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Creators:
The Arctic Circle (Gallery: Los Angeles, Calif.)
Witt, Ellen, 1917-2007
Witt, Bert
Dates:
1967-1987
bulk 1971-1986
Size:
634 slides (photographs)
152 Photographs
1.6 Linear feet
Collection ID:
NMAI.AC.004
Repository:
National Museum of the American Indian

The Arctic Circle records include materials gathered by Bert and Ellen Witt for their private gallery of Inuit art The Arctic Circle. These materials include native artists information which is organized by community, reference material organized topically, slides from the gallery's annual print collections as well as photographs of scupltures and textiles displayed in the gallery. Much of the reference material used by the gallery pertains to native communities in the Nunavet Territory of Canada such as Cape Dorset and Baker Lake as well as other small communities throughout the Northwest Territiories. Additionally photographs taken by Bert and Ellen Witt's son Tony during a trip to Canada in 1973 are included in this collection.

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Creators:
Thibault/Teabo, André, 1948?
Dates:
circa 1930s-2003
bulk 1980-1998
Size:
0.9 Linear feet
Collection ID:
AAA.thibandr
Repository:
Archives of American Art

The papers of studio assistant Andre Thibault/Teabo regarding African American painter Romare Bearden measure 0.9 linear feet and date from circa 1930s to 2003 with the bulk of the material dating from 1980 to 1998. The papers consist of administrative records such as financial and gallery records. Correspondence includes letters from Romare Bearden, his wife Nanette and Andre Thibault. Of note is correspondence between Thibault and Nanette concerning the signature on a Bearden painting. Printed material includes exhibition catalogs, posters, magazines, art books and source material used by Bearden. Artwork consists of a self-portrait, a sketchbook, collage pieces, and oversize drawings by Bearden. Photographic material is comprised of photographs of Bearden, his art, studio, Andre Thibault/Teabo, Russell Goings and others.

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Creators:
Celley, Al
Ellington, Duke, 1899-1974
Dates:
1943 - 1989
Size:
2.5 Cubic feet (7 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1240
Repository:
Archives Center, National Museum of American History

A diverse collection of papers assembled by Duke Ellington's road manager, Al Celley. The collection includes correspondence, photographs of Ellington and his orchestra at various times and locations; concert ephemera; handwritten notes; business and financial documents, primarily receipts; and travel ephemera.

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Creators:
Murdock, E. (Woodware Manufacturing)
Dates:
1863-1954
Size:
0.33 Cubic feet (4 boxes)
Collection ID:
NMAH.AC.0268
Repository:
Archives Center, National Museum of American History

This collection consists of correspondence from customers, catalogues, statements, and receipts from various shipping companies. Also included are price lists, bulletins, advertisements, and a census report. These papers indicate the kinds and the amounts of transactions that E. Murdock & Co. engaged in throughout most of its history. The corresp...

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Creators:
Bischoff, Elmer, 1916-1991
Dates:
1914-1990
Size:
4.4 Linear feet
Collection ID:
AAA.biscelme
Repository:
Archives of American Art

The papers of San Francisco painter and arts instructor Elmer Bischoff measure 4.4 linear feet and date from 1914 to 1990, with the bulk of the material dating from the late 1950s to the mid-1980s. Found within the papers are biographical materials, scattered correspondence, notes and notebooks, teaching and student files, printed materials, artwork and two sketchbooks, and photographs and negatives of Bischoff, his family, post World War II Europe, and artwork studies.

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Creators:
Halstead, Whitney
Dates:
1920-1982
Size:
7.1 Linear feet
Collection ID:
AAA.halswhit
Repository:
Archives of American Art

The Whitney Halstead papers measure 7.1 linear feet and date from 1920 to 1982. They document the career of art historian, educator, critic, author, and artist Whitney Halstead. Found within the papers are scattered biographical material; a diary and travel journals; writings and notes (almost one-half of the collection); scattered correspondence; miscellaneous records and printed materials documenting Halstead's tenure at the Art Institute of Chicago; audio-cassette recordings of African and native music; artists files for Jim Nutt and Joseph E. Yoakum; exhibition files; art work by Halstead and others; and photographs of Halstead, friends and colleagues, and art projects. Also found are numerous photographs, slides, and negatives of primitive art, including American Indian art by Southwest tribes.

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Creators:
Cinque Gallery
Dates:
1959-2010, bulk 1976-2004
Size:
1.1 Linear feet
Collection ID:
AAA.cinqgall2
Repository:
Archives of American Art

The records of the New York City-based Cinque Gallery, a nonprofit organization, measure 1.1 linear feet and date from 1959 to 2010, with the bulk of materials dating from 1976 to 2004. The gallery's mission was to exhibit African American artists, to educate the public about their work, and to offer art programs to the community. This is documented by administrative records, artists' files, financial and legal records, printed material, and photographs. Materials dated before and after the gallery's years of operation relate to African American community organizations and were compiled by former Cinque Gallery Executive Director, Ruth Jett.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1833-1943
Size:
2.9 Cubic feet (consisting of 5 boxes, 1 folder, 5 oversize folders, 2 map case folders, 2 flat boxes (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Lighting
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Lighting forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1793-1967
Size:
1.92 Cubic feet (consisting of 4 boxes, 1 folder, 4 oversize folders, 1 map folder, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Coffee
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Coffee forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Davies, Diana, 1938-
Dates:
1963-2009
Size:
3.83 Cubic feet (8 binders containing contact sheets, slides, and prints; 7 boxes (8.5"x10.75"x2.5") of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints.)
Collection ID:
CFCH.DAVIE
Repository:
Ralph Rinzler Folklife Archives and Collections

The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides. Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.

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