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Creators:
Fischer, Ann K.
Fischer, John Lyle, 1923-1985
Dates:
ca. 1942-1985
Size:
31.71 Linear feet ((65 boxes, 1 manuscript folder, and 128 sound recordings) )
Collection ID:
NAA.2013-16
Repository:
National Anthropological Archives

This collection contains John and Ann Fischer's correspondence, field notes, manuscripts, microfilm, sound recordings, and photographs relating to their work in Micronesia, Japan, and New England. Most of the materials in this collection were produced or collected by John. Although some materials have been identified as Ann's work, not all folders containing her notes have been so identified. Since John and Ann often collaborated, some of their notes are also intermixed. Materials relating to Truk and Ponape make up the bulk of the series. They not only include John and Ann's field notes but also administrative materials relating to John's position as District Anthropologist and District Island Affairs Officer. Because they returned at various times to visit and update data, there are documents on Ponape from 1949 as well as from the 1970s and in between. The Fischers' work in Japan is also well-represented in the collection along with their research for John and Beatrice Whiting's Six Cultures Project. The collection also contains a number of psychological tests administered by John and Ann during their research in Ponape and Japan. The sound recordings are mostly related to Ponape, with additional recordings from Japan. Several of the photographs are from Micronesia, some of which were taken by Harry Clifford Fassett. There are also some photos from Japan as well as personal photographs. Additional items in the collection include John's correspondence and papers he wrote as a student.

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Creators:
Smithsonian Institution, Visitor Information and Associates' Reception Center
Dates:
2005-2011
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 13-209
Repository:
Smithsonian Institution Archives

This accession consists of publications created by the Visitor Information and Associates' Reception Center for distribution to volunteers and to the public as well as signage for the Smithsonian Institution on the National Mall and for the information and membership desks in the various museums. Materials include applications, forms, bro...

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Creators:
Smithsonian Institution, Visitor Information and Associates' Reception Center
Dates:
1974-2004
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 07-177
Repository:
Smithsonian Institution Archives

This accession consists of publications created by the Visitor Information and Associates' Reception Center for distribution to volunteers and to the public as well as signage for the Smithsonian Institution on the National Mall and for the information and membership desks in the various museums. Materials include applications, forms, bro...

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Creators:
Beal, Gifford, 1879-1956
Dates:
1889-2001
bulk 1900-1954
Size:
7.7 Linear feet
Collection ID:
AAA.bealgiff
Repository:
Archives of American Art

The papers of painter and muralist Gifford Beal measure 7.7 linear feet and date from 1889 to 2001. The bulk of the collection consists of artwork, in addition to correspondence, writings, printed matter, including one scrapbook, pictorial subject files, photographs, and two scrapbooks of photographs of works of art. Artwork is primarily in the form of sketches and seventy-eight sketchbooks in a wide variety of media. Among the loose sketches are twenty-eight oil paintings on wood board or panel, and fourteen large pastel drawings on canvas depicting dancing figures in a romantic style. Artwork by other artists in the collection include prints by Arthur B. Davies, Rockwell Kent, and Denys Wortman.

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Creators:
Anacostia Community Museum
Dates:
circa 1970s
Size:
14 video recordings (open reel, 1/2 inch)
15 sound recordings (open reel, 1/4 inch)
Collection ID:
ACMA.09-037
Repository:
Anacostia Community Museum Archives

This collection includes news programs, television shows, and music recorded from local and national radio and television broadcasts as well as prerecorded programs, such as The Negro Texans and Alex Haley Lecture for the Doubleday Lecture Series. Anacostia Community Museum does not hold the copyright of the broadcast programs and prerecorded progr...

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Creators:
Watson, Forbes, 1880-1960
Dates:
1840-1967
bulk 1900-1960
Size:
13.92 Linear feet
Collection ID:
AAA.watsforb
Repository:
Archives of American Art

The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.92 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.

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Creators:
Jett, Ruth M.
Dates:
1914-2014
Size:
7.8 Linear feet
0.242 Gigabytes
Collection ID:
AAA.jettruth
Repository:
Archives of American Art

The papers of African American arts administrator and director of Cinque Gallery, Ruth Jett, measure 7.8 linear feet and date from 1914 to 2014. The collection contains biographical material; correspondence with family, friends, and colleagues including William Branch, Vinie Burrows, John and Vivian Hewitt, Langston Hughes, and Charles and Frances White; and administrative and professional files which include material related to the American Society of African Culture, the Carnegie Endowment for International Peace, Cinque Gallery, the Cinque Artists Program at the Romare Bearden Foundation, the Library of Congress Center for the Book, and the Schomburg Corporation. The collection also includes writings, primarily typescript copies of literary works by others, including Langston Hughes and Ossie Davis, as well as notes; printed material such as clippings, exhibition and event announcements, books and magazines, and press releases; and photographic material including photographs, snapshots, negatives, and slides depicting Ruth Jett and other individuals, travel, Carnegie Endowment for International Peace fellows and events, and works of art. Also found is a small amount of artwork including a sketchbook, sketches, a painting, and a print.

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Creators:
Cooper-Hewitt, National Design Museum. Education Department
Dates:
1989-1998
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Accession 99-026
Repository:
Smithsonian Institution Archives

This accession consists of program files and docent files related to summer intern programs, docent training, and education programs and lectures sponsored throughout the year at the Cooper-Hewitt, National Design Museum. Materials include newspaper clippings, planning files, brochures, lectures, correspondence with participating scholars, ...

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Creators:
Knight, Natalie
Priebatsch, Suzanne
Dates:
circa 1970s-2011
bulk 1974-1978
Size:
1,305 Slides (color, 35 mm)
325 negatives (photographic) (color, 35 mm)
331 Photographic prints
3 electronic discs (dvd)
19 Folders (manuscript materials)
Collection ID:
EEPA.2012-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes (1,305) 35mm color slides, (325) 35mm color negatives, (331) photographic prints, (3) DVDs and manuscript materials. The images were produced between circa 1970s and 1999 and most depict the Ndebele peoples of South Africa in their kraals (homesteads) making bricks, thatching roofs, and performing other daily activities; ar...

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Creators:
Sturtevant, 1924-2014
Dates:
circa 1960-2014
bulk 1990-2014
Size:
5.2 Linear feet
0.003 Gigabytes
Collection ID:
AAA.sturelai
Repository:
Archives of American Art

The papers of multi-media artist Elaine Sturtevant date from circa 1960-2014, with the bulk of material dating from the period of the artist's resurgence, 1990-2014. The collection measures 5.2 linear feet and 0.003 GB. The papers document Sturtevant's career and artistic process through correspondence with artists and curators, writings and illustrated notes, exhibition and catalog files, project files, and printed material. Sturtevant's voice and artistic mission emerge through the many items of correspondence, essays, and project notes in the collection. The collection also contains a few born-digital files of scans of exhibition photographs dating from the 1960s.

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