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Creators:
Warshaw, Isadore, 1900-1969
Dates:
undated
Size:
1 Cubic foot (consisting of 2 boxes, 4 oversize folder, 1 map case folder. )
Collection ID:
NMAH.AC.0060.S01.01.Livestock
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Livestock forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Anderson, William "Cat", 1916-1981 ((musician))
Dates:
1940-1981
bulk 1963-1977
Size:
5 Cubic feet (12 boxes)
Collection ID:
NMAH.AC.0630
Repository:
Archives Center, National Museum of American History

Primarily audiotapes, sheet music, and photographic images. Also: correspondence, newspaper clippings, magazine articles, itineraries, awards, and ephemera.,Of particular interest are recordings or photographic images, including the personalities listed below, and President and Mrs. Tubman of Liberia; also, two interviews and three recordings of Ca...

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Creators:
Tuttle, Richard, 1941-
Dates:
circa 1935-2019
Size:
26.6 Linear feet
4.14 Gigabytes
Collection ID:
AAA.tuttrich
Repository:
Archives of American Art

The papers of New York City and New Mexico based postminimalist artist Richard Tuttle date from circa 1935-2018. The collection measures 26.6 linear feet and 4.14 GB. The evolution of Tuttle's art practice is well documented through biographical material; paper correspondence and email; writings and over 200 richly illustrated notebooks; exhibition and gallery files; residency and visiting artist files; book projects and print edition files; personal business records; printed material; photographic material; and sketches. The illustrated notebooks comprise a significant bulk of the collection and document Tuttle's visual explorations, travel, language studies, and inner life over six decades. Paper correspondence, particularly Tuttle's frequent letters to his parents over four decades, communicate personal and professional developments in detail. Other notable collection material includes biographical items documenting Tuttle's childhood, high school, and college life, as well as limited edition and one of a kind artist books. The collection contains born-digital material, consisting of emails, writings, images of artwork and installations, a presentation, and video recording. There is a 2.1 linear feet unprocessed addition to the collection including fabric samples for projects, receipts, printed material, sketches, installation photographs, notes and notebooks, and correspondence. A portion of the addition contains electronic media.

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Creators:
Barnett, H. G. (Homer Garner), 1906-1985
Dates:
1934-1973
Size:
7.5 Linear feet
Collection ID:
NAA.1975-17
Repository:
National Anthropological Archives

The Homer Garner Barnett papers, 1934-1973, consist of papers, photographs, slides, maps, and periodicals primarily documenting his ethnological work among American Indians, Palauans, and the people of Netherlands New Guinea (Irian Jaya).

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Creators:
Christine Burgin Gallery
Dates:
1980-2016
Size:
18 Linear feet
52.28 Gigabytes
Collection ID:
AAA.chriburg
Repository:
Archives of American Art

The records of Christine Burgin Gallery, a New York City gallery representing conceptual artists from the United States and Europe, measure 18 linear feet and 52.28 GB, and date from 1980-2016. The collection documents the gallery's activities, projects, and relationships with artists through administrative files and business records, artist files, exhibition files, and client files. Artist files comprise nearly half of the collection and contain correspondence with artists and project files for numerous publications and editions the gallery produced in collaboration with artists. Some material is in born-digital form, including images of artwork and installations, slide shows, document files, as well as audiovisual recordings. The collection also contains two analog video recordings. Files dating from after the gallery's closure include additional correspondence, invoices, and project files.

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Creators:
Freer Gallery of Art
Dates:
1914, 1923-1942
Size:
10.69 cu. ft. (19 document boxes) (2 half document boxes) (1 16x20 box)
Collection ID:
Accession 02-051
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the joint expedition made by the Freer Gallery of Art and the Museum of Fine Arts, Boston, from February 20, 1923 to August 6, 1927, and also the Freer Gallery of Art sponsored expedition from November 16, 1929 to April 11, 1934. Both expeditions were led by Carl Whiting Bishop, Associate Cur...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 2005
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2005
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Tam, Reuben
Dates:
1931-2006
Size:
9.2 Linear feet
Collection ID:
AAA.tamreub
Repository:
Archives of American Art

The papers of landscape painter and educator Reuben Tam measure 9.2 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks. There is a 1.1 linear foot unprocessed addition to the collection donated in 2020 that includes 34 sketchbooks, circa 1940-1974, by Tam from his time in New York, Hawaii, Connecticut, Massachusetts, Oregon, Alaska and Canada.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
circa 1817-1982
Size:
19 Boxes
Collection ID:
NMAH.AC.0300.S05
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 5: Politics and Political Movements contains circa 1,565 pieces of sheet music and song folios documenting the political history of the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1969-1985
Size:
18 albumen prints (b&w)
Collection ID:
FSA.A.15
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Antoin Sevruguin managed and operated one of the most successful commercial photography studios in Tehran in the late 19th century. Born in the 1840s in Iran, Sevruguin's mother returned with her children to her hometown of Tbilisi after his father Vassil, a Russian diplomat in Iran, died in a horse riding accident. Trained as a painter, Sevruguin ...

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