166 records — Page 3 of 17
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Creators:
National Museum of Natural History. Division of Reptiles and Amphibians
Dates:
1961-1989
Size:
7.5 cu. ft. (7 record storage boxes) (1 document box)
Collection ID:
Accession 94-069
Repository:
Smithsonian Institution Archives

This accession consists of the correspondence of the Division of Reptiles and Amphibians, primarily from the late 1970s to 1989, although a few items date back to the 1960s. The correspondence is widely varied. Much of it pertains to the exchange of specimens. There is substantial correspondence between the scientists at the National Museum ...

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Creators:
Catherine Viviano Gallery
Dates:
1930-1990
bulk 1949-1978
Size:
11.6 Linear feet
Collection ID:
AAA.cathvivi
Repository:
Archives of American Art

The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.

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Creators:
Soyer, Raphael, 1899-1987
Dates:
1933-1989
Size:
3.9 Linear feet
Collection ID:
AAA.soyeraph
Repository:
Archives of American Art

The papers of realist painter Raphael Soyer date from 1933 to 1989 and measure 3.9 linear feet. They document Soyer's career as a painter, printmaker, and writer. Found within the papers are scattered biographical materials, including several transcripts of interviews with Soyer; extensive personal and professional correspondence; writings and notes by Soyer and others; scattered legal and financial records; exhibition materials, clippings and other printed material; and photographs of Soyer in his studio, with artists and friends, and at art events. Also found are one sketch and a facsimile of Soyer's 1968 sketchbook produced by Forum Gallery.

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Creators:
Hurd, Peter, 1904-1984
Dates:
1917-1993
Size:
5.2 Linear feet
Collection ID:
AAA.hurdpete
Repository:
Archives of American Art

The papers of painters Peter Hurd and Henriette Wyeth Hurd measure 5.2 linear feet, date from 1917 to 1993, and present an overview of their careers and their lives together through correspondence, notes, writings, artwork, printed material, and photographs.

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Creators:
Frank K. M. Rehn Galleries
Dates:
1858-1969
bulk 1919-1968
Size:
21.8 Linear feet
Collection ID:
AAA.franrehg
Repository:
Archives of American Art

The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.

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Creators:
Owen Gallery
Dates:
1929-2010
bulk 1980-2010
Size:
9.4 Linear feet
0.093 Gigabytes
Collection ID:
AAA.owengall
Repository:
Archives of American Art

The records of Owen Gallery measure 9.4 linear feet and 0.093 GB and date from 1929-2010, bulk 1980-2010. The gallery, which operated from 1986 to 2009 in New York, specialized in late nineteenth and early twentieth century American art with an emphasis on The Eight, Ashcan, and early American modernism. Michael Owen and James Yost owned and directed the gallery. Found within the records are exhibition files; inventory and sales records; printed and digital material; and records regarding painter Yasuo Kuniyoshi. Material dating from before 1986 when the gallery was established is research related to an artwork's provenance.

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Creators:
DeVorkin, David H., 1944-
Dates:
circa 1979-2002
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 07-137
Repository:
Smithsonian Institution Archives

This accession consists of materials documenting the professional activities of David H. DeVorkin, Curator of Astronomy, National Air and Space Museum. Materials primarily document DeVorkin's editing of a book for the National Geographic Society titled Beyond Earth: Mapping the Universe, preparation of his own books and manuscripts such a...

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Creators:
Cartwright, Oscar Ling
Dates:
1929-1979 and undated
Size:
8 cu. ft. (16 document boxes)
Collection ID:
Record Unit 7338
Repository:
Smithsonian Institution Archives

This collection consists mostly of incoming and outgoing correspondence documenting Cartwright's research on Coleoptera. Also included are records concerning his curatorial work at the Division of Insects, USNM, and the Department of Entomology, NMNH; field work; and professional activities. Smaller amounts of correspondence were written durin...

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Creators:
National Museum of American History Division of the History of Technology
Dates:
1839-2001
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 16-342
Repository:
Smithsonian Institution Archives

This accession consists of records primarily created by Carl W. Mitman during his tenure as Curator of the Division of Mechanical Technology, 1921-1932, and Head Curator of the Department of Arts and Industries, 1932-1948, United States National Museum. These files create a biographical sketch of a multitude of engineers, inventors, and indust...

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-2013
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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166 records — Page 3 of 17