Query: Glass
World War One Theater Lantern Slides
Creators:
National Museum of American History (U.S.). Division of Culture and the Arts
Dates:
1914-1925
Size:
17 Glass slides
0.15 Cubic feet (1 box)
Collection ID:
NMAH.AC.1294
Repository:
Archives Center, National Museum of American History

This collection consists of seventeen glass lantern slides depicting World War I advertising and propaganda images. The images include clothing advertisements, home furnishings, local events, treasury and stamp savings, organizations such as the American Red Cross and Merchant Marines, and tips on rationing.

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in NMAH.AC.1294 for Glass
Emile Gorlia photographs
Creators:
Gorlia, Emile E.O.
Dates:
1909-1958
bulk 1909-1928
Size:
258 Negatives (photographic) (black & white, 8 x 10.5 cm.)
308 Lantern slides (black & white, 8.5 x 10 cm.)
1,446 Photographic prints ((contact prints) (5 vols.), black & white, 6 x 13 cm. or smaller )
46 Photographic prints (black & white, 48 x 58 cm. or smaller.)
556 Negatives (photographic) (glass plate stereographic negatives , black & white, 6 x 13 cm.)
Collection ID:
EEPA.1977-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Judge Emile E.O. Gorlia during five journeys through the Belgian Congo and two vacation leaves, one in Belgium and one in the Canaries Islands, 1909-1928 and at the World Exposition in Brussels (1958). The collection dates from 1909-1958. His first mission was from January 1910 to January 1912; the second, from February 1915 to March 1917; the third, from December 1917 to April 1920; the fourth, from November 1920 to February 1923 and, the fifth, from March 1926 to December 1928. For his first four missions at Lusambo in the Kasai province, district of Sankuru, Emile Gorlia was acting as an alternate to the public officer at one of the seven tribunals of first instance. During his fifth and final mission, he was promoted as president of the Court at Albertville in the ditrict of Katanga. Judge E.O. Gorlia was a keen amateur photographer with the advantage of not only traveling extensively around the state but also with the privilege of being able to afford the time and money to produce a prolific number of images. His images illustrate with great detail the full experience of a government official in mission in the Belgian Congo, starting in Antwerp at the pier of this Belgian harbor and taking up his duties at Lusambo, an administrative town in the hearth of th Belgian congo. The majority of images are of the following Belgian Congo districts, Lower Congo, Kassai, Sankuru, and Katanga. They include the cities of Banana, Boma, Matadi, Leopoldville (now Kinshasa), Lusambo, Luebo, Dilolo, Albertville (now Kalemie) in the Belgian Congo, Brazzaville in the French Equatorial africa, Zanzibar, Dar es Salaam, Tabora and Kigoma in tanganyika, Dakar in Senegal, Conakry in Guinea, Freetown in Sierra Leone, Port Said in Egypt and finally Casablanca in Morocco. There are also images of villages scenes and portraits of the Tetela, Songye, Luba, Kanioka, Lunda, Chokwe, Pende, Bangala and Kuba. Also included are images of the natural environment as the Congo river, the Kasai and Sankuru rivers, the banks of Lake Tanganyika and the savanna-woodland of the western part of the Katanga district as well as as the south part of the Sankuru region.

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in EEPA.1977-001 for Glass
Erie Railroad Collection
Creators:
Erie Railroad Company
Olevsky, Walter
Dates:
circa 1880-1980
Size:
57 Cubic feet (60 boxes, 97 map-folders)
Collection ID:
NMAH.AC.1082
Repository:
Archives Center, National Museum of American History

Collection consists of six hundred sixty-eight (668) glass negatives relating to the Erie Railroad. Subjects include stations, train cars, railroad employees, employees' recreational activities, ferries, construction, street scenes, and resort hotels; drawings of structures built by the various railroads which, at the time of the donation, constituted the Consolidated Rail Corporation …

