The collection consists of 13 printed cards produced by Gallery Watatu in Nairobi, Kenya. These include exhibition announcements, an exhibition booklet, a holiday card, and cards featuring artwork from the Gallery.

The papers of Washington, D.C. area painter and art instructor Robert Franklin Gates date from 1910-1988, bulk 1928-1988, and measure 2.3 linear feet. Found within the papers are biographical materials; letters from government agencies, museums, galleries, and colleagues; business records primarily concerning transactions with the Jack Rasmussen Gallery; artwork including scattered drawings by Gates and block prints by Joe Goethe and D. Neufeld; two scrapbooks; printed materials; and photographs of Gates, family members, models, artwork, and exhibition installations. There are also photograph albums and miscellaneous photographs documenting a 1936 voyage to the Virgin Islands commissioned by the U.S. Treasury Department.

An exhibition exploring the varied stigmas and stereotypes applied to New York City's Housing Authority sites and the residents (past and present) who live in them. Journalist Rico Washington and photographer Shino Yanagawa collaborated on this exhibit which offers an in-depth look at how New York City public housing has impacted society-at-large by producing some of the world's most influential and dynamic artists, entrepreneurs, athletes, musicians, politicians, and thinkers. It was exhibited at the World Festival of Black Arts and Culture in Dakar, Senegal, 2010, at the Gordon Parks Gallery at the College of New Rochelle (NY), 2013, and the Brooklyn Historical Society from 2014-2015.

This accession consists of two series. Series 1 consists of graphics records and documents the work of the department on such aspects of exhibitions as gallery guides, posters, invitations, label text, banners, letterhead, case labels, brochures, murals, and advertisements. Series 2 consists of installation records and documents the work ...

The records of the Susanne Hilberry Gallery measure 5.8 linear feet and 10.1 gigabytes, and date from 1964-2017, with the bulk of the material dating from 1976-2016. Gallery artists include Richard Artschwager, Lynda Benglis, Jun Kaneko, Ellen Phelan, Italo Scanga, Joel Shapiro, Alex Katz, Judy Pfaff, Warren MacKenzie, and Nancy Mitchnick, among many others. The collection consists largely of files grouped by artist containing correspondence, sales records, and exhibition records documenting the activities of the gallery including outside or traveling exhibitions and other initiatives. Also included are significant amounts of visual materials (photographs, slides, transparencies, and digital images) documenting gallery exhibitions and the oeuvres of the gallery artists, as well as digital video recordings in the form of video works, recordings of artist talks, and artwork documentation.

This accession consists of the Smithsonian Institution Archives website as it existed on November 21, 2016, and again on December 12, 2016. The website includes information for researchers, staff, and the general public regarding reference, records management, and preservation. It also includes publications, resources for teachers, online exhi...

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.

This accesion consists of records that document the exhibition activities of Lydia Puccenelli, Curator, circa 1967-2000. Puccinelli was a curator with the Museum of African Art before it became a part of the Smithsonian Institution in 1979 and was later renamed the National Museum of African Art. Materials include correspondence, memoranda, ...

Slides collected by Lydia Puccinelli, Curator at the National Museum of African Art, from four photographers for a slide presentation in conjunction with a museum exhibition entitled, "Designs of the Ndebele: Beaded Craftwork in Africa," between 1977-1978. The photographers were Natalie Knight, owner of the Natalie Knight Gallery, in Johannesburg, South Africa; Suzanne Priebatsch, of Boston, Massachussetts; Peter Turner of Johannesburg, South Africa; H. de Lorm of Johannesburg, South Africa; and Rhoda Levinsohn of South Africa.