199 records — Page 3 of 20
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Creators:
Henderson, Edward P., interviewee
Dates:
1984-1985
Size:
16 audiotapes (Reference copies). 26 digital .mp3 files (Reference copies).
Collection ID:
Record Unit 9529
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Washington Gallery of Modern Art (Washington, D.C.)
Dates:
1959-1992
Size:
15.7 Linear feet
0.523 Gigabytes
Collection ID:
AAA.washgall
Repository:
Archives of American Art

The records of the Washington Gallery of Modern Art measure 15.7 linear feet and 0.523 GB and date from 1959 to 1992. The records document the history of the gallery through Board of Directors meeting minutes, various committee meetings minutes and agendas, bylaws, and other trustee records; correspondence and other materials associated with each of the four gallery directors over the course of the gallery's existence; general correspondence; exhibition files, proposed exhibitions, collection files, and other curatorial and registrar records; financial records; development and membership records; tour guide information, gift shop finances and orders, and other museum services; and clippings, catalogs, and other printed and digital material.

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Dates:
1987
Size:
2 videotapes (Reference copies). 8 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9535
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Dates:
1990
Size:
4 videotapes (Reference copies). 7 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9543
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Dates:
1996
Size:
160 audiotapes (Originals). audiotapes (Reference copies).
Collection ID:
Record Unit 9594
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Rorimer, James J. (James Joseph), 1905-1966
Dates:
1921-1982
bulk 1943-1950
Size:
2.3 Linear feet
Collection ID:
AAA.rorijame
Repository:
Archives of American Art

The papers of curator and museum director James J. Rorimer measure 2.3 linear feet and date from 1921 to 1982, with the bulk from 1943-1950. The papers include documentation of James J. Rorimer's World War II service in the Monuments, Fine Art and Archives Section of the U.S. Army and his activities protecting historic and cultural sites from bombing, and locating and recovering art work and cultural icons stolen by the Nazis. Found within the papers are scattered biographical materials and correspondence, writings include draft versions of Rorimer's book Safe-Keeping or Survival: The Salvage and Protection of Art in War, financial records, photographic materials including a photo album containing photographs of European art work and cultural sites where Rorimer worked, newsclippings and additional printed materials, and one scrapbook of clippings dating from World War II.

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Creators:
Ellsworth, Scott, Dr.
National Museum of American History (U.S.). Archives Center
Dates:
1938-1986
Size:
7.7 Cubic feet (32 boxes)
Collection ID:
NMAH.AC.0111
Repository:
Archives Center, National Museum of American History

The Pepsi Generation Collection is the result of an oral history and documentation project conducted in 1984 and 1985 by the Center for Advertising History and supported in part by a grant from the Pepsi Cola Company.

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Creators:
Rubin, David S., 1949-
Dates:
1960-2017
Size:
23 Linear feet
57.68 Gigabytes
Collection ID:
AAA.rubidavi
Repository:
Archives of American Art

The papers of curator and art critic David S. Rubin measure 23 linear feet and 57.68 gigabytes and date from 1960 to 2017. The papers are comprised of biographical materials, interviews, correspondence, writing projects and notes, artists' files, exhibition files, professional files, subject and research files, printed materials, and photographic materials documenting Rubin's work in California, Arizona, and other locations throughout the United States.

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Creators:
Brown, Audrey
Dates:
1997-1998
bulk 1998-1998
Size:
0.5 Linear feet (2 boxes)
57 Sound recordings (57 audio cassette sound recordings)
Collection ID:
ACMA.09-016
Repository:
Anacostia Community Museum Archives

This is a collection of original audio interviews conducted by Audrey Brown for her 1999 Ph.D. dissertation at American University entitled "Imagining a Nation: Late Twentieth Century African American Women's Participation in cultural Politics and Transformative Social Action."

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture
Dates:
1963-1991
Size:
35 cu. ft. (35 record storage boxes) (1 oversize folder)
Collection ID:
Record Unit 469
Repository:
Smithsonian Institution Archives

These records consist of professional correspondence and administrative and research files of a number of curators from the Department of Painting and Sculpture. Included are correspondence and memoranda with HMSG staff, artists, galleries, and other museums; loan agreements, checklists, scripts, and installation plans for HMSG exhibitions; ...

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199 records — Page 3 of 20