418 records — Page 3 of 42
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Creators:
Hayes, Bartlett H., 1904-1988
Dates:
1936-1975
Size:
11 Linear feet ((partially microfilmed on 4 reels))
Collection ID:
AAA.hayebart
Repository:
Archives of American Art

REELS 3932-3935: Two resumes, 1954 and 1974; correspondence, 1939-1970; lecture material and course outlines, undated and 1936-1963; a copy of "A Philosophy of Art," by Henry S. F. Cooper, 1957; a copy of Hayes' review "The Castiglione Travels in America," 1960; subject files, 1936-1975, containing correspondence, notes, writings, and printed mater...

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Creators:
Thayer, Polly, 1904-2006
Dates:
1846-2008
bulk 1921-2008
Size:
21.6 Linear feet
0.807 Gigabytes
Collection ID:
AAA.thaypoll
Repository:
Archives of American Art

The papers of Boston portraitist and painter Polly Thayer (Starr) (1904-2006) measure 21.6 linear feet and 0.807 GB and date from 1846 to 2008, with the bulk of the materials dating from 1921-2008. The papers document Thayer's personal life and career as a painter, portraitist, and pastel artist. Found within the papers are biographical materials, extensive family papers, correspondence with artists and art venues, interviews, writings, subject files, organization files, exhibition files, art inventory records, printed and digital materials, five sketchbooks, artwork, and photographs.

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Creators:
Zerbe, Karl, 1903-1972
Dates:
1928-1996
Size:
6.5 Linear feet
Collection ID:
AAA.zerbkarl
Repository:
Archives of American Art

The papers of German American painter and educator Karl Zerbe measure 5.1 linear feet and date from 1928 to 1996. The papers document Zerbe's career through biographical material, writings and journals, art gallery records, financial records, printed material, photographs, documentary film materials, and home movies.

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Creators:
Boris Mirski Gallery (Boston, Mass.)
Dates:
circa 1936-2000
bulk 1945-1972
Size:
6.2 Linear feet
Collection ID:
AAA.mirsbori
Repository:
Archives of American Art

The Boris Mirski Gallery records measure 6.2 linear feet and date from 1936-2000, bulk 1945-1972. They include gallery administrative files; artist files including correspondence, exhibition and loan paperwork as well as photographic documentation of artwork; gallery correspondence; financial materials including outgoing and incoming invoices and sales records; printed materials promoting the gallery and its artists; press materials; and a number of photographs of Boris Mirski at events and with others, as well as photographs of artwork. Artists particularly well represented in the collection include David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.

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Creators:
Nathaniel Saltonstall Arts Fund
Dates:
1968-1975
Size:
0.2 Linear feet
Collection ID:
AAA.nathsalt
Repository:
Archives of American Art

Minutes of a meeting of the trustees of the Saltonstall Arts Fund; letters and memorandums relating to the sale of works from the Saltonstall collection; lists of works in the collection and appraisals; a "Memorial Exhibition" catalog; an estate auction catalog; and photocopies of clippings about Saltonstall.

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Creators:
Marin, John, 1870-1953
Dates:
1948
Size:
1 Item
Collection ID:
AAA.marijohn3
Repository:
Archives of American Art

Four page autograph manuscript draft enclosed in a hardback folio. Written in free verse by John Marin for the foreword to the monograph John Marin by MacKinley Helm. Marin muses on the subject of health and refers to himself repeatedly as "this critter myself."

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Creators:
Los Angeles Institute of Contemporary Art
Dates:
1973-1988
Size:
18 Linear feet
Collection ID:
AAA.losangin
Repository:
Archives of American Art

The records of the Los Angeles Institute of Contemporary Art measure 18 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides.

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Creators:
Institute of Contemporary Arts (Washington, D.C.)
Dates:
1927-circa 1985
bulk 1947-1967
Size:
36 Linear feet
Collection ID:
AAA.instcona
Repository:
Archives of American Art

The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.

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Creators:
Vevers, Tony
Brown, Robert F.
Dates:
1998 July 9-August 25
Size:
2 Sound cassettes (Sound recording (2 hr., 49 min.), analog)
58 Pages (Transcript)
Collection ID:
AAA.vevers98
Repository:
Archives of American Art

Interview of Tony Vevers, conducted on August 25, 1998, by Robert F. Brown for the Archives of American Art, Smithsonian Institution, in Provincetown, Massachusetts.

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Creators:
Green, Samuel Adams
Tippett, Jane Marguerite
Dates:
2007-2009, undated
Size:
0.2 Linear feet
17 Items (Sound recordings: 17 mini cassettes, analog)
Collection ID:
AAA.greesam
Repository:
Archives of American Art

Two interviews of Sam Green conducted by Jane Tippett and an unknown male, possibly Hugo Vickers.

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418 records — Page 3 of 42