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Creators:
Smithsonian Institution. Office of Public Affairs
Dates:
1999
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession 01-078
Repository:
Smithsonian Institution Archives

This accession consists of clippings about Smithsonian Institution museums, curators, exhibitions, and events.

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Creators:
Smithsonian Institution. Office of Public Affairs
Dates:
2012-2013
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 15-120
Repository:
Smithsonian Institution Archives

This accession consists of articles and clippings about Smithsonian Institution museums, curators, exhibitions, and events.

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Creators:
Smithsonian Institution. Office of Public Affairs
Dates:
2006
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 09-091
Repository:
Smithsonian Institution Archives

This accession consists of newspaper clippings about Smithsonian Institution museums, curators, exhibitions, and events. Materials include clippings.

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Creators:
Arnold, Rudy, 1902-1966
Dates:
circa 1920s-1950s
bulk 1920-1940
Size:
10.91 Cubic feet (9,579 photographic items)
25.37 Linear feet (38 boxes)
Collection ID:
NASM.XXXX.0356
Repository:
National Air and Space Museum Archives

Rudy Arnold (1902-1966) was introduced to photography in 1918. After studying at the New York School of Photography, he worked at the New York Journal-American and the New York Graphic. During his stint at the latter he started to focus on aviation photography. In 1928, Arnold started his own aviation photography business and worked out of the following New York air fields and airports during his career: Roosevelt Field, the old Curtiss Airport, Floyd Bennett Field, and LaGuardia Airport His coverage of a wrecked airliner in upstate New York was the first photograph sent by wire to newspapers across the country. Arnold's work appeared in every aviation magazine, house organs (Douglas, Grumman), and mass circulation magazines as well as many newspapers. He also did motion-picture camera work for Universal and Paramount.

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Creators:
Smithsonian Institution. Office of Public Affairs
Dates:
2000
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 03-044
Repository:
Smithsonian Institution Archives

This accession consists of newspaper clippings about Smithsonian Institution museums, curators, exhibitions, and events.

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Creators:
Smithsonian Institution. Office of Public Affairs
Dates:
2008
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 10-113
Repository:
Smithsonian Institution Archives

This accession consists of newspaper clippings about Smithsonian Institution museums, curators, exhibitions, and events. Materials include clippings.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1780-1952
Size:
1.64 Cubic feet (consisting of 3.5 boxes, 2 oversize folders, 1 map case folder.)
Collection ID:
NMAH.AC.0060.S01.01.Engraving
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Engraving forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Sears, Thomas Warren, 1880-1966
Sears & Wendell
Olmsted Brothers
Harvard University
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Dates:
1899-1964
Size:
44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )
Collection ID:
AAG.SRS
Repository:
Archives of American Gardens

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.

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Creators:
Smithsonian Institution. Office of Public Affairs
Dates:
2014
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 16-227
Repository:
Smithsonian Institution Archives

This accession consists of articles and clippings about Smithsonian Institution museums, curators, exhibitions, and events.

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Creators:
Hollerith family
Hollerith, Lucia Beverly, 1891-1982
Hollerith, Herman, 1860-1929
Hollerith, Nannie Talcott, 1898-1985
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Dates:
1952-1980
Size:
0.75 Cubic feet (approximately 2,500 35mm slides, 35mm)
Collection ID:
AAG.HOL
Repository:
Archives of American Gardens

The Hollerith Family Collection includes approximately 2,200 35mm slides dating from 1952 to 1980 that document the horticultural interests and travels of sisters Virginia and Nan Hollerith, members of the Georgetown Garden Club in Washington, D.C. The images primarily show private and public gardens, plantations, and historic sites in the mid-Atlantic and the southeast regions of the United States. Included in the collection are slides documenting the activities of the Georgetown Garden Club and various floral arrangements.

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