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Creators:
Sharpe, Weiss and Company
Dates:
1856-1889
Size:
4.75 Cubic feet (13 boxes, 1 map folder)
Collection ID:
NMAH.AC.0399
Repository:
Archives Center, National Museum of American History

Invoices and letters from merchants and manufacturers with whom Sharpe, Weiss and Company, and their successors, did business; and two reels of microfilm of Sharpe and Weiss's account books.

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Creators:
Rathbone, Perry Townsend, 1911-2000
Dates:
1929-1985
Size:
4.3 Linear feet (5 boxes, 1 OV)
Collection ID:
AAA.rathperr
Repository:
Archives of American Art

The papers of museum director Perry Townsend Rathbone measure 4.3 linear feet and date from 1929 to 1985. The papers document Rathbone's career as museum director of the City Art Museum of St. Louis and the Boston Museum of Fine Arts, and his later work with Christie's New York office. Found within the papers are biographical materials, correspondence with friends and colleagues, writings, professional and project files, printed materials, and photographs, mostly of exhibitions.

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Creators:
National Zoological Park
Dates:
circa 2000-2013
Size:
2.5 cu. ft. (2 record storage boxes) (1 document box)
Collection ID:
Accession 17-171
Repository:
Smithsonian Institution Archives

This accession consists of audiovisual recordings featuring the National Zoological Park (NZP) and its animals, staff, activities, events, research, medical procedures, and exhibitions. The majority of the materials were created by NZP. Others were created by news media and radio, television, and video production companies. Included in this ...

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Creators:
National Collection of Fine Arts. Office of Administration
Dates:
1964-1980
Size:
15 cu. ft. (30 document boxes)
Collection ID:
Record Unit 447
Repository:
Smithsonian Institution Archives

These records include administrative subject files, personnel records, financial and budgetary materials, and exhibition files. The administrative subject files contain letters, memoranda, reports, inventories, and other records which chronicle the day-to-day operations of NCFA. Among these are correspondence with NCFA curators and Smithsonian...

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1981-2001
Size:
16 cu. ft. (16 record storage boxes)
Collection ID:
Accession 07-020
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM). Supplementary areas of exhibitions also covered include related symposiums, lectures, and gallery talks. Among those exhibitions covered are The Bard Broth...

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Creators:
Smithsonian Institution. Office of the Secretary
Dates:
1992
Size:
28 cu. ft. (28 record storage boxes)
Collection ID:
Accession 95-015
Repository:
Smithsonian Institution Archives

This accession consists of the official records of the Secretary of the Smithsonian, Robert McCormick Adams, for 1992 and includes reports, correspondence, subject files, and other materials. Listings in bold and capital letters indicate both the topic of folder contents and major subheadings from the Secretary's Office file plan.

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Creators:
Marcus, Marcia, 1928-
Dates:
1928-2016
bulk 1950-2000
Size:
0.389 Gigabytes
8.42 Linear feet
Collection ID:
AAA.marcmarc
Repository:
Archives of American Art

The papers of New York painter and educator Marcia Marcus measure 8.42 linear feet and .389 gigabytes (1 computer file), and date from 1928-2016, with the bulk of the materials dating from 1950-2000. The papers include biographical material, correspondence, interviews, writings (including two diaries), project files, personal business records, printed material, photographic material, eight sketchbooks, and artwork. Extensive personal and professional correspondence is with her husband and close friends, galleries, museums, and other arts organizations. Notable correspondents include Sally Avery, Dody Müller, and Robert (Bob) Richenburg, and, to a lesser extent, Dorothy Gill Barnes, Elaine Benson, Elaine de Kooning, Grace Hartigan, and Myron Stout. Photographic material includes photographs of Marcus at all stages of her life and photographs and slides documenting her paintings.

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Creators:
Ellsworth, Scott, Dr.
Zinn, Manfredo
Marx, Dick
Nunez, Raul
More …
Dates:
1926-1988
Size:
17.4 Cubic feet (86 boxes)
Collection ID:
NMAH.AC.0198
Repository:
Archives Center, National Museum of American History

The Marlboro Oral History and Documentation Project is the result of a two-year effort supported in part by a gift from Philip Morris, Inc. Sixty oral history interviews and a variety of television commercials, print advertising, promotional materials, packaging, and industry publications were gathered to document Marlboro cigarette advertising. T...

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Creators:
D'Harnoncourt, Rene, 1901-1968
Dates:
1921-1983
Size:
2.4 Linear feet
Collection ID:
AAA.dharrene
Repository:
Archives of American Art

The papers of Austrian born curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, Mexican Art (1930-1932), and Indian Art of the United States (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.

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Creators:
Faris, James C.
Dates:
1960-2014, undated
Size:
7.67 Linear feet
Collection ID:
NAA.2016-36
Repository:
National Anthropological Archives

James Faris (1936 – present) is an American cultural anthropologist and epistemologist who received his PhD from Cambridge University in 1966. He conducted fieldwork in the fishing settlement of Cat Harbour, Newfoundland, among the Nuba of Southeastern Kordofan in the Sudan, and among the Navajo in the American Southwest. His research specializations include cognitive anthropology, art and aesthetics, ritual, social organization and reproduction, anthropological linguistics, and visual anthropology and critical theory and representation. The James Faris Papers, 1960-2014, primarily document his fieldwork with the Nuba peoples of Southeastern Sudan. His papers also include materials related to representation of the Nuba peoples and various controversies in visual anthropology and documentary film that related to Leni Riefenstahl and her filmmaking among the Nuba. During the 1960s Faris was drawn into activism against the Vietnam War while at the University of Connecticut and his papers contain ephemeral materials on radical anthropology and racism from that period. The collection consists of field notes, correspondence, photographs, sound recordings, films (including scripts and transcriptions), videos, book and papers drafts, and news and magazine clippings.

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