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Creators:
Zilczer, Judith
Dates:
circa 1974-1997
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 98-024
Repository:
Smithsonian Institution Archives

This accession consists of Judith K. Zilczer's personal research correspondence with professional organizations, universities, and individuals in the art world; papers written by Zilczer and presented at symposiums; and subject files on contemporary artists and art history.

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Creators:
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery
Dates:
1961-2006
Size:
50 Linear feet
0.001 Gigabytes
Collection ID:
AAA.parkplag
Repository:
Archives of American Art

The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.

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Creators:
Lawrence P. Fraiberg Productions
Dates:
1979
Size:
2.4 Linear feet
Collection ID:
AAA.frailawr
Repository:
Archives of American Art

The State of the Arts videorecordings measure 2.4 linear feet and consist of 30 videocassettes (U-matic) and three sets of handwritten notes, all created during the production of a pilot episode for a broadcast television documentary series on contemporary art in 1979. Four stories were produced for the pilot: a staged debate on modern art at the Museum of Modern Art; an investigation into the economics of the contemporary art market, a collaboration between video artist Nam June Paik and sound artist Liz Phillips, and an extended interview with sculptor George Segal on the occasion of his 1979 retrospective exhibition at the Whitney Museum of American Art. Video footage includes raw footage for each segment and edited versions of the economics of art story, the Nam June Paik and Liz Phillips story, and the George Segal story. The reporter and interviewer for the program was Barry Nolan.

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Creators:
Bulliet, C.J. (Clarence Joseph), 1883-1952
Dates:
circa 1888-1959
Size:
34.6 Linear feet
Collection ID:
AAA.bullclar
Repository:
Archives of American Art

The C. J. (Clarence Joseph) Bulliet papers measure 34.6 linear feet and are dated circa 1888-1959. Biographical materials, correspondence, writings, subject and artist files, printed material, photographs, and artwork document the career of the influential Chicago art critic and writer. The records contain extensive information about art and artists in Chicago and the Midwest from the early to mid-twentieth century.

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Creators:
Parsons, Betty
Dates:
1916-1991
bulk 1946-1983
Size:
61.1 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

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Creators:
Coronado, Pepe, 1965-
Dates:
1995-2016
Size:
1.5 Linear feet
Collection ID:
AAA.coropepe
Repository:
Archives of American Art

The papers of Dominican Republic born American artist Pepe Coronado measure 1.5 linear feet and date from 1995 to 2016. The collection is comprised of exhibition files, professional files, printed materials, and artwork that document Coronado's career as a printmaker.

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Creators:
Nochlin, Linda
Dates:
circa 1876
1937-2017
Size:
31.2 Linear feet
3.9 Gigabytes
Collection ID:
AAA.nochlind
Repository:
Archives of American Art

The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and 3.9 gigabytes and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.

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Creators:
Nengudi, Senga, 1943-
Dates:
1947
circa 1962-2017
Size:
12.8 Linear feet
11.24 Gigabytes
Collection ID:
AAA.nengseng
Repository:
Archives of American Art

The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger; and audio and video recordings, including recordings of performances.

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Creators:
Cook, Lia, 1942-
Dates:
1968-2012
Size:
5.9 Linear feet
Collection ID:
AAA.cooklia
Repository:
Archives of American Art

The papers of fiber artist and painter Lia Cook measure 5.9 linear feet and date from 1968 to 2012. Cook's career and exhibition activities are documented through biographical material, correspondence, professional files, gallery and exhibition files, printed material, photographs, and artwork.

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Creators:
Winokur, Robert, 1933-
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2011 July 23-24
Size:
7 Items (Sound recording: 7 sound files (5 hr., 35 min.))
159 Pages (Transcript)
Collection ID:
AAA.winokr11
Repository:
Archives of American Art

An interview of Robert Winokur conducted 2011 July 23 and 24, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Winokur's home and studio, in Horsham, Pennsylvania.

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