112 records — Page 3 of 12
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Creators:
United States National Museum. Department of Engineering and Industries
Dates:
1891-1957
Size:
7.5 cu. ft. (15 document boxes)
Collection ID:
Record Unit 84
Repository:
Smithsonian Institution Archives

These records originated mostly in the office of the Head Curator of the Department of Engineering and Industries, under Carl W. Mitman and Frank A. Taylor, but include records of several other curators, primarily Smith Hempstone Oliver and Paul E. Garber. The records include general correspondence, memoranda, and administrative files concerni...

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Creators:
Basie, Count, 1904-
Smith, Ernie
Webster, Ben
Armstrong, Louis, 1901-1971
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Dates:
1894-1979
Size:
30 Cubic feet (352 film reels , 16 mm)
Collection ID:
NMAH.AC.0491
Repository:
Archives Center, National Museum of American History

More than 300 reels of 16mm black and white and color film, silent and sound, fiction and documentary motion picture film documenting jazz and related musical performances, social and popular dance styles and performances, jazz musicians, performance locales, and documentation of African-American popular culture. A list of featured performers in the collection is shown below. The films are frequently compilations produced by Smith for lectures.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1827-1924
Size:
1.39 Folders (consisting of 3 boxes, 1 folder, 1 oversize folder.)
Collection ID:
NMAH.AC.0060.S01.01.Foundries
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Foundries forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Archives of American Art
Dates:
1950-2003
Size:
55.43 cu. ft. (54 record storage boxes) (1 12x17 box) (1 oversize folder)
Collection ID:
Accession 06-089
Repository:
Smithsonian Institution Archives

This accession consists of records which document administrative issues, projects, and special events at the Archives of American Art and regional offices. Materials include correspondence, memoranda, and notes pertaining to grants, loans, fundraising, membership, contributions, policies and goals, marketing, public relations, educational ...

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Creators:
Smithsonian-Peace Corps Environmental Program
Dates:
1970-1979
Size:
19.5 cu. ft. (39 document boxes)
Collection ID:
Record Unit 264
Repository:
Smithsonian Institution Archives

The SI-PCEP records fall into two main areas: Those about the program in general and those about the various environmental projects. The administrative records provide a broad understanding of the scope of SI-PCEP, especially as revealed through the contract files. These administrative records document the creation and continued efforts t...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 6, 1975
Size:
516 Sound tape reels (approximate)
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1975
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution. Libraries. Office of the Director
Dates:
circa 1904-1978
Size:
42 cu. ft. (42 record storage boxes)
Collection ID:
Accession T90122
Repository:
Smithsonian Institution Archives

This accession consists of records that document the activities of the Smithsonian Institution Libraries. Records include American Library Association materials, correspondence, a vertical file, and acquisitions and exchanges from the early 20th Century.

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Creators:
Smithsonian Institution. Contracts Office
Dates:
1963-1974
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Record Unit 141
Repository:
Smithsonian Institution Archives

The Contracting Officer is authorized to negotiate federal and private grants and contracts for the Smithsonian, and the records contain information on formulation and administration of contracts that is especially useful for information about research conducted by Smithsonian Institution staff. These records include copies of grants and ...

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Creators:
Spark, Victor D. (Victor David), 1898-1991
Dates:
circa 1830-1983
bulk 1930-1970
Size:
22.2 Linear feet
Collection ID:
AAA.sparvict
Repository:
Archives of American Art

The Victor D. Spark papers measure 22.2 linear feet and date from circa 1830 to 1983, with the bulk of the material from 1930 to 1970. The papers document Spark's career as a New York City art dealer and appraiser who was most active from World War II through the 1970s, focusing on Old Masters paintings and 19th and early 20th century American art. Found within the papers are biographical materials, artist files, client files, financial records, legal records, printed material, and photographs.

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112 records — Page 3 of 12