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Dates:
1865–1871
Size:
35 Reels
Collection ID:
NMAAHC.FB.M803
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 35 rolls of microfilm described in the NARA publication M803. These digital surrogates reproduced the 23 volumes and the unbound records of the Education Division of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–71. The records consist mainly of letters sent, letters received, and reports of schools by the State superintendents of education on a monthly, quarterly, and annual basis.

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Creators:
National Portrait Gallery. Department of Design and Production
Dates:
1984-1999
Size:
12.47 cu. ft. (28 blueprint storage boxes) (1 oversize folder)
Collection ID:
Accession 07-043
Repository:
Smithsonian Institution Archives

This accession consists of master, exhibition, and project drawings created by the Department of Design and Production. The master drawings consist of drawings to which can be added those structures, details, etc. needed to generate specific exhibit or project drawings. These drawings are arranged numerically by gallery or room number and ...

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Creators:
Diller, Burgoyne, 1906-1965
Dates:
1932-1961
Size:
0.2 Linear feet
Collection ID:
AAA.dillburg2
Repository:
Archives of American Art

Burgoyne Diller's collection of printed material measures 0.2 linear feet and dates from 1932 to 1961. The collection primarily documents Diller's career through printed material consisting of clippings and exhibition announcements and catalogs. There is also one letter from the James Gallery dated 1959.

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Creators:
Society for the History of Technology
Kranzberg, Melvin, Dr., 1917-1995
Dates:
1956-2017
Size:
353 Cubic feet (378 boxes)
Collection ID:
NMAH.AC.0400
Repository:
Archives Center, National Museum of American History

The Society for the History of Technology Records (SHOT) consists of documents relating to SHOT from its inception in 1958- [0ngoing]. The collection is divided into two subgroups: Subgroup I, General Records, 1956-2009 which consist of papers generated and received by Melvin Kranzberg in his various roles as an officer of SHOT, as well as papers of other SHOT officers. Subgroup II,Technology and Culture Records, 1958-2009, consists of documents relating to the Society's journal, Technology and Culture. T & C is a quarterly publication containing articles of interest to and written by historians and students of technology. The records consist of material generated by Melvin Kranzberg in his role as editor-in-chief, 1959-1981 and by succeeding T&C editors.

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Creators:
Safko, Lon S.
Dates:
1984 - 1996
Size:
12.6 Cubic feet (34 boxes)
Collection ID:
NMAH.AC.0911
Repository:
Archives Center, National Museum of American History

The records of Safko International, Inc., document an assistive computer technology company created by Lon S. Safko to produce and sell the environmental control systems he invented for the physically disabled, specifically quadriplegics. Through the use of a computer and alternative input devices, the physically disabled were able to overcome physical barriers which inhibited them from attaining an autonomous lifestyle.

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Creators:
Bogert, Charles M. (Charles Mitchill), 1908-1992
Dates:
1952-1965
Size:
79 sound tape reels (1.6 cubic feet)
Tapes are in original boxes.
Collection ID:
CFCH.BOGE
Repository:
Ralph Rinzler Folklife Archives and Collections

Five boxes containing sixty-four 5 inch and fifteen 7 inch open reel tapes recorded primarily by American herpetologist Charles M. Bogert from 1953-1965. This collection has two parts: the first focusing mainly on traditional music and liturgical music from several regions in Mexico: Oaxaca, Jalisco, Nayarit. Also included is music recorded in the Southwestern United States. The second portion of the collection contains amphibian, bird, and insect calls and choruses, mostly from these same regions in Mexico, the Southwestern, Western, and Southern United States, and Sri Lanka.

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Creators:
National Museum of American History. Department of Public Programs
Dates:
1968-1992
Size:
41 cu. ft. (41 record storage boxes)
Collection ID:
Record Unit 584
Repository:
Smithsonian Institution Archives

These records mostly consist of staff correspondence and memoranda documenting administrative and program-oriented activities of the Department of Public Programs. The records pertain to fundraising, social history lectures and seminars, the Senior Series Program, budget, educational outreach proposals, grant information, planning for the...

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Dates:
1865–1874
Size:
27 Reels
Collection ID:
NMAAHC.FB.M816
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 27 rolls of microfilm described in the NARA publication M816. These digital surrogates reproduced 55 volumes containing signatures of and personal identification data about depositors in 29 branch offices of the Freedman's Saving and Trust Company, 1865–1874.

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Creators:
National Zoological Park
Dates:
1887-1966
Size:
147 cu. ft. (288 document boxes) (1 tall document box) (4 bound volumes) (71 microfilm reels)
Collection ID:
Record Unit 74
Repository:
Smithsonian Institution Archives

The earliest records concerning the National Zoological Park date from 1887. They were kept by the Office of the Secretary of the Smithsonian Institution until 1890, when they were transferred to Holt House, the Park's administrative headquarters. During the late 1960's the records were transferred to the custody of the Smithsonian Institution...

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Creators:
Kardon, Janet
Dates:
1905
circa 1950-1995
Size:
6.7 Linear feet
Collection ID:
AAA.kardjane
Repository:
Archives of American Art

The Janet Kardon papers measures 6.7 linear feet and date from 1905, and circa 1950-1995, with the bulk of the records dating from 1975-1991. Papers include exhibition files, professional records, legal records, photographs, printed material, and some audiovisual material. The collection primarily documents Kardon's work on various exhibitions during her time at the Philadelphia College of Art (PCA) and the Institute of Contemporary Art (ICA), University of Pennsylvania.

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