The Ryah Ludins portfolio measures 0.1 linear feet and dates from circa 1920-1950. The porfolio contains photographs of murals by Ryah Ludins, which were mostly commissioned for government art projects in the 1930s.

The papers of painter, photographer, and art history instructor René Santos measure 0.9 linear feet and date from 1970 to 1987. The papers document Santos's career through biographical records including one sound recording of Santos's memorial service, correspondence to Santos and sympathy letters upon Santos's death, writings and notes by Santos including one diary, printed material, and photographic material including slides of Santos with friends and his artwork.

The papers of art historian, educator, editor, and museum director Robert John Goldwater measure 5.4 linear feet and date from 1902-1974. Found are correspondence, subject files, teaching records, writings, and printed material. Also included are the papers, primarily correspondence, of Goldwater's father, S. S. Goldwater, M. D., a nationally recognized expert in the fields of public health, hospital administration, and hospital design and construction.

The East Village Area X Gallery records measure 2.4 linear feet and date from 1977-1988. The collection consists primarily of artists files for fifteen artists represented by or of interest to the gallery. The files are varied but may include biographical information, correspondence, financial and inventory records, printed materials, and photographs. Gallery records include scattered financial records, publicity files, and printed materials.

The papers of New York painter, writer, and educator Elias Newman measure 1.1 linear feet and date from 1922 to 1981. Newman's participation in exhibitions and various art related organizations, notably Artists Equity Association, is documented through biographical material, correspondence, notes, writings, organizational records, printed material, and photographs.

Priscilla Cunningham papers regarding Sue Fuller measure 0.2 linear feet and are dated 1982-2006. The friendship between Cunningham and Fuller and Fuller's sculpture are documented by letters and photographs. Also included is a written version of Fuller's reminiscences of Atelier 17 in New York City that she presented at the Pollock-Krasner House and Study Center in 1993.

The Abraham Joel Tobias papers date from 1913 to 2000 and measure 2.8 linear feet. Through project and exhibition files, printed material, correspondence, and photographs, the collection provides an overview of Tobias's career as a painter and muralist in New York City.

The journals of New York City sculptor and graphic artist, Boris Lovet-Lorski, measure 0.4 feet and a date from 1945-1966. The volumes consist of ten appointment diaries, which document aspects of Lovet-Lorski's daily life, such as medical appointments, dates with friends and other typical activities. The journals do not cover the entire period of 1945-1966 but are a random selection of annual volumes from this period.

The papers of New York art dealer, writer and teacher, Martin Diamond measure 3.2 linear feet and date from 1928 to 2013. The materials involve to a limited degree Diamond's wife, Harriette Diamond, co-owner and co-operator of Martin Diamond Fine Arts, Inc. Their gallery work and relationships with artists they represented are documented by writings, subject and artist files, and photographic materials. Subject files concern American abstract art, particularly the 20th century Transcendental abstract painters, and include printed materials, correspondence and photographic materials. Artists' files include similar materials and some writings by artists. Photographic materials are of artworks and exhibition installations.

The Frederick Stuart Church letters and art work date from circa 1892-circa 1923 and measure 0.5 linear feet. The collection includes illustrated letters, all but three of which are written to Emma Louise Klots, regarding Church's daily activities and his paintings, as well as artwork by Church including etchings and reproductions of Church's paintings, some of which are printed as photogravures.