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Creators:
Rossiter, Thomas Prichard, 1818-1871
Dates:
1840-1961
Size:
0.5 Linear feet
Collection ID:
AAA.rossthom
Repository:
Archives of American Art

The Thomas Prichard Rossiter and Rossiter Family papers measure 0.5 linear feet and date from 1840 to 1961. Included are letters to painter Thomas Prichard Rossiter and letters to his son, architect Ehrick Kensett Rossiter, documenting their friendships with many artists and Thomas Prichard Rossiter's sketchbook and loose sketches. Edith Rossiter Bevan's papers include her writings on her grandfather, Thomas Prichard Rossiter; a scrapbook; photographs of the Rossiter family; notes by Bevan; news clippings; and other printed material. Also found is Bevan's collection of artists' letters.

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Creators:
Frazee, John, 1790-1852
Dates:
1819-1966
bulk 1819-1893
Size:
0.6 Linear feet
Collection ID:
AAA.frazejoh
Repository:
Archives of American Art

The papers of sculptor and architect John Frazee measure 0.6 linear feet, and date from 1819-1966, with the bulk of the materials dating from 1819-1893. These scattered papers contain documentation of Frazee's early career as a gravestone carver, his commission to design the New York Customs House, and his busts of John Jay, the Marquis De Lafayette, and other famous figures. There is also correspondence with family members, genealogical materials, sketches of Frazee monuments and stone engravings, poems and notes by Frazee, printed materials, a few financial documents, photographs of works of art, and a plaster cast of a medal.

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Creators:
Powers, Hiram, 1805-1873
Dates:
1819-1953
bulk 1835-1883
Size:
12.4 Linear feet
Collection ID:
AAA.powehira
Repository:
Archives of American Art

The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

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Creators:
Refregier, Anton, 1905-
Dates:
circa 1900-circa 1990
Size:
35.9 Linear feet
Collection ID:
AAA.refranto
Repository:
Archives of American Art

The papers of Woodstock area painter, muralist, and designer, Anton Refregier (1905-1979) date from circa 1900 to circa 1990 and measure 35.9 linear feet. The collection records Refregier's early commercial work and murals for the Works Progress Adminstration (WPA) and documents his career through to the 1970s with records of commissions for many public and private buildings, exhibitions in the United States and abroad, teaching positions, essays and publications, and extensive travel, particularly to the Soviet Union and Mexico. The collection contains scattered biographical material, personal and business correspondence, notes and writings, 15 diaries and journals, mural and tapestry files, exhibition files, personal business records, printed material, 10 scrapbooks, artwork including sketches and cartoons for murals, and photographs of Refregier, his friends, family and travels.

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Creators:
Kermin, A
Dates:
circa 1920s
Size:
1 Book
Collection ID:
FSA.A2011.02
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

One snakeskin boumd photography album containing 73 photomechanical reproductions of landscapes, mosque architecture, family portraits, street scenes, and bazaar snapshots. There are a limited number of aerial photographs, credited to the RAF.

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Creators:
Scowen & Co.
Dates:
circa 1880s
Size:
3 Prints (albumen)
Collection ID:
FSA.A1994.05
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Three albumen prints by the studio of Scowen & Co., circa 1880s, depicting a lake in Kanda, a group of Kandyan chiefs, and T.B. Panabokka and his family. Panabokka was the Kandyan member of the Legislative Council.

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Creators:
Stokes, Frank Wilbert, 1858-1955
Dates:
circa 1858-1955
Size:
12 Items (portraits , charcoal, pencil and/or crayon)
11 Paintings (oil on canvas)
Collection ID:
NAA.MS1999-13
Repository:
National Anthropological Archives

The Frank W. Stokes artwork collection, which dates from circa 1893-1902, is comprised of 3 oil paintings of Inuit subjects, 8 small studies in oil of Arctic and Antarctic scenery, and 12 charcoal/pencil/crayon portraits of Polar Eskimos in Northern Greenland.

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Creators:
Bourne, Samuel, 1834-1912
Dates:
circa 1860s
Size:
1 Print (albumen, image 23 x 29 cm.)
Collection ID:
FSA.A1999.19
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

One albumen print of a Rustic Scene in Bengal, India, circa 1860s. Signed "Bourne 1731" in the lower left corner of the image.

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Creators:
Ribeiro, Berta G. (Berta Gleizer)
Dates:
circa 1985
Size:
168 color slides
Collection ID:
NAA.PhotoLot.91-37
Repository:
National Anthropological Archives

Photographs of watercolor paintings by Feliciano Lana, a member of the Desana tribe in Brazil, made at the request of Dr. Berta Ribeiro in 1985 while she was studying the tribe. The paintings illustrate three stories, narrated or translated by Ribeiro: "The Story of Gain Panan and of the Peach Palm that He Brought from the Invisible Fish World," "D...

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Creators:
Bourne, Samuel, 1834-1912
Dates:
circa 1860s
Size:
1 Print (albumen, image 23 x 29 cm., mounted 31 x 40 cm.)
Collection ID:
FSA.A1999.18
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

One albumen print of the Nyne Tal, the Lake, India, circa 1860s. View from an angle with Indian men in the center of the photograph.

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