634 records — Page 3 of 64
[ ]
Collapse
[ ]
Expand
Creators:
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1930-1995, undated
Size:
115 Boxes
Collection ID:
NMAH.AC.0618.S02
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 2 primarily consists of color and hand-colored photographs but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Anacostia Community Museum
Dates:
1991
Size:
2 Folders
Collection ID:
ACMA.03-084
Repository:
Anacostia Community Museum Archives

An exhibition lighlighting the work of African American photographers in the Washington, D.C. area. Through a sampling of works by both well-known and emerging photographers, the exhibition makes a solid statement about he strenght of vision, skill and sensibilities of artists involved in this arena of artistic expression. The exhbition was curated...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Anacostia Museum and Center for African American History and Culture
Dates:
1996
Size:
8.5 Linear feet (15 boxes)
Collection ID:
ACMA.03-025
Repository:
Anacostia Community Museum Archives

An exhibitionn celebrating the work of five African American photographers who documented segregated black communities in Washington, D.C., rural Virginia, and New York City in the 1930s and 1940s. Curated by Deborah Willis the exhibition was held at the Smithsonian Arts & Industries Building, South Gallery from April 18, 1996 to September 29, 1996. Photographers included: Robert H. McNeil, The Scurlock Studio, Morgan and Marvin Smith, and Gordon Parks.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
More …
Dates:
1964-1994, undated
Size:
72 Boxes
Collection ID:
NMAH.AC.0618.S05
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 5 primarily consists of color negatives, but occasionally includes order forms, envelopes, and other photographic materials associated with the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Mathis, Nathaniel, 1946- (barber, motivational speaker)
Dates:
1946-2004
bulk 1970-2004
Size:
5.5 Cubic feet (18 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0641
Repository:
Archives Center, National Museum of American History

Nathaniel Mathis is a Washington, D.C., hairstylist, inventor, motivational speaker, and entrepreneur. His papers document his business life and community involvement.

Found In
[ ]
Collapse
[ ]
Expand
Dates:
circa 1991-1995
Size:
1 Photographic print (b&w, 16 x 20 inches.)
Collection ID:
ACMA.06-124.16
Repository:
Anacostia Community Museum Archives
Found In
[ ]
Collapse
[ ]
Expand
Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
More …
Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Barnett-Aden Gallery
Dates:
1954-1989
bulk 1961-1977
Size:
0.5 Cubic feet
Collection ID:
NMAAHC.A2014.63.32
Repository:
National Museum of African American History and Culture

The Historical Records of the Barnett-Aden Gallery showcases one of the first galleries owned and operated by African Americans. The work of the Gallery was invaluable as they opened the exhibition space to established and unknown artists regardless of race or gender.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Custom Craft
More …
Dates:
1931-1971
Size:
320 Boxes
The materials in the subseries are black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.02
Repository:
Archives Center, National Museum of American History

The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of boxes were reduced and the old freezer box numbers were...

Found In
634 records — Page 3 of 64