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in NMAH.AC.1082 for Glass
Scurlock Studio Records, Subseries 4.10: Glass Plate Negatives
Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1900-1949
Size:
16 Boxes
The subseries contains glass plate negatives.
Collection ID:
NMAH.AC.0618.S04.10
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.10 consists of orders placed at the Scurlock Studio. The negatives depict individual portrait sittings and formal group portraits. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S04.10 for Glass
Horace G. Jennerson collection
Creators:
Jennerson, Horace G.
Bratley, J. H. (Jesse H.)
Dates:
bulk circa 1887-1902
circa 1887-1940
Size:
1 Linear foot
28 Glass plate negatives
30 Photographic prints
Collection ID:
NMAI.AC.224
Repository:
National Museum of the American Indian

This collection contains photographs was shot circa 1887-1899 by Jesse Hasting Bratley and Horace G. Jennerson while they served as teachers on the Rosebud and Pine Ridge Reservations.

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in NMAI.AC.224 for Glass
Frederick Webb Hodge photographs on the Havasupai (Coconino) Reservation
Creators:
Hodge, Frederick Webb, 1864-1956
Museum of the American Indian
Dates:
1919 September
Size:
0.8 Linear feet
41 Glass plate negatives
41 Copy negatives
Collection ID:
NMAI.AC.001.043
Repository:
National Museum of the American Indian

This collection includes glass plate and copy negatives taken by Frederick Webb Hodge on a collecting trip to the Havasupai Reservation in the Grand Canyon, Arizona in 1919. Hodge was an archaeologist and collector for the Museum of the American Indian, Heye Foundation between 1918 and 1931 most famously leading the Hendricks-Hodge Hawikku excavations between 1917 and 1923.

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in NMAI.AC.001.043 for Glass
Alson Skinner Clark papers
Creators:
Clark, Alson Skinner, 1876-1949
Dates:
1870-1971
bulk 1890-1940
Size:
7.2 Linear feet
Collection ID:
AAA.claralso
Repository:
Archives of American Art

The papers of painter and muralist Alson Skinner Clark measure 7.2 linear feet and date from 1870 to 1971, with the bulk of the material from 1890 to 1940. Clark's career is documented through biographical material; correspondence with family, friends, galleries, and dealers; eleven diaries by the artist as well as 16 by his wife Medora Clark; stories and essays by Medora; financial records and business files of art and civilian concerns; assorted printed material including exhibition catalogs and announcements, maps, news clippings (singly and in scrapbooks), advertisements, and ephemera; and photographs of the artist, his friends and family, studio, travels, and artwork.

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in AAA.claralso for Glass
J. Horace McFarland Company collection
Creators:
McFarland, J. Horace (John Horace), 1859-1948
American Rose Society
Dates:
1899-1974
Size:
30 Cubic feet (2718 photographs: black and white; 450 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )
Collection ID:
AAG.MCF
Repository:
Archives of American Gardens

The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.

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in AAG.MCF for Glass
Oral history interview with Harvey K. Littleton
Creators:
Littleton, Harvey K.
Byrd, Joan Falconer
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2001 March 15
Size:
36 Pages (Transcript)
Collection ID:
AAA.little01
Repository:
Archives of American Art

An interview of Harvey K. Littleton conducted 2001 March 15, by Joan Falconer Byrd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Littleton's home, Spruce Pine, N.C.

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in AAA.little01 for Glass
Nacoochee Mound excavation photographs
Creators:
Heye, George G. (George Gustav), 1874-1957
Museum of the American Indian, Heye Foundation
Dates:
1915
Size:
13 Photographic prints (silver gelatin)
120 Glass plate negatives
125 Copy negatives (acetate)
Collection ID:
NMAI.AC.001.007
Repository:
National Museum of the American Indian

The photographs in this collection document the excavation of the Nacoochee Mound, located along the banks of the upper Chattahoochee River in the mountains of northeast Georgia, in the summer of 1915. The excavation was a joint project between the Museum of the American Indian, Heye Foundation and the Bureau of American Ethnology.

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in NMAI.AC.001.007 for Glass