541 records — Page 19 of 55
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Creators:
Imhof, Joseph, 1871-1955
Rinehart, F. A. (Frank A.)
Goff, O. S. (Orlando Scott), 1843-1917
Dates:
circa 1894-1964
Size:
89 glass plate negatives
127 Photographic prints
116 copy negatives
Collection ID:
NMAI.AC.142
Repository:
National Museum of the American Indian

This collection includes glass plate negatives, copy negatives and photographic prints taken and collected by Joseph Imhof, a lithographer and painter known for documenting Pueblo culture in New Mexico. These include images shot by Imhof in Acoma, Isleta, Santa Clara (K'apovi) and Taos Pueblos; glass plate negatives (copies) of Frank Rinehart portraits; original glass plate negatives made by Orlando Scott Goff among the Apsáalooke (Crow/Absaroke) in Montana circa 1894; photographic prints of Imhof artworks; and photographs of Joseph and Sarah Imhof and their home in Taos, New Mexico.

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Creators:
LaDuke, Betty
Dates:
circa 1981-2018
Size:
2 electronic discs (dvd)
4 Boxes (Printed Material (non-photographic))
11 Posters ((Oversize))
24 prints (visual works)
2488 negatives (photographic) (color , 35 mm)
3,194 Photographs (color , 20 x 24 inches or smaller)
Collection ID:
EEPA.2007-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from circa 1981 to 2018 and consists of photographic prints, negatives, posters, art prints, DVDs and printed and manuscript materials. Photographs depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps. Locations include villages in Ethiopia and Eritrea, particularly Senafe, Nakfa and Massawa, as well as Border War zones various battlefields and camps for internally displaced persons.

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Creators:
King, D. Ward
Dates:
1902-2005
Size:
0.75 Cubic feet ( 2 boxes, 1 map-folder)
Collection ID:
NMAH.AC.1332
Repository:
Archives Center, National Museum of American History

Photographs, publications and correspondence related to D. Ward King's invention the King Road Drag, or the Split-Oak drag, which improved rural travel in the early 20th century by introducing a simple design and low-effort system for grading poor-quality roads. The King Road Drag was promoted heavily across the United States and Canada via the "Good Roads Campaign" originally sponsored by the railroad companies in the early decades of the twentieth century.

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Creators:
Bierstadt, Albert, 1830-1902
Dates:
1860-1900
Size:
0.2 Linear feet
Collection ID:
AAA.bieralbe
Repository:
Archives of American Art

This small collection measures 0.2 linear feet and comprises 13 letters written by renowned Hudson River School landscape painter Albert Bierstadt between 1860 and 1900. The majority of the letters were penned in the last two decades of his life and discuss his painting, the inspiration he found in nature, his studio, and concerns relating to commissions and finances.

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Creators:
Avery, Milton, 1885-1965
Dates:
1926-1982
bulk 1950-1982
Size:
2.8 Linear feet
Collection ID:
AAA.avermilt
Repository:
Archives of American Art

The papers of abstract painter Milton Avery measure 2.8 linear feet and date from 1926 to 1982, with the bulk of the collection dating from 1950 to 1982. Almost the entire collection consists of records of the Milton Avery Trust (2.4 linear feet) maintained by Avery's wife Sally, who served as a trustee. Milton Avery's business and personal correspondence (five folders) contains letters from friends and fellow artists, including a few from George Duthuit, Louis Eilshemius, Marsden Hartley, Wallace Putnam, and Mark Rothko. Also found are scattered writings about Avery, price lists, estate records, exhibition announcements and catalogs, and news clippings.

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Creators:
Ranger, Henry Ward, 1858-1916
Dates:
1888-circa 1999
bulk 1904-1954
Size:
1 Linear foot
Collection ID:
AAA.ranghenr
Repository:
Archives of American Art

The estate papers of New York tonalist painter Henry Ward Ranger, measure one linear foot and date from 1888-circa 1999, with the bulk of the material dating from 1904-1954.The collection primarily documents the settlement of Ranger's contested will and the administration of his estate, but also provides scattered biographical information on Ranger's life, provenance information about his work, and documentation of the significance of his estate gift to the National Academy of Design. Records include appraisal information including an estate ledger, correspondence and memoranda including two letters from Ranger, court documents, financial and real estate records, news clippings, and two photographs and eight negatives of Ranger.

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Creators:
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.
Massie, Thomas
McLurkin, James
Dates:
1995; 1997.
Size:
1 Cubic foot (3 boxes, 5 hours)
Collection ID:
NMAH.AC.0603
Repository:
Archives Center, National Museum of American History

This collection consists of approximately 5 hours of original, master and reference video footage and photographs, documenting Thomas H. Massie and James McLurkin in 1995 and 1997. Massie invented the Phantom Haptic Interface, an electronic device giving existing computer technology the ability to simulate the sense of touch. James McLurkin inven...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 2002
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2002
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1827-1985
Size:
26 Boxes
Collection ID:
NMAH.AC.0300.S13
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 13, Agriculture, Business, and Law contains approximately 3,300 pieces of sheet music and other materials documenting the development of and popular attitudes towards business, commerce, farming and food, finances, labor, law, and social order in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Dorn, Joel, 1942-2007
Dates:
1966-1987
Size:
8 Cubic feet (17 boxes)
Collection ID:
NMAH.AC.0536
Repository:
Archives Center, National Museum of American History

Recording session logs, correspondence, newsclippings, photographs, and accounting sheets and ledger documenting Dorn's career as a producer for Atlantic Records.

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541 records — Page 19 of 55