534 records — Page 19 of 54
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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1807-1955
Size:
1.39 Cubic feet (consisting of 3 boxes, 1 folder, 1 map folder. )
Collection ID:
NMAH.AC.0060.S01.01.Spas
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Spas and Resorts forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Cotton Museum (Memphis, Tennessee)
National Cotton Council
Dates:
1939-1994, undated
Size:
38 Cubic feet (91 boxes)
Collection ID:
NMAH.AC.1176
Repository:
Archives Center, National Museum of American History

The Maid of Cotton (MOC) beauty pageant was sponsored by the National Cotton Council, Memphis Cotton Carnival, and the Cotton Exchanges of Memphis, New York, and New Orleans from 1939-1993. The contest was held annually in Memphis, Tennessee until the National Cotton Council and Cotton Council International moved to Dallas, Texas. Beginning with the 1985 pageant (held December 1984) the competition was held in Dallas. The pageant was discontinued in 1993 due to lack of funds, a sponsor, and changes in marketing strategies. The records include files on contestants, photographs, and scrapbooks.

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Creators:
Alexander, John White, 1856-1915
Dates:
1775-1968
bulk 1870-1915
Size:
11.9 Linear feet
Collection ID:
AAA.alexjohn
Repository:
Archives of American Art

The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-4, 1967
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1967
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Dates:
1872–1878
Size:
58 Reels
Collection ID:
NMAAHC.FB.M2029
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 58 rolls of microfilm described in NARA publication M2029. These digital surrogates reproduced the field office records of the Freedmen's Branch in the Office of the Adjutant General, 1872–1878. These records consist of bound volumes and unbound records, including letters sent, letters received, registers of letters received, and registers of claims.

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Creators:
Dall, Mark H.
Dates:
circa 1821-1914, and data from 1942
Size:
6.69 cu. ft. (6 record storage boxes) (1 16x20 box)
Collection ID:
Accession 91-039
Repository:
Smithsonian Institution Archives

This accession consists of the personal papers of the Healey and Dall family. Of importance are the diaries, journals, reports, sermons, and writings of Charles Henry Appleton Dall, circa 1830-1886, first Unitarian missionary to India. In addition there are genealogy notes; Mark and George Healey correspondence; Caroline Healey Dall correspond...

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Creators:
National Museum of American History. Program in African American Culture
Dates:
circa 1983-1992 and undated
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 96-147
Repository:
Smithsonian Institution Archives

This accession consists of records which document the administrative activities of the National Museum of American History (NMAH), Program in African American Culture (PAAC), with earlier records dating back to when PAAC was known as the Program in African American History (PAAH), 1989-1992, and the Program in Black American Culture (PBAC), ...

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Dates:
1863–1872
Size:
111 Reels
Collection ID:
NMAAHC.FB.M1905
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 111 rolls of microfilm described in the NARA publication M1905. These digital surrogates reproduced the records of the staff officers of the Assistant Commissioner and the subordinate field offices of the Louisiana headquarters of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1863–1872. These records consist of bound volumes and unbound records containing materials that include letters sent and received, monthly reports, registers of complaints, labor contracts, and other records relating to freedmen's claims and bounty payments.

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Creators:
Howard, James H., 1925-1982 (James Henri)
Woolworth, Alan R.
Weslager, C.A.
Witthoft, John, 1921-1993
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Dates:
1824-1992
bulk 1950-1982
Size:
10.25 Linear feet
Collection ID:
NAA.1994-30
Repository:
National Anthropological Archives

To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1992-1993
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 04-114
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the planning and production of the videodiscs "Uptown Blues" and "Downhome Blues." Materials include correspondence, scripts, image permissions, promotional materials, clippings, background information on artists, notes, and lists and photocopies of images.

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534 records — Page 19 of 54