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Creators:
Reinhardt, Ad, 1913-1967
Dates:
1927-1968
Size:
3.8 Linear feet
Collection ID:
AAA.reinad
Repository:
Archives of American Art

The papers of Ad Reinhardt measure 3.8 linear feet and date from circa 1927 to 1968. The collection documents Reinhardt's career as an abstract painter, cartoonist, and writer through biographical material, correspondence, writings, printed material, scrapbooks, and artwork.

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Creators:
Sloan, Anna
Dates:
circa 1900-1910
Size:
78 glass negatives (2 boxes, 4 x 5 inches)
Collection ID:
NAA.PhotoLot.151
Repository:
National Anthropological Archives

The bulk of the collection consists of photographs of an Omaha powwow near Macy in Thurston County, Nebraska. Included are images of dancers, riders on horseback, tipis and tents, individuals and groups of people, and the surrounding area. Additional photographs include images of Thomas Sloane and other individuals, and a photogaph of what appears ...

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Creators:
Information, Technology and Society, Div. of (NMAH, SI).
Hashimoto, Kazuo
Kilby, Jack
Hashimoto Corporation
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Dates:
1954-1994.
Size:
2 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.0874
Repository:
Archives Center, National Museum of American History

Collection consists of material documenting early telephone answering devices.

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Creators:
National Museum of American History. Division of Information Technology and Society
Dates:
1949-2009
Size:
6.5 cu. ft. (6 record storage boxes) (1 document box)
Collection ID:
Accession 13-216
Repository:
Smithsonian Institution Archives

This accession consists of the records of Bernard S. Finn, Curator Emeritus of electricity collections, and Elliot N. Sivowitch, Museum Specialist, which document their curatorial and professional activities in the Division of Information Technology and Society, and during the years when the division was known as the Division of Electricity ...

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Creators:
International Whaling Commission
Dates:
1930-1968
Size:
14 cu. ft. (28 document boxes)
Collection ID:
Record Unit 7165
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
United Telegraph Workers.
Western Union Telegraph Company
Dates:
circa 1820-1995
Size:
452 Cubic feet (871 boxes and 23 map folders)
Collection ID:
NMAH.AC.0205
Repository:
Archives Center, National Museum of American History

The collection documents in photographs, scrapbooks, notebooks, correspondence, stock ledgers, annual reports, and financial records, the evolution of the telegraph, the development of the Western Union Telegraph Company, and the beginning of the communications revolution. The collection materials describe both the history of the company and of the telegraph industry in general, particularly its importance to the development of the technology in the nineteenth and twentieth centuries. The collection is useful for researchers interested in the development of technology, economic history, and the impact of technology on American social and cultural life.

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Creators:
Washington Conservation Guild
Dates:
1978, 1989-2014
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 14-194
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the administration and activities of the Washington Conservation Guild, a nonprofit organization of conservation professionals dedicated to preserving art and historic materials. Materials include correspondence, newsletters, meeting announcements, photographs, grant records, membership directorie...

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1743-1965
Size:
5.24 Cubic feet (consisting of 8 boxes, 2 half boxes, 4 folders, 10 oversize folders, 1 map case folder, 3 flat boxes (1 full, 2 partial). )
Collection ID:
NMAH.AC.0060.S01.01.Advertising
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Advertising Industry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Vose Galleries of Boston
Dates:
circa 1876
1890s-1996
bulk 1920-1940
Size:
25.6 Linear feet
Collection ID:
AAA.vosegall
Repository:
Archives of American Art

The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

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Creators:
Henderson, William Penhallow, 1877-1943
Dates:
1876-1987
bulk 1876-1943
Size:
10.5 Linear feet
Collection ID:
AAA.hendwill
Repository:
Archives of American Art

The papers of Chicago and Santa Fe painter, muralist, architect, and furniture designer William Penhallow Henderson measure 10.5 linear feet and date from 1876 to 1987 (bulk dates 1876 to 1943). Found within the papers are scattered biographical material; correspondence with friends and colleagues; three diaries; personal business records; two files concerning the Santa Fe Painters and Sculptors and the Art in Embassies Program; architecture, furniture, and other design project files; exhibition files; notes and writings; artwork, including 64 sketchbooks by Henderson and others; miscellaneous printed material; and photographs of Henderson, his family and colleagues.

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