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- Creators:
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National Museum of American History. Department of Collections Management Services
- Dates:
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1971-1998
- Size:
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11 cu. ft. (11 record storage boxes)
- Collection ID:
- Accession 04-079
- Repository:
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Smithsonian Institution Archives
This accession consists of records that document the planning, maintenance, and deinstallation of 1876: A Centennial Exhibition at the Arts and Industries Building. Materials include the correspondence and memoranda of Robert M. Vogel, Head Curator of the exhibition; William F. Miner, Project Manager, c. 1974-1978; Jon D. Freshour, Collections...
Found In
Warshaw Collection of Business Americana Subject Categories: World Expositions
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- Creators:
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Warshaw, Isadore, d. 1969
- Dates:
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1851-1965
- Size:
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9.09 Cubic feet (consisting of 17.5 boxes, 1 folder, 19 oversize folders, 12 map case folders, 3 flat boxes (1 full, 2 partial), plus digital images of some collection material.)
- Collection ID:
- NMAH.AC.0060.S01.01.World
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: World Expositions forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
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- Creators:
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Warshaw, Isadore, d. 1969
- Dates:
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circa 1850-1957
- Size:
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55 Boxes (approximately.)
- Collection ID:
- NMAH.AC.0060.S02
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. Series 2 materials include cinema lobby cards, fire insurance maps, photographs and scrapbooks of liquor and wine labels. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana.
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- Creators:
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Agriculture and Natural Resources, Division of (NMAH, SI).
Sharpe, Weiss and Company
Work and Industry, Division of, NMAH, SI
- Dates:
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1856-1889
- Size:
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4.75 Cubic feet (13 boxes, 1 map folder)
- Collection ID:
- NMAH.AC.0399
- Repository:
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Archives Center, National Museum of American History
Invoices and letters from merchants and manufacturers with whom Sharpe, Weiss and Company, and their successors, did business; and two reels of microfilm of Sharpe and Weiss's account books.
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- Creators:
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Procter & Gamble Company
Leyendecker, J. C., 1874-1951
Smith, Jessie Willcox, 1863-1935
Elliott, Elizabeth Shippen Green
More … - Dates:
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1883-1998
- Size:
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10 Cubic feet (30 boxes)
- Collection ID:
- NMAH.AC.0791
- Repository:
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Archives Center, National Museum of American History
Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.
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- Creators:
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Smithsonian Astrophysical Observatory, Department of Contracts, Grants and Property Management
- Dates:
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1976-2004
- Size:
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39 cu. ft. (39 record storage boxes)
- Collection ID:
- Accession 05-050
- Repository:
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Smithsonian Institution Archives
These records document Smithsonian Astrophysical Observatory (SAO) activities and projects, and consist of proposal, contract and grant files. Materials include proposals, quotations, and bids from contractors, equipment makers, and other vendors to provide services, equipment, and instruments for SAO.
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- Creators:
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Underwood & Underwood
- Dates:
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1895-1921
- Size:
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160 Cubic feet
- Collection ID:
- NMAH.AC.0143
- Repository:
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Archives Center, National Museum of American History
The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...