130 records — Page 3 of 13
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Creators:
Smithsonian Institution. Office of the Provost, Committee for a Wider Audience
Dates:
1980-1997
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 15-254
Repository:
Smithsonian Institution Archives

This accession consists of Committee for a Wider Audience audiotape recordings documenting Heritage Month program keynote lectures, concerts, special events, symposiums, exhibition openings, and meetings. Earlier recordings date back to when the Committee for a Wider Audience was under the Office of the Assistant Secretary for Public Service, ...

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Creators:
National Museum of American History. Office of Curatorial Affairs
Dates:
1994-2011
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 13-194
Repository:
Smithsonian Institution Archives

This accession consists of records which document the oversight and review process at the National Museum of American History (NMAH) in regards to exhibitions, public programs, symposia, websites, productions, and performances. In particular, the activities of the Exhibitions and Program Committee (EPC) which was created in 1996. The EPC ...

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-2013
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Exhibitions Department
Dates:
1995-2012
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 15-347
Repository:
Smithsonian Institution Archives

This accession consists of declined exhibition proposals received from artists, photographers, museums, cultural institutions, and other external organizations. A few proposals were initially accepted before being cancelled or withdrawn. Materials include proposals, correspondence, brochures, object lists, object images, catalogs, books, ...

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Office of the Director
Dates:
1984-1999
Size:
8.69 cu. ft. (8 record storage boxes) (1 16x20 box)
Collection ID:
Accession 01-180
Repository:
Smithsonian Institution Archives

These records consist of materials created and maintained by Milo Cleveland Beach, Director, 1987-2001, documenting exhibition planning and production, including "Chinese Scholar's Studio: Artistic Life in the Late Ming Period," "Rise to Power: Art of Ancient Japan," "Timur and the Princely Vision," "Yani: The Brush of Innocence," "Crushed ...

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Creators:
Smithsonian Press/Smithsonian Productions
Dates:
1991-1997
Size:
6.5 cu. ft. (6 record storage boxes) (1 document box)
Collection ID:
Accession 06-106
Repository:
Smithsonian Institution Archives

This accession consists of audio recordings documenting two similar radio series collectively known as "Folk Masters." "Folk Masters: Traditional Music in the Americas" was produced in 1991 in conjunction and features virtuosos of folk music in concert at Carnegie Hall. "Folk Masters from the Barns of Wolf Trap" was produced from 1992 to ...

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Creators:
National Portrait Gallery. Office of Education and Visitor Experience
Dates:
circa 1980-2016
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 19-028
Repository:
Smithsonian Institution Archives

This accession consists of the records of Jewell Robinson, Public Program Coordinator, who was responsible for public programming at the National Portrait Gallery (NPG). Documented in this collection is the series entitled Cultures in Motion, which acquainted adult audiences with the NPG collection by bringing its sitters to life through ...

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Creators:
Ybarra-Frausto, Tomás, 1938-
Dates:
1965-2004
Size:
33.1 Linear feet
1.27 Gigabytes
Collection ID:
AAA.ybartoma
Repository:
Archives of American Art

The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Communications and Marketing
Dates:
1988-1993, 2002-2013
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 17-319
Repository:
Smithsonian Institution Archives

This accession consists of records documenting opening receptions, dinners, fundraising events, symposia, and other special events at the Freer Gallery of Art and Arthur M. Sackler Gallery. Materials include invitations, reply pieces, save the date cards, programs, photographs, and related materials.

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Creators:
Lippard, Lucy R.
Dates:
1930s-2007
bulk 1960-1990
Size:
56.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

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130 records — Page 3 of 13