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Dates:
1987-1990
Size:
15 videotapes (Reference copies). 23 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9536
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Tuttle, Richard, 1941-
McElhinney, James Lancel, 1952-
Dates:
2016 November 14-17
Size:
3 Items (sound files (4 hrs., 4 min.), digital, wav)
59 Pages (Transcript)
Collection ID:
AAA.tuttle16
Repository:
Archives of American Art

An interview with Richard Tuttle conducted 2016 November 14 and 17, by James McElhinney, for the Archives of American Art, at Tuttle's home in New York, New York.

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Creators:
National Air and Space Museum. Department of Aeronautics
Dates:
circa 1965, 1970-1989
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 99-081
Repository:
Smithsonian Institution Archives

These records primarily document the activities of the Assistant Director, Chairman, and Acting Chairman, Department of Aeronautics, National Air and Space Museum (NASM). Records were created by Donald S. Lopez, Assistant Director, 1971-1980, and Chairman, 1980-1983; E. T. Wooldridge, Chairman, 1983-1986; Von Hardesty, Acting Chairman, 1986, ...

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Creators:
Yankowitz, Nina
Dates:
circa 1950-2017
Size:
5.6 Linear feet
0.689 Gigabytes
Collection ID:
AAA.yanknina
Repository:
Archives of American Art

The papers of feminist and new media artist, Nina Yankowitz measure 5.6 linear feet and 0.698 GB, and date from circa 1950-2017. Included in the collection is a small amount of biographical material; letters and postcards from artist colleagues and friends; writings by Yankowitz and others; project files pertaining to artwork, proposals, and Yankowitz's involvement in the Heresies Collective; a few exhibition files; printed material including booklets, catalogs, poetry chapbooks, and announcements, generated mostly by Yankowitz and her circle of Feminist, Minimalist, and New Media artists; as well as photographs of Yankowitz and documentation of her artwork through thousands of photographs and slides. The collection also contains a small amount of born-digital material including video and sound recordings pertaining to projects, and spreadsheets relating to an exhibition. Notable correspondents include Ross Bleckner, Joyce Kozloff, Frances Lewis, Sol LeWitt, Ree Morton, Miriam Shapiro, Peter Schjeldahl, Blythe Sonfist, Marjorie Strider, Robin Tewes, and Susan Yankowitz.

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Creators:
Studenski, Paul, 1887-1961
Dates:
1887-1961
Size:
1 Cubic foot (1 box and 2 scrapbooks)
Collection ID:
NASM.1989.0012
Repository:
National Air and Space Museum Archives

This collection contains two scrapbooks and the personal papers of Dr. Paul Studenski, an early aviator who flew from 1910-1913. Born in St. Petersburg, Studenski studied law and medicine before earning the 292nd license from L'Aero Club de France. He immigrated to the United States in 1911 and exercised his prodigious flying skills as instructor, test pilot and exhibition pilot before retiring from flying to distinguish himself in the fields of economics and government service.

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Dates:
1987-1988
Size:
5 videotapes (Reference copies). 7 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9530
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Office of the Director
Dates:
1981-2000
Size:
15.5 cu. ft. (15 record storage boxes) (1 document box)
Collection ID:
Accession 01-174
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Milo Cleveland Beach, Director, 1987-2001, documenting participation in professional associations; donations to endowment funds; events held for, or by, the Freer Gallery of Art (FGA); development; fellowships and grants; affiliated museums, universities, and institutions; strategic ...

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Creators:
Sutnar, Ladislav
Dates:
1927-1976
Size:
85 Cubic feet
Collection ID:
SIL-CH.2001-26-1
Repository:
Smithsonian Libraries

Material relates to Sutnar's career including exhibitions, designs for corporate clients, designs for books on packaging design and catalog information. Little office correspondence and personal information is provided.The major part of the collection consists of Sutnar's designs, including logos, letterheads, catalogs, and advertising campaigns for a large number of clients, notably Addo-X, Carr's Department Stores, JC Penney, RCA, and Vera, as well as product and catalog design for Sweet's Catalog Service. Also included are drafts of books, sketches, over 5,000 photographs, photoprints, and photonegatives. Other materials include clippings, page layouts, brochures and booklets about package design and magazine layouts.

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Creators:
Beerman, Miriam
Dates:
circa 1930-2006
Size:
2.3 Linear feet
2.34 Gigabytes
Collection ID:
AAA.beermiri
Repository:
Archives of American Art

The papers of printmaker and painter Miriam Beerman measure 2.3 linear feet and 2.34 GB and date from circa 1930 to 2006. Found are scattered biographical materials including artwork and a video recording, correspondence, writings including digitial video recordings, and printed material.

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Creators:
Bertoglio, James
Dates:
1944-1993
bulk 1944-1945
Size:
0.3 Cubic feet ((1 box))
Collection ID:
NASM.2014.0034
Repository:
National Air and Space Museum Archives

The 94th Fighter Squadron Collection includes photographs taken by James Bertoglio, including twenty-five 8x10 inch black and white prints; twenty-one 4x5 inch black and white contact prints; fifty-three 4x5 inch black and white negatives, some of which are copy negatives; six black and white negatives in various sizes, and six color copy negatives...

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