48 records — Page 3 of 5
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Creators:
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
circa 1870-1989
Size:
25 Boxes
The subseries contains black and silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.08
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.8 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Favretti, Rudy J.
Dates:
circa 1950-2010
Size:
31.5 Cubic feet
Collection ID:
AAG.FAV
Repository:
Archives of American Gardens

The collection contains the project design records of Rudy J. Favretti. Favretti, a landscape architect and professor noted for his extensive work in historical restoration of landscaped gardens, parks, homes, and more. He donated his collection of garden design files, plans, and images to the Smithsonian's Archives of American Gardens in March 2011.

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Creators:
Marutani, Victoria
Marutani, William M.
Dates:
1940-2003
Size:
1 Cubic foot (4 boxes)
Collection ID:
NMAH.AC.0890
Repository:
Archives Center, National Museum of American History

These materials are arranged chronologically and include information about Marutani's life and professional activities. The series includes information about his time in the Army, his association with Tule Lake, his work on the Loving v. Virginia case, photographs, a plaque from the Tule Lake Reunion Committee, and lecture research and notes.

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Creators:
Custom Craft
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
More …
Dates:
1922-1994
Size:
40 Boxes
Collection ID:
NMAH.AC.0618.S06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 6 documents the orders placed at the Scurlock Studio by clients and identified individuals and organizations, and materials that could not be identified and are categorized by subjects. An oveview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1983
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1983
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution, Conservation Analytical Laboratory
Dates:
1982-1986
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 08-109
Repository:
Smithsonian Institution Archives

This accession consists of records related to the Conservation Analytical Laborary's (CAL) participation in the National Acid Precipitation Assessment Program (NAPAP), in particular Task Group G which dealt with the Effects on Materials and Cultural Resources. These records were maintained by R. M. Organ, Director (1968-1983) and Lambertus ...

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Creators:
Wildschut, William
Dates:
1870-1930
bulk 1917-1928
Size:
183 negatives (photographic)
21 Photographic prints
Collection ID:
NMAI.AC.001.033
Repository:
National Museum of the American Indian

The William Wildschut photograph collection contains 183 photographic negatives, and 89 post cards. From 1917 to 1928 William Wildschut studied the Apsáalooke people through interviews, photography, and the collection of cultural objects. In 1921 Wildschut was hired as a field man by George Gustav Heye the director of the Museum of the American Indian, Wildschut officially collected and conducted field expeditions in Montana, Wyoming, Idaho, Canada, and North Dakota on behalf of the Museum until 1928. Wildschuts photographs include portrait style photos of Apsáalooke people, special events, daily reservation life, interments, and encampments. Tribes represented in this collection are primarily Apsáalooke, the postcard collection consists of other tribes including Lakota, Arapaho, and other unidentified tribes.

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Creators:
Smithsonian Institution, Office of the Secretary
Dates:
1890-1929
Size:
14.6 linear meters.
Collection ID:
Record Unit 45
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Tyler, James C., 1935-
Dates:
1950-2006
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 05-082
Repository:
Smithsonian Institution Archives

This accession includes papers covering the entire span of James C. Tyler's career as an ichthyologist, including his tenure at the National Air and Space Museum, as Acting Director, and at the National Museum of Natural History, as Associate Director, Deputy Director and Senior Scientist. Materials include correspondence files and related ...

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Creators:
McFarland, J. Horace (John Horace), 1859-1948
American Rose Society
Dates:
1899-1974
Size:
30 Cubic feet (2718 photographs: black and white; 448 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )
Collection ID:
AAG.MCF
Repository:
Archives of American Gardens

The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.

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48 records — Page 3 of 5