382 records — Page 3 of 39
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Dates:
1915, circa 1920s
Size:
0.07 Cubic feet (1 box, Photograph, gelatin silver cellulose acetate transparency (copied from a black and white halftone screened image) mounted in 0.45-inch thick black painted wood frame with rounded corners; thick, flocked, faded burgundy oval vignette mat; backed with text-printed brown paper., 3.4 x 4.25 x 0.45 inches)
Collection ID:
NASM.XXXX.1211
Repository:
National Air and Space Museum Archives

This collection consists of three copies of a photograph of Anthony "Tony" Stadlman and Percy G. B. "Bud" Morriss seated in the cockpit of Morriss's Benoist flying boat in Grand Rapids, Michigan. The photograph, probably produced as a souvenir item at some time in the 1920s, is mounted in a small black-painted wood frame with a thick, flocked, oval mat, and carries this printed text on the reverse: "This is an authentic photograph taken in Grand Rapids, 1915, of P. G. B. (Bud) Morriss at the Controls of his Benoist Flying Boat, accompanied by his Chief mechanician, Tony Stadlman, who later became Superintendant of the Lockheed Airplane Company in Burbank."

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Creators:
Lawson, Thomas, 1951-
Ferguson, Russell, 1956-
Dates:
2018 August 9-10
Size:
7 Items (sound files (6 hr., 58 min.) Audio, digital, wav)
113 Pages (Transcript)
Collection ID:
AAA.lawson18
Repository:
Archives of American Art

An interview with Thomas Lawson conducted 2018 August 9-10, by Russell Ferguson, for the Archives of American Art, at Lawson's home in Los Angeles, California.

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Creators:
Charlesworth, Sarah, 1947-2013
Richards, Judith Olch
Dates:
2011 November 2-9
Size:
121 Pages (Transcript)
9 Items (sound files (7 hr., 47 min.) Audio, digital, wav)
Collection ID:
AAA.charle11
Repository:
Archives of American Art

An interview of Sarah Edwards Charlesworth conducted 2011 November 2-9, by Judith Olch Richards, for the Archives of American Art at Charlesworth's home, in New York, New York.

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Creators:
Charles Campbell Gallery
Dates:
1960-2001
Size:
17.6 Linear feet
Collection ID:
AAA.campgall
Repository:
Archives of American Art

The records of the Charles Campbell Gallery in San Francisco date from 1960 to 2001 and measure 17.6 linear feet. The records include business correspondence with galleries, curators, trusts, and individual buyers and sellers; business records consisting of administrative files, business notebooks, and financial material; artist and exhibition files; and Charles Campbell's related personal files that include correspondence, catalogs, newsletters, and clippings about jazz, and photos and travel. Substantial artist files exist for Nathan Oliveira, which contain original artwork and photos of the artist, Peter Allegaert, Gordon Cook, Charles Griffin Farr, Morris Graves, Robert Harvey, Geer Morton, Fred Reichman, Jean Rustin, Stephani Sanchez, and Wayne Thiebaud, among others.

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Creators:
George Eastman House
Dates:
mid-19th - early 20th century
Size:
248 Negatives (circa, 35mm)
248 Copy prints (circa)
Collection ID:
NAA.PhotoLot.R79
Repository:
National Anthropological Archives

Copies of photogaphs selected from the George Eastman House collection by Bureau of American Ethnology archivist Margaret Blaker in 1962. Many of the photographs are individual or group portraits of American Indians and some highlight pottery, baskets, and cradleboards. There are also images of American Indian dwellings, including tipis and hogans;...

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Creators:
Capron, Allyn K.
Dates:
1872-1900
Size:
108 Photographic prints
8 Copy negatives
Collection ID:
NMAI.AC.152
Repository:
National Museum of the American Indian

This collection includes prints and photographic negatives collected by Captain Allyn K. Capron. Many of the photographs were taken in the Fort Sill area in Oklahoma throughout Capron's time serving there. While a few of these photographs depict Capron, the majority of the Fort Sill photographs feature Native American prisoners of war. This collection also contains portraits taken by Frank A. Rinehart and Adolph F. Muhr during the 1898 U.S. Indian Congress of the Trans Mississippi and International Exposition in Omaha, Nebraska. In addition, this collection contains rare photographs from a 1900 Niimíipuu (Nez Perce) and Umatilla delegation visit led by Chief Joseph to Washington, DC. Additional assorted photographs, which were collected by Capron and taken among several communities in Nebraska, North Dakota, Oklahoma, Alabama, and Florida by various photographers, are also included. The communities represented within this collection include the Apsáalooke (Crow/Absaroke), Assiniboine (Stoney), Southern Inunaina (Arapaho), Kiowa, Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Apache, Chiricahua Apache, Oglala Lakota (Oglala Sioux), Cayuse, Sihasapa Lakota (Blackfoot Sioux), Niimíipuu (Nez Perce), Umatilla, Potawatomi, Warm Springs Chiricahua Apache (New Mexico), Southern Plains, and Hunkpapa Lakota (Hunkpapa Sioux), with a few individuals identified simply as Sioux.

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Creators:
Woolworth, Alan R.
Weslager, C.A.
Witthoft, John, 1921-1993
Swauger, James Lee
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Dates:
1824-1992
bulk 1950-1982
Size:
10.25 Linear feet
Collection ID:
NAA.1994-30
Repository:
National Anthropological Archives

To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 6, 2008
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2008
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Alliance of Figurative Artists
Dates:
1969-1970
Size:
2 Linear feet
1.24 Gigabytes
Collection ID:
AAA.alliof
Repository:
Archives of American Art

The lectures and panel discussions of the Alliance of Figurative Artists measures 2.0 linear feet and 1.24 GB and date from 1969 to 1970. The collection consists of twenty-four tape recordings and two recordings in digital format of panel discussions, and lectures held in conjunction with meetings of the Alliance of Figurative Artists in New York. Artists represented include: Lennart Anderson, Milet Andrejevic, Noah Baen, William Bailey, Rosemarie Beck, William Beckman, Leland Bell, Robert Birmelin, John Bradford, Joel Brody, Harold Bruder, Rudy Burckhardt, John Button, Gretna Campbell, Richard Chiriani, Bruno Chivitico, Thomas Cornell, Lucien Day, Lois Dodd, Ben Einhorn, Walter Erlebacher, Lawrence Faden, Louis Finkelstein, Joseph Fiore, Jane Freilicher, Stanley Friedman, Joel Galker, Paul Georges, Gregory Gillespie, Lloyd Glasson, Joel Goldblatt, Nancy Grilikhes, Nathan Hale, Aaron Kersen, John Koch, Majorie Kramer, Al Kresh, Gabriel Laderman, Alfred Leslie, Frank McCall, Edward Melcarth, Raoul Middleman, Richard A. Miller (Richard McDermott), Philip Pearlstein, Joseph Pollet, Paul Resika, Ben Rifkin, Anthony Siani, Bonnie Sklarski, William Sullivan, Sam Thurston, Sidney Tillim, Louis Tytell, and Neil Welliver.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 6, 2003
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2003
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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382 records — Page 3 of 39