This accession consists of records that document the administrative work conducted by Andrew L. Connors, Curator. Materials include lectures, exhibition records, subject files, committee files; records of Connors' involvement in the annual National Museum of American Art (NMAA) staff art show; and the Forum on Material Culture.
Charles Green Shaw papers
The collection measures 45.7 linear feet and and documents the life of American abstract artist, writer, poet, and illustrator Charles Green Shaw. The papers date from 1833-1979 with the bulk of the material spanning 1909-1974 and a single item of ephemera dating from 1686. Records include biographical information and correspondence with family, colleagues and several artists and writers. The papers also contain writings and extensive diaries, sketchbooks and scrapbooks spanning Shaw's entire career, scattered financial records and other printed material.
This accession consists of materials that document the planning and execution of exhibitions at the National Museum of American Art and the Renwick Gallery. Materials include checklists, loan files, installation photos, press kits, correspondence and memoranda, label text, catalog text, slides and photographs, floor plans, brochures, insurance valuations, and exhibition …
These records consist of correspondence, memoranda, photographs, floor plans, illustrations, and architectural drawings which document the installation of exhibitions at the National Museum of American Art (NMAA) and the Renwick Gallery. Also included are exhibition scripts, catalogues, work orders, and administrative records of the Department of Design and Production.
Florence Arquin papers
The papers of Florence Arquin measure 8.2 linear feet and date from 1923 to 1985. The papers highlight her expertise in the field of Latin American studies and document Arquin's career as a painter, photographer, educator, writer, and critic through biographical material, correspondence, writings, teaching and project files, printed material, photographs, artwork, and scrapbooks. Additionally, the papers relate to her personal relationships with her husband Samuel Williams and friends, Diego Rivera and Frida Kahlo. Teaching and project files include material from Arquin's work with the Federal Art Project at the Art Institute of Chicago and as director of the U.S. State Department's Kodachrome Slide Project, which was part of an effort to provide educational agencies with visual aids to support Latin American Studies.
Forbes Watson papers
The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.92 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.
Leonard Gaskin Papers
Gaskin, Leonard, 1920-
Papers documenting the life and career of bass player Leonard Gaskin, as well as documenting the numerous other musicians he was associated with in his long career. Gaskin's career encompasses a wide range of musical genres, including gospel, rock, folk, and Caribbean music. The papers include photographs, newspaper clippings, diaries …
This accession consists mostly of files documenting the exhibitions developed by the Curatorial Office, National Museum of American Art (NMAA), from 1982 to 1993. The exhibition files document all stages of exhibition planning, and include exhibition prospectuses; timetables and schedules; expense reports; loan agreements; fundraising information; contracts with guest curators and consultants …
Donald B. Cordry photographs from Mexico
9 Negatives (photographic)
24 Copy negatives
Images consist mostly of portraits of the indigenous people in the Mexican states of Michoacán, Guerrero, Nayarit, Sinaloa, Oaxaca, Chiapas and Veracruz. The collection primarily contains images of Wikarika (Huichol) people, but includes images of the Purepecha (Tarasco), Guerrero Nahua, Chinantec [Chinantla], Zoque, Otomí (Otomi), Tzotzil Maya, Yoreme (Mayo) and Zapotec peoples.
These records consist of the files of Director Lloyd E. Herman (1974-1986) and Curator-in-Charge Michael Monroe (1986- ) of the Renwick Gallery, and document temporary exhibitions as well as the permanent collections of the Renwick Gallery. Also included are general office files (primarily those of Joanna Barton, Secretary, 1974-1983), which include incoming and outgoing …