78 records — Page 3 of 8
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Creators:
Warshaw, Howard
Dates:
[ca. 1945-1977]
Size:
0.8 Linear feet ((microfilmed on 3 reels))
Collection ID:
AAA.warshowa
Repository:
Archives of American Art

Correspondence; biographical data; writings; sketchbooks; sketches; teaching material; business records; exhibition catalogs and announcements; and miscellaneous material.

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Creators:
Stackpole, Peter, 1913-
Dates:
1934
Size:
7 Items (photographic prints, b&w, 15 x 10 cm.)
Collection ID:
AAA.stacpete
Repository:
Archives of American Art

Photographs donated and annotated by Shirley Triest, and taken by Peter Stackpole of artists working on the Coit Tower, San Francisco, 1934, for the Public Works of Art Project. Pictured are George Harris, John Howard, Lucien Labaudt, Fred Olmstead, Ralph Stackpole, and Bernard Zakheim, and assistants Julia Rogers and Shirley Staschen Triest.

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Creators:
Moya del Pino, Jose, 1891-1969
Dates:
1924-1973
Size:
0.9 Linear feet ((on 1 microfilm reel))
Collection ID:
AAA.moyadel
Repository:
Archives of American Art

Three passports; letters, undated and 1924-1973; writings, undated, including a biographical account; photographs, undated and 1949, of Moya del Pino, his mother, and some of his work at an exhibition; printed material, undated and 1924-1969, consisting mainly of clippings, 1924-1933, and an obituary, 1969; art works, undated and 1934-1939, includi...

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Creators:
Sotomayor, Antonio, 1904-
Dates:
circa 1920-1988
Size:
1.6 Linear feet
Collection ID:
AAA.sotoanto
Repository:
Archives of American Art

The collection documents the career of Bolivian born painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community. Materials found in the collection include letters, writings, sketches and sketchbooks, printed material and photographs.

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Creators:
Smithsonian American Art Museum. Office of Design and Production
Dates:
1970-2000
Size:
4.08 cu. ft. (4 record storage boxes) (1 oversize folder)
Collection ID:
Accession 01-108
Repository:
Smithsonian Institution Archives

This accession consists of records that document the design, production, and installation of permanent and temporary exhibitions at the Smithsonian American Art Museum and the Renwick Gallery. There are also records related to the renovation of the Alice Pike Barney Studio House. Materials include drawings, sketches, floor plans, correspondenc...

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Creators:
Sheets, Millard, 1907-1989
Dates:
circa 1907-2000
Size:
27.6 Linear feet
Collection ID:
AAA.sheemill
Repository:
Archives of American Art

The Millard Sheets papers comprise 27.6 linear feet of material dating from circa 1907 to 2000 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera. A small addition donated 2018 by Carolyn Owen-Toole, Sheet's daughter. There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.

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Creators:
Refregier, Anton, 1905-
Dates:
circa 1900-circa 1990
Size:
35.9 Linear feet
Collection ID:
AAA.refranto
Repository:
Archives of American Art

The papers of Woodstock area painter, muralist, and designer, Anton Refregier (1905-1979) date from circa 1900 to circa 1990 and measure 35.9 linear feet. The collection records Refregier's early commercial work and murals for the Works Progress Adminstration (WPA) and documents his career through to the 1970s with records of commissions for many public and private buildings, exhibitions in the United States and abroad, teaching positions, essays and publications, and extensive travel, particularly to the Soviet Union and Mexico. The collection contains scattered biographical material, personal and business correspondence, notes and writings, 15 diaries and journals, mural and tapestry files, exhibition files, personal business records, printed material, 10 scrapbooks, artwork including sketches and cartoons for murals, and photographs of Refregier, his friends, family and travels.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Spohn, Clay Edgar, 1898-1977
Dates:
circa 1862-1985
bulk 1890-1985
Size:
20.4 Linear feet
Collection ID:
AAA.spohclay
Repository:
Archives of American Art

The Clay Spohn papers measure 20.4 linear feet and date from circa 1862 to 1985 with the bulk of the material dating from 1890 to 1985. The collection consists of biographical material, correspondence, business records, notes and writings, art work, printed material, and photographs which reflect the life and career of painter and educator Clay Spohn.

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Creators:
Downtown Gallery
Dates:
1824-1974
bulk 1926-1969
Size:
109.56 Linear feet
Collection ID:
AAA.downgall
Repository:
Archives of American Art

The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.

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78 records — Page 3 of 8