Query: Cameron, John A.
Hiram Powers papers
Creators:
Powers, Hiram, 1805-1873
Dates:
1819-1953
bulk 1835-1883
Size:
12.4 Linear feet
Collection ID:
AAA.powehira
Repository:
Archives of American Art

The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

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in AAA.powehira for Cameron, John A.
Scott & Fowles artists' files
Creators:
Scott & Fowles (Firm)
Dates:
1904-1946
Size:
2.5 Linear feet
Collection ID:
AAA.scotfowl
Repository:
Archives of American Art

The artists' files of commercial New York art gallery Scott & Fowles measure 2.5 linear feet and date from 1904 to 1946. The majority of the collection contains photographs of artwork, biographical writings on the artists, and notes regarding sales transactions, artwork descriptions, and history of the ownership of artworks by artists such as Augustus John, Peter Lely, and Thomas Rowlandson. Also included in smaller amounts are letters, financial records, and clippings.

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Carnegie Institute, Museum of Art records
Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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in AAA.carninst for Cameron, John A.
Sharpe, Weiss and Company Papers
Creators:
Sharpe, Weiss and Company
Dates:
1856-1889
Size:
4.75 Cubic feet (13 boxes, 1 map folder)
Collection ID:
NMAH.AC.0399
Repository:
Archives Center, National Museum of American History

Invoices and letters from merchants and manufacturers with whom Sharpe, Weiss and Company, and their successors, did business; and two reels of microfilm of Sharpe and Weiss's account books.

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in NMAH.AC.0399 for Cameron, John A.
Robert Alexander papers and Temple of Man records
Creators:
Alexander, Robert
Temple of Man (Venice, Calif.)
Dates:
1938-2015
Size:
11.7 Linear feet
1.01 Gigabytes
Collection ID:
AAA.alexbob
Repository:
Archives of American Art

The papers of poet, artist, and ordained priest Robert Alexander and the records of Venice, California's Temple of Man measure 11.7 linear feet and 1.01 GB, and date from 1938-2015. The papers and records document Alexander and the Temple of Man, which he founded in 1960 to serve as a meeting place for a community of artists, poets, and musicians. The collection contains biographical material pertaining to Alexander, Temple of Man administrative records, correspondence and artists files, project files, printed material, and photographic material.

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in AAA.alexbob for Cameron, John A.
S. Sidney Pike Skywriting Corporation of America Collection
Creators:
S. Sidney Pike Skywriting Corporation of America
Pike, S. Sidney
Dates:
1923-1964
bulk 1930-1940
Size:
5.5 Linear feet (4 flat boxes, 1 document box, 1 slim document box)
9 Film reels (5 16mm films - runtime 41:59 4 35mm films - runtime 27:04)
4 Cubic feet (6 boxes)
Collection ID:
NASM.2012.0001
Repository:
National Air and Space Museum Archives

Skywriting, defined as the process of writing a name or message with smoke from an aircraft against a blue sky, began in England after World War I, the brainchild of Major John C. Savage, Royal Air Force (RAF). His first successful demonstration was at the Derby at Epsom Downs, in May 1922, when Captain Cyril Turner wrote "Daily Mail" above the track. In October of that year, Turner travelled to the United States and wrote "Hello U.S.A." above New York City. Allan J. Cameron, along with Leroy Van Patten established the Skywriting Corporation of America at Curtiss Field, an American branch of Savage's original company. They acquired the patents for mixing the writing gas in the United States and as a result controlled the market for years. In 1923, using the Skywriting Corporation, the American Tobacco Company launched the first skywriting advertising campaign for Lucky Strike cigarettes. Pepsi-Cola Corporation became one of the longest-running contractors of skywriting; in the late 1930s and mid 1940s, it contracted or owned a total of 14 aircraft. In 1940 alone, Pepsi contracted for 2,225 writings over 48 states, Mexico, Canada, South America and Cuba.

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in NASM.2012.0001 for Cameron, John A.
Milch Gallery records
Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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in AAA.milcgall for Cameron, John A.
Richard Murray research material regarding mural painting in the United States
Creators:
Murray, Richard N., 1942-2006
Dates:
1896-2006
bulk 1970-2006
Size:
20.5 Linear feet
Collection ID:
AAA.murrrich
Repository:
Archives of American Art

The Richard Murray research material regarding mural painting in the United States measures 20.5 linear feet and dates from 1896 to 2006 with the bulk of the material dating from 1970 to 2006. The collection is comprised of Murray's extensive research files, scattered writings, and photographic materials for his life-long research on mural painting in the United States.

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in AAA.murrrich for Cameron, John A.
Parish-Hadley Associates, Inc. collection
Creators:
Parish, Henry, Mrs., II
Parish-Hadley Associates
Hadley, Albert
Dates:
[196-]-1994
Size:
11 Boxes (13 albums)
Collection ID:
SIL-CH.2000-3-1
Repository:
Smithsonian Libraries

The Parish-Hadley Collection documents the history of the New York City design firm from 1962-1994.Particular emphasis is on Sister Parish (Mrs. Henry Parish II) and Albert Hadley. Magazine clippings from various publications make up the majority of the collection as well as gossip column excerpts about Parish-Hadley or infamous clients. The slides date mostly from the 1980s-1990s and depict some but not all Parish-Hadley projects.

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in SIL-CH.2000-3-1 for Cameron, John A.
Sanford Robinson Gifford papers
Creators:
Gifford, Sanford Robinson, 1823-1880
Dates:
1840s-1900
circa 1960s-1970s
Size:
0.9 Linear feet
Collection ID:
AAA.giffsanf
Repository:
Archives of American Art

The papers of landscape painter Sanford Robinson Gifford, date from the 1840s through 1900, and circa 1960s-1970s. The bulk of the papers fall between 1855-1881; material from the circa 1960s-1970s consists of photographic copy prints for which the Archives does not have the originals. The small collection measures 0.9 linear feet of scattered documentation of Gifford's life, primarily extensive biographical accounts of his travels in the mid 1850s and late 1860s in the form of bound letters to his father. These serve as detailed journals of his impressions of Europe and the Middle East, the development of his painting, and his relationships with other artists such as Albert Bierstadt and Worthington Whittredge. The collection also contains sketches by Gifford, printed material including catalogs of Gifford's paintings, and photographs of Gifford and others.

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in AAA.giffsanf for Cameron, John A.
213 records — Page 3 of 22