to Lynes's research for his 1973 book, The Good Old Modern: An Intimate Portrait of the Museum of Modern Art. Also included are some personal papers and photographs.

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Creators:
Charlton, Maryette
Dates:
circa 1890-2013
Size:
80.6 Linear feet
0.34 Gigabytes
Collection ID:
AAA.charmary
Repository:
Archives of American Art

The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.

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Creators:
Hopkins, Budd, 1931-2011
Kingsley, April
Dates:
circa 1945-2017
Size:
11 Linear feet
0.209 Gigabytes
Collection ID:
AAA.kingapri
Repository:
Archives of American Art

The papers of art critic, curator, and educator April Kingsley and painter, sculptor, writer, and educator Budd Hopkins measure 11 feet and 0.209 Gigabytes, and date from circa 1945-2017. Kingsley's papers are comprised primarily of artist files for figures that April had a significant engagement with, project files, interviews with artists, subject file index cards, biographical materials, and miscellaneous correspondence. Hopkins' papers are comprised of biographical material, as well as correspondence with various prominent art world figures including Richard Diebenkorn, Robert Motherwell, Carl Andre, Howardena Pindell, and Robert Rosenblum. Hopkins' personal business records include correspondence and sale and consignment information. Also found are writings, printed material, including exhibition invitations and catalogs and press clippings, and photographic material depicting Hopkins and his artwork.

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Creators:
Gerber, H. Joseph
Gerber Scientific Instrument Company (Hartford, Conn.).
Dates:
1911 - 1999
Size:
75 Cubic feet (182 boxes)
Collection ID:
NMAH.AC.0929
Repository:
Archives Center, National Museum of American History

Records document the Gerber Scientific Instrument Company, Hartford, Connecticut, and its four subsidiaries: Gerber Garment Technology, Inc., Gerber Scientific Products, Inc., Gerber Systems Corp., and Gerber Optical, Inc. Gerber Scientific designs, develops, manufactures, markets and services computer aided design and computer aided CAD/CAM systems. The records include correspondence, memoranda, product literature, trade literature, patent records, instruction manuals, proposals, engineering records, photographs, technical reports, drawings, press releases, and newspaper clippings.

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Creators:
James Graham & Sons
Dates:
1821
1815
circa 1896-2011
Size:
103.2 Linear feet
Collection ID:
AAA.jamegras
Repository:
Archives of American Art

The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.. There is a 8.0 linear foot unprocessed addition to this collection donated in 2018 that includes artists' files regarding exhibitions and photographs of works of art.

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