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Creators:
Frueh, Alfred Joseph, 1880-1968
Dates:
circa 1880-2010
Size:
7.7 Linear feet
3.18 Gigabytes
Collection ID:
AAA.fruealfr
Repository:
Archives of American Art

The papers of caricaturist and illustrator Alfred J. Frueh measure 7.7 linear feet and 3.18 GB and date from circa 1880-2010. These papers consist of biographical information, including a sound recording of reminiscences about Frueh by his children; correspondence that includes many illustrated letters and greeting cards; notes and writings; numerous caricature sketches, cartoons, and 25 sketchbooks by Frueh; printed and digital material; and photographs of Frueh and his artwork. There is a 2.3 linear foot unprocessed addition to this collection donated 2020 that includes bound and unbound scrapbooks and loose newspaper and magazine clippings of caricatures by Frueh from the New Yorker and other publications, circa 1920-1940.

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Creators:
Thieme, Art
Dates:
circa 1960s-1990
Size:
459 Slides
0.3 Cubic feet (1 box)
Collection ID:
NMAH.AC.1239
Repository:
Archives Center, National Museum of American History

Art Thieme was a noted folk singer who recorded many traditional ballads and folk songs from midwestern states. This collection is a series of 459 color slides documenting folk musicians and folk music, in both concert settings and informal portraiture, all taken by the donor.

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Creators:
Smithsonian Institution. Office of Exhibits Central
Dates:
1970-2006
Size:
2.76 cu. ft. (4 16x20 boxes) (103 oversize folders)
Collection ID:
Accession 17-080
Repository:
Smithsonian Institution Archives

This accession consists of drawings documenting the planning and design of exhibitions and other projects by the Office of Exhibits Central (OEC). OEC designs exhibitions for the Smithsonian Institution Traveling Exhibition Service as well as for Smithsonian Institution museums and units without internal exhibition design offices or which need...

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Creators:
Paik, Nam June, 1932-2006
Dates:
1832-2008
bulk 1960-2000
Size:
55 Linear feet
Collection ID:
SAAM.NJP.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The archive is comprised of the papers of the artist (his writings, notes, scores, plans and designs, photographs and assorted print ephemera), his library (books, magazines, trade catalogs, etc.), as well as three dimensional artifacts from his studio (objects, toys, televisions, radios, the artist's desk, etc.) and over 200 videotapes (the artist's single-channel videotapes, installation videotapes, and videotape records of performances and interviews).

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Creators:
Moore, Clayton, 1914-1999
Moore, Dawn A.
Dates:
1980-1999.
Size:
0.5 Cubic feet (5 boxes)
Collection ID:
NMAH.AC.0727
Repository:
Archives Center, National Museum of American History

Archival materials documenting Moore's career as television's "Lone Ranger": biographical information; photographs, including appearances made by Moore, publicity photographs, and film stills; letters, financial and legal papers relating to Moore's work in endorsements after his retirement from television; and assorted papers, such as court documen...

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Creators:
The Arctic Circle (Gallery: Los Angeles, Calif.)
Witt, Ellen, 1917-2007
Witt, Bert
Dates:
1967-1987
bulk 1971-1986
Size:
634 slides (photographs)
152 Photographs
1.6 Linear feet
Collection ID:
NMAI.AC.004
Repository:
National Museum of the American Indian

The Arctic Circle records include materials gathered by Bert and Ellen Witt for their private gallery of Inuit art The Arctic Circle. These materials include native artists information which is organized by community, reference material organized topically, slides from the gallery's annual print collections as well as photographs of scupltures and textiles displayed in the gallery. Much of the reference material used by the gallery pertains to native communities in the Nunavet Territory of Canada such as Cape Dorset and Baker Lake as well as other small communities throughout the Northwest Territiories. Additionally photographs taken by Bert and Ellen Witt's son Tony during a trip to Canada in 1973 are included in this collection.

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Creators:
Carleton, Herbert W., d. 1992
Carleton, Herbert Oswald
Dates:
1912-1919
Size:
1 Cubic foot
Collection ID:
NMAH.AC.0465
Repository:
Archives Center, National Museum of American History

The Carleton Collection is a series of 461 feature film still photographs taken during the years 1912-1919. The stills are arranged alphabetically according to film titles. Most of the stills are in excellent condition, although some are torn or cracked at the edges. Only two of the films (The Awakening of Helena Richie and Birth of a Race) from...

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Creators:
Keystone View Company
Shinn, Walter Scott
Underwood & Underwood, Inc.
Fotograms (New York (N.Y.)
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Dates:
1890s-1933
Size:
0.67 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.0299
Repository:
Archives Center, National Museum of American History

This collection is divided into two series: (a) Silver gelatin prints; and (b) xerographic copy prints made in the museum. The collection consists of approximately 340 photoprints (count to be verified) documenting the life of Thomas Alva Edison, especially the later period, beginning in his early fifties, continuing until his death in 1931 at age ...

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Creators:
Fisher, Richard
Fisher, Richard, Mrs.
Mechanical and Civil Engineering, Division of (NMAH, SI)
Work and Industry, Division of, NMAH, SI
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Dates:
1902-1968
Size:
1 Cubic foot (4 boxes , 1 map-folder)
Collection ID:
NMAH.AC.1045
Repository:
Archives Center, National Museum of American History

The Fisher Collection of Panama Canal materials contains materials collected by Richard Fisher, who lived in the Panama Canal Zone during its construction. Materials include books and pamphlets, stereographs, postcards, and panoramic photographs detailing the construction and history of the Panama Canal.

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Creators:
Modern Multiples
Duardo, Richard, 1952-2014
Dates:
1970s-2017
Size:
25.2 Linear feet
Collection ID:
AAA.modemult
Repository:
Archives of American Art

The records of Modern Multiples printmaking workshop measure 25.2 linear feet and date from the 1970s to 2017. The collection contains administrative files related to the daily operations of the print workshop, gallery, and other associated businesses owned and operated by Richard Duardo. Also included are correspondence with artists and arts institutions, as well as some personal correspondence; project and artist files; printed material; photographic material, including photograph albums; artwork; and a small amount of material related to Richard Duardo, including biographical statements, a recorded interview, and journals.

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