The papers of Gretchen Bender measure 2.8 linear feet and date from 1980-2004. This material documents her career as a filmmaker and multimedia artist through biographical materials, correspondence, personal business records, writings, notebooks, printed material, photographs, slides and transparencies, and artwork. Also included are project files detailing Gretchen's collaborations with dancer/choreographer Bill T. Jones, as well as a handwritten transcription of a conversation between Bender and Cindy Sherman.

The Art Foundry and Art Foundry Editions records measure 25.7 linear feet and 0.891 GB and date from circa 1975 to circa 2007. Records include administrative files; correspondence with artists, collectors, dealers, galleries, and others; eight gallery appointment books and fourteen notebooks; exhibition files; extensive artists' files; financial and legal materials; sculpture production and inventory files; and photographic and digital materials.

This accession consists of video and audio recordings and film created or maintained by the Hirshhorn Museum and Sculpture Garden (HMSG). The majority of the recordings document lectures, speeches, talks, prominent visitors, exhibitions and other events at the museum, including the HMSG groundbreaking and dedication. Other recordings are ...

Photographs compiled in an album by the wife (Connie) of a British official (T. or Tim) who was stationed in Onitsha on the Niger River from 1923 through 1925. Onitsha was the headquarters of the Onitsha Province, which comprised the divisions of Onitsha, Enugu, Obolo, Awgu and Awka. The region is settled by the Igbo peoples. The album contains numerous images of Igbo peoples, as well as pictures of the British and their lifestyles.

The Ferargil Galleries records date from circa 1900-1963 and document the activities of this New York gallery that dealt primarily in American contemporary art from shortly after its 1915 founding by Frederic Newlin Price (1884-1963) to it's closure in 1955. 18.7 linear feet of records include incoming and outgoing correspondence with artists, dealers, schools and colleges, and museums and other art institutions; artist files; estate and legal records including papers relating to the Arthur B. Davies estate; gallery business and financial records; printed material; scrapbooks; scattered personal papers of Price; artwork; and photographs of artists, exhibitions and artwork.

The Stable Gallery records measure 2.9 linear feet and are dated 1916-1999 (bulk 1953-1970). The gallery was known for its representation of the New York School. Records consist mainly of artist files containing biographical notes, correspondence, price lists, sales and payment information, printed matter, and photographs. A small number of gallery administrative and financial records are included, along with printed matter, photographs, and personal papers and estate records of gallery founder and owner Eleanor Ward. There are also reminiscences by gallery owner Eleanor Ward and her assistant Alan Groh, a sound cassette recording of Eleanor Ward, and a videoreel (1/2 inch) documentary of a 1973 Sotheby auction of works from the Robert C. Scull collection.

This accession consists of records documenting the research of Robert S. Hoffmann. Materials include correspondence, notes, color transparencies, photographs, manuscripts, teaching curricula and exhibition records.

This accession documents exhibitions created by the Aeronautics Division for the opening of the National Air and Space Museum in 1976 as well as updates, revisions, and new exhibitions in the late 1970s and early 1980s. This accession also documents exhibitions at the smaller museum located at the Paul E. Garber Preservation, Restoration, ...

This accession consists of records documenting activities of the Collection Review Board, including reviews of available art, reviews of the existing collection, and deaccessions. Materials include memoranda; printed e-mail correspondence; object information and recommendations; images of artwork; deceased artist lists; auction lists; and...

The papers of librarian, curator, and photographer Paul Vanderbilt (1905-1992) measure 25.2 linear feet and date from 1854 to 1992 with the bulk of the material dating from 1945 to 1992. The papers are comprised of biographical materials, personal and business correspondence, interviews, writings and notes, fourteen diaries and two diary fragments, reference and project files, photographic materials, sound recordings, and professional files.