8601 records — Page 199 of 861
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Creators:
Melamed, Abraham, 1914-
Dates:
1964 Jan. 6
Size:
4 Pages ((on partial microfilm reel))
Collection ID:
AAA.melaabra
Repository:
Archives of American Art

Castellon comments on an exhibition of his work, discusses the lithographs he recently completed in Paris, and his plans to purchase a house.

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Creators:
Montgomery, Alfred, 1857-1922
Dates:
[ca. 1900-1957]
Size:
15 Items ((on partial microfilm reel))
Collection ID:
AAA.montalfr
Repository:
Archives of American Art

Undated letter to "Dear Sir" from Montgomery describing his "Gospel of Art"; a printed page of information on Montgomery; 3 photographs, undated, of Montgomery at his easel; an exhibition announcement, undated; his book, ART AND ETHICS - THINGS ARTISTIC IN CONFESSION OF FAITH-A MOSAIC, 1909; a reproduction of a drawing; and 8 clippings.

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Creators:
Cooper-Hewitt Museum. Department of Decorative Arts
Dates:
1941-1992
Size:
39 cu. ft. (39 record storage boxes)
Collection ID:
Record Unit 506
Repository:
Smithsonian Institution Archives

These records consist of the administrative, correspondence, and exhibition files of the Department of Decorative Arts. Curator David R. McFadden and his predecessors created most of the records, but some were compiled by assistants in the department, guest curators, and exhibition organizers. Some files were created before the department ...

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Creators:
National Air and Space Museum. Assistant Director for Exhibits
Dates:
circa 1963-1986
Size:
17.5 cu. ft. (14 record storage boxes) (1 tall document box) (1 tube box) (15 oversize folders)
Collection ID:
Record Unit 352
Repository:
Smithsonian Institution Archives

These records provide documentation of the creation and preparation of exhibits for the most important period in the history of the National Air and Space Museum (NASM) - the planning, fabrication, and installation of two dozen major galleries for the new museum building, which opened in 1976. Also included is material on exhibits in the ...

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Creators:
Gray, Gina, 1954-2014
Dates:
circa 1995
Size:
1 Print (22 x 21 inches)
Collection ID:
NAA.MS1997-17
Repository:
National Anthropological Archives

This collection is comprised of a 22 x 21 inch color print on cloth made by Osage artist Gina Gray, circa 1995.

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Dates:
June 12, 1939, through April 22, 1940
bulk June 28, 1939, through July 4, 1939
Size:
0.33 Cubic feet (1 scrapbook)
Collection ID:
NASM.XXXX.0309
Repository:
National Air and Space Museum Archives

This collection consists of a scrapbook, "To Europe By Air," assembled by railroad executive William J. Eck to document his trip June 28 to July 4, 1939, on Pan American Airways' (PAA) first transatlantic passenger flight on the Boeing Model 314 Clipper "Dixie Clipper" flying boat and containing information on its crew, passengers, and ports of call.

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Creators:
Macdonald, Claude, Major General
Dates:
circa 1895
Size:
135 negatives (photographic) (dupe negs, black & white, 4 x 5 in. )
135 photographic prints (albumen, black & white, 14 x 21 cm.)
135 photographic prints (copy prints (2 v.), black & white, 8 x 10 in.)
Collection ID:
EEPA.1996-019
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographic album formerly belonging to Major General Claude Maxwell Macdonald (1852-1915), Commissioner, Oil Rivers Protectorate, in West Africa, circa 1895. The album contains photographs of the consulate general in Old Calabar, Opobo and Bonny. Images, such as the arrival of Lady Macdonald in 1895 (returning from a home leave), interiors of British residences, and (named) group portraits of the British reflect colonial life and infrastructure. Native and British troops are depicted as well. Several images show the results of the British attacks on Brass and Nembe, in retaliation for King Nana's unwillingness to cooperate. Several images were taken of chiefs, among them a copy photograph of a 1882 image of King Nana of the Benin River, King Jaja of Opobo, King Koko of Brass, King Duke IX of Old Calabar, and King George Pebble of Bonny. Perhaps the most outstanding imagery is a series "On the way to Benin," which contains the photograph of an altar, a crucified woman, a forest path, and a contingent of British colonials. Several remarkable photographs depict Cross River masquerades with head crests, dances of Kru "Boys," and portray women of the Niger Delta. One photograph, showing the bronze sculpture of a Benin horseman placed on a rug in front of a wall (very likely taken in Nigeria), is of great interest for art historians. This particular figure left Benin before the city was ransacked and destroyed by the British Punitive Expedition in 1987, and, according to William B. Fagg, eminent historian of Nigerian art, came to the Merseyside County Museums, Liverpool, UK, as early as 1892 (note that Macdonald arrived in the Oil Rivers Protectorate in 1891).

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1982-1989
Size:
36.54 cu. ft. (58 document boxes) (7.54 tall document boxes)
Collection ID:
Accession 00-132
Repository:
Smithsonian Institution Archives

Here At The Smithsonian was a series of short features for television created and produced by the staff of the Smithsonian's Office of Telecommunications between the years 1982 and 1989. The series was designed for public dissemination of information about Smithsonian exhibition and research activities. Each year had a volume number [1982...

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Creators:
Strong, William Duncan, 1899-1962
Dates:
1902-1965
bulk 1927-1955
Size:
64.88 Linear feet (87 boxes; 16 map folders; and 14 boxes of nitrate negatives, which are not included in the linear feet extent measurement)
Collection ID:
NAA.1974-28
Repository:
National Anthropological Archives

William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World and was the first professionally trained archaeologist to focus on the Great Plains, where he applied the so-called direct historical method, working from known history in interpreting archaeological sites. Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.

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Creators:
Heritage Gallery
Dates:
1944-2000
bulk 1960-1998
Size:
13.8 Linear feet
Collection ID:
AAA.herigall
Repository:
Archives of American Art

The records of Los Angeles Heritage Gallery measure 13.8 linear feet and date from 1944-2000 with the bulk of the materials dating from 1960-1998. The majority of the collection consists of artists' files containing a wide variety of materials documenting the gallery's representation of its contemporary artists and gallery exhibitions, including biographical information, correspondence, and printed materials. About half of the artists' files are related to artist Charles White. Gallery records also include business correspondence, business records and additional printed materials.

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8601 records — Page 199 of 861