An interview of Gyorgy Kepes conducted 1968 Aug. 18, by Dorothy Seckler, for the Archives of American Art.

The papers of American art collector Keith Warner measure 0.7 linear feet and date from 1935 to 1975. Correspondence, collecting files, and artwork detail Warner's role as a collector of art in the mid-twentieth century. Present in the collection are materials related to Alexander Calder, Roland Dorcely, Stanton MacDonald-Wright, Piet Mondrian, Alfred Stieglitz, and Max Weber.

The collection measures 18.1 linear feet, dates from 1922 to 2012, and documents the career of Cuban-born painter and printmaker, Emilio Sanchez. The collection includes letters to Sanchez, business records, photographs of the artist and sources for his artwork, many original sketches, printed material, and calendars.

Typescripts of a biographical sketch of Heuston's grandfather, George Zell Heuston, and a "Catalog of Eight Watercolors by George Zell Heuston," 1978; a typescript of a biographical sketch of Heuston's father, Franklin Zell Heuston; and typescripts of a biographical sketch of George Franklin Heuston, a few excerpts from his World War II diary, clip...

Correspondence, including letters from author Ken Kesey, and other friends; photographs of Boise's work, of him and his friends; 3 ink drawings; exhibition announcements; a photocopy of a transcript of Alan Watt's statement concerning Boise's work; 2 Kama Sutra calendars, 1967, containing photographs of Boise's controversial sculptures, and materia...

The Jeffrey Owen Brosk papers measure 0.2 linear feet and date from 1968-2015. Included are a résumé; letters from museums, galleries, construction companies and Brosk's friend, art collector Oskar Brecher; an exhibition proposal to the Museum of Art and Design by Brecher; manuscripts, including a description of his work and his master's thesis, "H...

The papers of painter, teacher, and writer Hans Hofmann measure 29.92 linear feet and 5.00 GB and date from circa 1904 to 2011, with the bulk of the materials dating from 1945 to 2000. The majority of the papers were created after 1932 and document Hofmann's life and professional career after settling in the United States. Among his papers are personal and professional correspondence; records of his schools in Munich, New York City, and Provincetown, Mass.; writings and notes; financial records; photographs; printed matter; estate records; and a small number of personal papers of his second wife, Renate Schmitz Hofmann. Hofmann's personal papers are augmented by a large selection of printed matter, including exhibition catalogs, articles, news clippings, and monographs about Hofmann and modern art, as well as documentary projects including Tina Dickey's compilation of oral histories and records of Hofmann's students, and research materials, sound and video recordings, digital material, and motion picture film created and gathered by Madeline Amgott during the production of two video documentaries about Hans Hofmann released in 1999 and 2002. Hofmann's Library was acquired with his papers; inscribed/annotated volumes have been retained with the collection.

This album contains 57 photographic prints, dating from circa 1899-1900, depicting the indigenous peoples of the Belgian Congo (later known as Zaire and presently known as the Democratic Republic of the Congo). Subjects depicted include costumes, body arts (hairstyles and scarification), funerary rituals, weavers and blacksmiths. Culture groups represented in the collection include the Kasai, Kwango and Luba peoples.

This accession consists of records documenting the planning of a portion of Gyroscope, a program of dynamic, frequently changing presentations of the Hirshhorn Museum and Sculpture Garden's (HMSG) preeminent collection of modern and contemporary art. Documented in this accession is the part of the initial exhibition dedicated to the histo...

A photograph of a study for Trego's painting RESCUE OF THE COLORS, and one of Trego in his North Wales, Pennsylvania studio at work on one of his series of MADONNA AND CHILD, ca. 1904-1905. (Original paintings are in the Bucks County Historical Society)