296 records — Page 3 of 30
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Creators:
Stiles, Ezra, 1727-1795
Dates:
1762
Size:
7 pages
Collection ID:
NAA.MS5
Repository:
National Anthropological Archives
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Creators:
Freeman, George, 1789-1868
Dates:
1808-1863
Size:
41 Items ((on 1 microfilm reel))
Collection ID:
AAA.freegeor
Repository:
Archives of American Art

Letters to his brother, Shubael, commenting mostly on family matters and occasionally on his painting. Those written from 1825 to 1837 were sent from London and Manchester, England, where he was living at the time. Also included are a few letters to and from other members of the family and a letter to author Lydia Sigourney.

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Creators:
Benson, J. L. (Jack Leonard)
Dates:
ca. 1985
Size:
0.25 Linear feet
Collection ID:
AAA.bensj
Repository:
Archives of American Art

Unpublished manuscripts, undated: "William Merritt Post: A Painter of Light in the Marshes" and "The Earliest Drawings of William Merritt Post, both containing photographs to illustrate the text; and biographical notes on Post. Also included are photocopies of 2 articles by Post, 1909 and 1910.

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Creators:
Van Ingen, Lawrence B.
Dates:
1872-1985
Size:
13 Items ((on partial microfilm reel))
Collection ID:
AAA.vaninge
Repository:
Archives of American Art

Six letters concerning the provenance of the portrait of Daniel Boone by Chester Harding, including a two-page description of the painting and Harding written by George Bingham to Colvin Randall, Dec. 25, 1872, and two letters to Herbert Lee Pratt; a photograph of a detail; a receipt for the portrait from the Connecticut Valley Historical Museum to...

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Creators:
Cole, Thomas, 1801-1848
Dates:
1826-1832
Size:
19 Items ((on 1 microfilm reel))
Collection ID:
AAA.coletldw
Repository:
Archives of American Art

Letters to Daniel Wadsworth, founder of the Atheneum Gallery and one of Cole's patrons. Cole writes about New York City, the White Mountains of New Hampshire, his family, and technical aspects of painting.

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Creators:
McBride, Henry, 1867-1962
Dates:
1887-1962
Size:
16 Reels (ca. 8000 items (on 16 microfilm reels))
Collection ID:
AAA.mcbrhenr
Repository:
Archives of American Art

Correspondence, manuscript writings, notes, reviews, articles, clippings, letters, photographs, catalogs, and postcard.

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Creators:
Prown, Jules David
Dates:
1935-2010
bulk 1958-1975
Size:
11.8 Linear feet
0.004 Gigabytes
Collection ID:
AAA.prowjule
Repository:
Archives of American Art

Jules David Prown research material on artists measures 11.8 linear feet and 0.004 GB and dates from 1935 to 2010, with the bulk of the material dating from 1958 to 1975. Prown, an art historian and educator, is an authority on the work of artist John Singleton Copley, and these papers contain related notes, subject files, correspondence, portrait and attribution files, and photographs and digital photographs of artwork. Also found are Prown's research files on other artists, including Benjamin West, typescripts of his lectures, and copies of his published writings.

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Creators:
Fletcher, William Dolan
Dates:
1924-1986
Size:
2.3 Linear feet
Collection ID:
AAA.fletwill
Repository:
Archives of American Art

Notebooks compiled by Fletcher listing prints by artists John Castigan, John Flannagan, Ruth Gannett, Gordon Grant, Norman Kent, Troy Kinney, Clare Leighton, Barry Moser, Chauncey Ryder, Benton Spruance, Walter Tittle and Keith Shaw Williams; and research material on Gerald Leslie Brockhurst and Benton Spruance. Brockhurst material includes corresp...

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Creators:
Arnold, Cheney & Co.
Moore, Ernst D. (importer, trader)
Dates:
1888-1932
Size:
1.6 Cubic feet
Collection ID:
NMAH.AC.0321
Repository:
Archives Center, National Museum of American History

Papers documenting Moore's work as an ivory trader employed by Arnold, Cheney and Co. Includes copies of his diary entries while working as an ivory trader, financial documents, price lists, his writings on the subject of ivory, articles, a map, and photographs.

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Creators:
Tuttle, Richard, 1941-
Dates:
circa 1935-2019
Size:
26.6 Linear feet
4.14 Gigabytes
Collection ID:
AAA.tuttrich
Repository:
Archives of American Art

The papers of New York City and New Mexico based postminimalist artist Richard Tuttle date from circa 1935-2018. The collection measures 26.6 linear feet and 4.14 GB. The evolution of Tuttle's art practice is well documented through biographical material; paper correspondence and email; writings and over 200 richly illustrated notebooks; exhibition and gallery files; residency and visiting artist files; book projects and print edition files; personal business records; printed material; photographic material; and sketches. The illustrated notebooks comprise a significant bulk of the collection and document Tuttle's visual explorations, travel, language studies, and inner life over six decades. Paper correspondence, particularly Tuttle's frequent letters to his parents over four decades, communicate personal and professional developments in detail. Other notable collection material includes biographical items documenting Tuttle's childhood, high school, and college life, as well as limited edition and one of a kind artist books. The collection contains born-digital material, consisting of emails, writings, images of artwork and installations, a presentation, and video recording. There is a 2.1 linear feet unprocessed addition to the collection including fabric samples for projects, receipts, printed material, sketches, installation photographs, notes and notebooks, and correspondence. A portion of the addition contains electronic media.

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296 records — Page 3 of 30