270 records — Page 19 of 27
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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
National Museum of American History. Department of the History of Science and Technology
Dates:
circa 1979-1990, and undated
Size:
23.69 cu. ft. (23 record storage boxes) (1 16x20 box)
Collection ID:
Accession 00-001
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, development, and installation of Information Age: People, Information, and Technology, a major exhibition at the National Museum of American History (NMAH), which traces the evolution of information-processing and communications technologies from the 1830s to the present. The ...

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Creators:
White, G. Howard, Dr., Jr.
Dates:
circa 1890-1920
Size:
1.5 cubic feet
149 negatives (photographic) (glass.)
8 photographic prints (black and white.)
46 negatives (photographic) (nitrate.)
Collection ID:
AAG.WHI
Repository:
Archives of American Gardens

The Dr. G. Howard White, Jr. Collection contains images of family members and residences relating to the White family of Catonsville, Maryland and Middleburg, Virginia and the Liebig family of Catonsville, Maryland, as well as recreational, industrial, and general sites in Virginia, Maryland, and New Jersey. The images, taken by Dr. G. Howard White, Jr. and Dr. Gustav Adolph Liebig, both amateur photographers, document everything from informal family gatherings and outings to domestic servants, workers, factories and railroad lines. The acession file includes some genealogical information and research on properties conducted in 2005.

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Creators:
Electricity and Modern Physics, Division of, NMAH, SI.
Hammer, William J. (William Joseph), 1858-1934 (electrical engineer)
Dates:
circa 1874-1935
1955-1957
Size:
36 Cubic feet (84 boxes, 16 folders)
Collection ID:
NMAH.AC.0069
Repository:
Archives Center, National Museum of American History

Original documents and papers generated by William J. Hammer and by various companies and individuals with whom he was associated. Includes material related to the research and inventions of Edison, Bell, Tesla, the Curies, etc.

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Creators:
Fendrick Gallery
Dates:
1952-2001
Size:
106.4 Linear feet
0.008 Gigabytes
Collection ID:
AAA.fendgall
Repository:
Archives of American Art

The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

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Creators:
Ayer (N W) Incorporated.
Dates:
1817-1851
1869-2006
Size:
270 Cubic feet (1169 boxes )
7 Film reels
Collection ID:
NMAH.AC.0059
Repository:
Archives Center, National Museum of American History

Collection consists of records documenting one of the oldest advertising agencies created in Philadelphia. The company then moves to New York and expanses to international markets. During its history NW Ayer & Sons acquires a number of other advertising agencies and is eventually purchased. The largest portion of the collection is print advertisements but also includes radio and television. NW Ayer is known for some of the slogans created for major American companies.

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Creators:
Volk, Leonard Wells, 1828-1895
Volk, Douglas , 1856-1935
Dates:
circa 1858-1965
2008
bulk 1870-1935
Size:
12.4 Linear feet
Collection ID:
AAA.volkleon
Repository:
Archives of American Art

The papers of painter and teacher Douglas Volk (1856-1935) and his father, sculptor Leonard Wells Volk (1828-1895), measure 12.4 linear feet and date from circa 1858-1965, 2008, with the bulk of the material dating from circa 1870-1935. Douglas Volk's papers document his life and career through biographical material, family and professional correspondence, writings and notes, diaries and journals, financial records, printed material, scrapbooks, artwork and sketchbooks, and photographs of the artist, his family, friends, and artwork. The papers also provide documentation of the formation and operations of the Sabatos Handicraft Society established with Marion Volk from the Volk's summer home, Hewnoaks, in Center Lovell, Maine. Scattered documentation of the life and work of Leonard Wells Volk, is found in biographical material, land records, letters, memoirs, and photographs.

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Creators:
Bransom, Paul, 1885-
Dates:
1862-1985
Size:
10.1 Linear feet
Collection ID:
AAA.branpaul
Repository:
Archives of American Art

The papers of wildlife illustrator, painter, and cartoonist Paul Bransom measure 10.1 linear feet and date from 1862 to 1985. Almost half of the collection is comprised of Bransom's correspondence, which is particularly rich in documenting his early career as an illustrator, and his relationships with authors, art editors, and publishers from the 1900s to the 1940s. Correspondence also contains a wealth of cards, many of which bear reproductions or original artwork by his many artist friends. Also found in the papers are biographical essays, certificates and awards, memorabilia, writings and notes, business files, bibliographies, an artwork inventory, exhibition catalogs, clippings, printed illustrations, pamphlets, photographs, scrapbooks, and original artwork.

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Creators:
Community Life, Div. of, NMAH, SI
Alland, Alexander, Sr. (Alexander Landschaft), 1902-1989
Kaslov, Steve, ca. 1888-1949 (King of the Red Bandanna Romany Gypsies )
Dates:
circa 1920-1975
Size:
4.3 Cubic feet (15 boxes)
Collection ID:
NMAH.AC.0161
Repository:
Archives Center, National Museum of American History

This collection consists of 4.3 cubic feet of manuscript, print, and photographic materials created or collected by Carl de Wendler-Funaro (1898-1985) in pursuit of his interest in Gypsy life and culture. (Carlos de Wendler-Funaro used several forms of his name; he wrote mostly as Carl de Wendler-Funaro.) The -collection was brought to the attentio...

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Creators:
McCausland, Elizabeth, 1899-1965
Dates:
1838-1995
bulk 1920-1960
Size:
45 Linear feet
Collection ID:
AAA.mccaeliz
Repository:
Archives of American Art

The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

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270 records — Page 19 of 27