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- Creators:
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Custom Craft
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
More … - Dates:
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1922-1994, undated
- Size:
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41 Boxes
- Collection ID:
- NMAH.AC.0618.S06
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 6 primarily consists of photographic materials including color transparencies, slides, film, and proofs but occasionally includes notes, forms, and envelopes associated with the orders. An oveview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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D'Harnoncourt, Rene, 1901-1968
- Dates:
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1921-1983
- Size:
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2.4 Linear feet
- Collection ID:
- AAA.dharrene
- Repository:
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Archives of American Art
The papers of Austrian born curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, Mexican Art (1930-1932), and Indian Art of the United States (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.
Found In
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- Creators:
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Downtown Gallery
- Dates:
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1824-1974
bulk 1926-1969
- Size:
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109.56 Linear feet
- Collection ID:
- AAA.downgall
- Repository:
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Archives of American Art
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
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- Creators:
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Becker, John M.
Gay Officers Action League. GOAL
Heritage of Pride (HOP)
Hirsch, Leonard
More … - Dates:
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1825-2023, undated
bulk 1960-2022
1825-2022, undated
bulk 1960-2022
- Size:
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64 Cubic feet (193 boxes, 21 map-folders)
64.1 Cubic feet (193 boxes, 21 map-folders)
- Collection ID:
- NMAH.AC.1146
- Repository:
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Archives Center, National Museum of American History
This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.
Found In
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- Creators:
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Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
More … - Dates:
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1888-1993
- Size:
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106 Boxes
- Collection ID:
- NMAH.AC.0618.S01
- Repository:
-
Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.
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- Creators:
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Hopper, Grace Murray, 1906-1992
- Dates:
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1944-1965
- Size:
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2.5 Cubic feet (7 boxes, 1 map-folder)
- Collection ID:
- NMAH.AC.0324
- Repository:
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Archives Center, National Museum of American History
Papers and photographs of Grace Murray Hopper (1906-1992) computer and Naval pioneer.
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- Creators:
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Cook, Lia, 1942-
- Dates:
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1968-2012
- Size:
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5.9 Linear feet
- Collection ID:
- AAA.cooklia
- Repository:
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Archives of American Art
The papers of fiber artist and painter Lia Cook measure 5.9 linear feet and date from 1968 to 2012. Cook's career and exhibition activities are documented through biographical material, correspondence, professional files, gallery and exhibition files, printed material, photographs, and artwork.
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- Creators:
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Hale, Philip Leslie, 1865-1931
- Dates:
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1818-1962
bulk 1877-1939
- Size:
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7.4 Linear feet
- Collection ID:
- AAA.halephil
- Repository:
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Archives of American Art
The papers of Boston painter, teacher, critic, and writer Philip Leslie Hale measure 7.4 linear feet and date from 1818 to 1962, with the bulk of the material dating from 1877 to 1939. Biographical information; correspondence with family, friends, and colleagues, including many artists; sketches and 9 sketchbooks; writings; printed material; and photographs document the artist's career and personal life. The collection also includes research materials and catalogs compiled by Albert J. Kennedy for a never-published Philip Leslie Hale memorial volume.
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- Creators:
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Nevelson, Louise, 1899-1988
- Dates:
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circa 1903-1982
- Size:
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30.5 Linear feet
- Collection ID:
- AAA.neveloui
- Repository:
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Archives of American Art
The papers of Louise Nevelson measure 30.5 linear feet and date from circa 1903 to 1988. The collection documents aspects of the life and work of the sculptor, focusing especially on her later career. Papers include correspondence, personal business records, writings, scrapbooks, early art work, photographs, interviews, awards and honorary degrees, books, and an extensive amount of printed material.
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- Creators:
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d'Arazien, Arthur
- Dates:
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circa 1930-2002
- Size:
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11 Cubic feet (28 boxes)
- Collection ID:
- NMAH.AC.0314
- Repository:
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Archives Center, National Museum of American History
The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and...