47 records — Page 3 of 5
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Creators:
Ellington, Duke, 1899-1974
Yim, Ken
Rider, Doug
English, Fred
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Dates:
1969-1986
Size:
2 Cubic feet (7 boxes)
Collection ID:
NMAH.AC.0494
Repository:
Archives Center, National Museum of American History

The bulk of this collection consists of materials pertaining to Queenie Pie, a comic opera in seven scenes. Also included are publicity, correspondence for the opera, Ellington's autobiography Music is My Mistress, and a script for the Ellington work, My People.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1724 -1976
Size:
3.56 Cubic feet (consisting of 8 boxes, 3 folders, 5 oversize folder, 1 map case folder, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Religion
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Religion forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1900-1949
Size:
16 Boxes
The subseries contains glass plate negatives.
Collection ID:
NMAH.AC.0618.S04.10
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.10 consists of orders placed at the Scurlock Studio. The negatives depict individual portrait sittings and formal group portraits. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
White, John H., 1933-
White, Charles Baldwin
Dates:
1920-1940
Size:
2 Cubic feet (6 boxes)
Collection ID:
NMAH.AC.0182
Repository:
Archives Center, National Museum of American History

This collection consists of several thousand clippings of trade marks, labels, etc., taken from magazines and newspapers, and labels. Many of them are quite small and a very few have dates and sources noted on the reverse side. Most of them appear to have been clipped in the 1920 1940 period. They were classified by the collector on the basis of...

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Creators:
National Museum of American History. Program in African American Culture
Dates:
1972-1999
Size:
6 cu. ft. (6 record storage box)
Collection ID:
Accession 08-107
Repository:
Smithsonian Institution Archives

This accession consists of the records of the Program in African American Culture (PAAC) and document planning for exhibitions, conferences, symposiums, music performances, and special events. Some earlier records date back to when PAAC was known as the Program in African American History and the Program in Black American Culture (PBAC), respe...

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
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Dates:
1923-1940
Size:
15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Gray, Cleve
Dates:
1933-2005
Size:
9.2 Linear feet
Collection ID:
AAA.grayclev
Repository:
Archives of American Art

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

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Dates:
1865–1872
Size:
133 Reels
Collection ID:
NMAAHC.FB.M1904
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 133 rolls of microfilm described in the NARA publication M1904. These digital surrogates reproduced the records of the Kentucky headquarters for the Assistant Commissioner and his staff officers and the subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters sent and received, monthly reports, registers of complaints, labor contracts, and other records relating to freedmen's claims and bounty payments.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1871-1925
Size:
6.79 Cubic feet (consisting of 11 boxes, 2 folders, 10 oversize folders, 3 map case folders, 1 flat box, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Photography
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Photography forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Dates:
2016-2019
Size:
XXX Gigabytes
Collection ID:
ACMA.CDC.1
Repository:
Anacostia Community Museum Archives
Found In
47 records — Page 3 of 5