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Creators:
Anderson, Edgar, approximately 1922-
Gold, Donna, 1953-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2002 September 17-19
Size:
78 Pages (Transcript)
24 Items (Sound recording: 24 sound files (5 hr., 52 min.), digital wav)
Collection ID:
AAA.anders02
Repository:
Archives of American Art

An interview of Edgar Anderson conducted 2002 September 17-19, by Donna Gold, in Morristown, New Jersey, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

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Creators:
Cecula, Marek, 1944-
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2009 May 19-20
Size:
104 Pages (Transcript)
10 Items (Sound recording: 10 sound files (4 hr., 55 min.), digital, wav)
Collection ID:
AAA.cecula09
Repository:
Archives of American Art

An interview of Marek Cecula conducted 2009 May 19-20, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Cecula's studio, in New York, New York.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1831-1981
Size:
9.87 Cubic feet (consisting of 21 boxes, 1 folder, 13 oversize folders, 7 map case folders.)
Collection ID:
NMAH.AC.0060.S01.01.Seed
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Seed Industry and Trade forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Linda Farris Gallery
Farris, Linda
Dates:
1969-1995
Size:
13.4 Linear feet (13 Boxes, 1 sol, 1 ov folder)
Collection ID:
AAA.lindfarr
Repository:
Archives of American Art

The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.

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Creators:
Choo, Chunghi
Milosch, Jane
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2007 July 30-2008 July 26
Size:
75 Pages (Transcript)
Collection ID:
AAA.choo07
Repository:
Archives of American Art

An interview of Chunghi Choo conducted 2007 July 30-2008 July 26, by Jane Milosch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Iowa City, Iowa.

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Dates:
1865–1871
Size:
5 Reels
Collection ID:
NMAAHC.FB.M980
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the five rolls of microfilm described in the NARA publication M980. These digital surrogates reproduced the records of the Superintendent of Education for the State of Arkansas, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–71. The records consist of 10 volumes and some unbound documents. The volumes include letters and endorsements sent and registers of letters received. The unbound documents consist primarily of letters and reports received.

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Dates:
1864-1869
Size:
12 Reels
Collection ID:
NMAAHC.FB.M1026
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 12 rolls of microfilm described in NARA publication M1026. These digital surrogates reproduced the records of the Superintendent of Education for the State of Louisiana, Bureau of Refugees, Freedmen, and Abandoned Lands, 1864-69. The records consist of 18 bound volumes and nearly 2.4 meters (8 feet) of unbound documents. The bound volumes include letters, telegrams, and endorsements sent; registers of employees; accounts with freedmen schools; and other records. The unbound documents consist primarily of letters and telegrams sent and reports sent and received.

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Creators:
Cederquist, John
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2009 April 14-15
Size:
11 Items (Sound recording: 11 sound files (4 hr., 54 min.), digital, wav file)
111 Pages (Transcript)
Collection ID:
AAA.cederq09
Repository:
Archives of American Art

An interview of John Cederquist conducted 2009 April 14-15, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Cederquist's studio, in San Clemente, California.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 6, 1986
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1986
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Friedman, Dan, 1945-1995
Dates:
1967 - 1995
Size:
16 Cubic feet
Collection ID:
NMAH.AC.1277
Repository:
Archives Center, National Museum of American History

General correspondence files contain all communications that do not pertain to a specific project. Because Friedman's personal life and business were so interconnected, many of his business associates also shared personal correspondence with the designer.,Materials in this collection document Friedman's work from 1967, as a student, until his death...

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