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Creators:
Davis, Stuart, 1892-1964
Dates:
1934-1940
Size:
0.8 Linear feet
Collection ID:
AAA.davistua
Repository:
Archives of American Art

The papers of painter Stuart Davis measure 0.8 linear feet and date from 1934 to 1940. The collection is comprised of correspondence that includes letters from Yasuo Kuniyoshi, Arnold Blanch, Rockwell Kent, and others regarding Pablo Picasso's statement against the fascist dictatorship in Spain, as well as a letter from Davis to Picasso inviting him to speak at the 2nd Annual American Artists' Congress meeting. Also found are files from Davis's position as editor of Art Front magazine; membership files documenting Davis's activities with the American Artists' Congress, Fine Arts Federation of New York, the New York World's Fair Artists Committee, and other organizations; printed materials; a project file for the Federal Art Project; and editorials. Additional items include an article manuscript and a draft of a letter to Ben Shahn suggesting that Downtown Gallery artists provide funding to Edith Halpert in order to open another gallery.

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Creators:
Haskell Institute
Dates:
circa 1930-1934
Size:
1 Linear Feet (1 photograph album containing 42 prints)
Collection ID:
NMAI.AC.105
Repository:
National Museum of the American Indian

This collection consists of 1 photograph album containing 42 snapshot photographs and photographic postcards from circa 1930-1934. The bulk of the photographs depict Haskell Institute students including members of the football team Arnes Barlow, Paul Edge, Leonard Barlow, Guy Bush, Charles Bernard, Led Wilson, and coach John Levi [Inunaina (Arapaho...

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Creators:
Work and Industry, Division of, NMAH, SI
Washington Society of Engineers
Remington, Charles E.
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.
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Dates:
1905-1985
bulk 1930-1979
Size:
13.1 Cubic feet (30 boxes)
Collection ID:
NMAH.AC.0972
Repository:
Archives Center, National Museum of American History

The Washington Society of Engineers was founded in 1905 with the objective to advance engineering knowledge and maintain a high professional standard among members. Membership was open to all individuals who were actively engaged in any branch of the engineering profession. The records contain membership records, meeting minutes and reports, financial records, correspondence, projects and events details, as well as research documents.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1807-1955
Size:
1.39 Cubic feet (consisting of 3 boxes, 1 folder, 1 map case folder. )
Collection ID:
NMAH.AC.0060.S01.01.Spas
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Spas and Resorts forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Brogan, Jack
Dates:
1968-2016
bulk 1971-2009
Size:
2.25 Linear feet
Collection ID:
AAA.brogjack
Repository:
Archives of American Art

The papers of technical artist, fabricator, and conservator Jack Brogan measure 2.25 linear feet and date from 1968 to 2016 with the bulk of the collection dating from 1971 to 2009. The collection documents Brogan's collaboration with many artists associated with Southern California Light and Space art to help realize their ideas. Papers include biographical material, project files, printed material, photographic material, and artwork.

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Creators:
Koehler, S. R. (Sylvester Rosa), 1837-1900
Dates:
1833-1904
bulk 1870-1890
Size:
5.4 Linear Feet
Collection ID:
AAA.koehsylv
Repository:
Archives of American Art

The Sylvester Rosa Koehler papers measure 5.4 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.

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Creators:
Beatty, George W., -1955
Dates:
1910-1955
bulk 1910-1912
Size:
0.63 Linear Feet
0.68 Cubic Feet (1 legal document box; 1 20 x 24 x 3 flatbox; 1 slim legal document box)
Collection ID:
NASM.1989.0013
Repository:
National Air and Space Museum Archives

George W. Beatty (-1955) was an Early Bird, aviator, and instructor.

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Creators:
Zilczer, Judith
Dates:
1992-1998
Size:
0.4 Linear Feet
Collection ID:
AAA.zilcjudi
Repository:
Archives of American Art

The papers relating to art commissioned for the Ronald Reagan Building and International Trade Center, compiled by Judith Zilczer, measure 0.4 linear feet and date from 1992-1998. Papers kept by Zilczer in her capacity as a member of an advisory committee to the General Services Administrations (GSA) Art-in-Architecture Program, charged with recommending works of art to decorate the federal Ronald Reagan Building and International Center. The collection documents the process that resulted in the selection of three works of art: Martin Puryear's Bearing Witness, Stephen Robin's Federal Triangle Flowers, and Keith Sonnier's Route Zenith. The records also document the role of the committee as advocates for the artists when Stop Work Orders for Puryear and Sonnier were issued due to massive construction overruns.

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Creators:
Weyhe Gallery
Dates:
1921-2014
Size:
15.3 Linear feet
Collection ID:
AAA.weyhgall
Repository:
Archives of American Art

The records of New York gallery and bookstore Weyhe Gallery measure 15.3 linear feet and date from 1921 to 2014. The collection is comprised of administrative files that include material related to the daily functions of the gallery; correspondence with curators, dealers, museums, clients, and artists including Ansel Adams, Alexander Brook, Galerie Alfred Flechtheim, Hilla Rebay, and Marion Willard, among others, and from Lynton Kistler to Carl Zigrosser expressing his desire to exhibit his collection of hand-printed lithographs; artist files that include correspondence and business records; financial records consisting of loan and consignment records, sales invoices, ledgers, and other material that documents the movement of artwork through the gallery and bookstore; printed materials that include photocopies of sales catalogs, clippings, exhibition announcements and catalogs, and other material; and photocopies of 8 volumes of scrapbooks containing clippings relating to artists, prints, and the gallery.

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Creators:
Scurlock, Addison N., 1883-1964
Rice, Moses P.
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
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Dates:
1930-1995
Size:
115 Boxes
Collection ID:
NMAH.AC.0618.S02
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 2 consists of color photographs and hand-colored photographs, but there are also order envelopes and materials, and other photographic material types that were part of the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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