This accession consists of records that document the research, planning, and execution of exhibits by the Department of the History of Science and Technology. Exhibits include the Hall of Petroleum, the Hall of Iron and Steel, and Inventing Standard Time. Some of the materials date to when the department was …
These records consist of files from the Department of Design and Production, National Portrait Gallery (NPG). Included are correspondence between the NPG curatorial staff and other Smithsonian bureaus and offices. There is also correspondence between the NPG staff and other external art museums, including individual artists and art experts regarding …
This accession consists of records created and maintained by Milo Cleveland Beach, Director, 1987-2001, documenting participation in professional associations; donations to endowment funds; events held for, or by, the Freer Gallery of Art (FGA); development; fellowships and grants; affiliated museums, universities, and institutions; strategic plans and mission statements; acquisitions; and various …
This accession consists of materials related to the development, research, and production of exhibitions at the National Museum of the American Indian (NMAI), both at the Mall museum site and at the George Gustav Heye Center (GGHC) in New York, New York. Exhibitions covered include The Art of Being Kuna …
Christine Burgin Gallery records
The records of Christine Burgin Gallery, a New York City gallery representing conceptual artists from the United States and Europe, measure 18 linear feet and 52.28 GB, and date from 1980-2016. The collection documents the gallery's activities, projects, and relationships with artists through administrative files and business records, artist files, exhibition files, and client files. Artist files comprise nearly half of the collection and contain correspondence with artists and project files for numerous publications and editions the gallery produced in collaboration with artists. Some material is in born-digital form, including images of artwork and installations, slide shows, document files, as well as audiovisual recordings. The collection also contains two analog video recordings. Files dating from after the gallery's closure include additional correspondence, invoices, and project files.
These records primarily document America as Art, the major exhibition and catalog which Murray produced for the Bicentennial in 1976. Also included are a small number of administrative subject files pertaining to other matters.
Miscellaneous art exhibition catalog collection
Primarily exhibition catalogs for modernist art exhibitions held in New York City during the first two decades of the twentieth century. Also included are catalogs for Boston exhibitions, mainly pre-1900, and a few other locales; exhibition announcements; gallery publications; and other printed material.
This accession consists of exhibit scripts, manuscripts; memoranda, correspondence; newspaper articles; posters, booklets; brochures, and photocopies of chapters from books, including journal articles. There are also architectural drawings; drawings and sketches; and computer printouts.
Project Management and Projects Files
This accession consists of the records of David Warren, Deputy Director of the National Museum of the American Indian (NMAI) and document project related activities. Materials include correspondence, memoranda, and notes; budget summaries; meeting minutes; collections management information; reports; contract proposals; NMAI construction planning and correspondence with the architectural firm …
This collection deals chiefly with Durant's tenure as Assistant Director for Astronautics at the National Air and Space Museum (NASM). Perhaps the single topic of greatest interest is the effort to obtain a building for NASM, which was accomplished on July 1, 1976, when the new museum opened. A parallel theme concerns …