41 records — Page 3 of 5
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Creators:
Holly Solomon Gallery
Dates:
circa 1948-2003
Size:
200.6 Linear feet
0.002 Gigabytes
Collection ID:
AAA.hollsolg
Repository:
Archives of American Art

The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and 0.002 GB and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed and digital materials, photographic materials of artwork and exhibitions, and sound, video, and film recordings. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.

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Creators:
Nelson, Scott
Bobcat Company
Dates:
1940s-2009
Size:
24 film reels
56 Cubic feet (128 boxes, 8 oversized folders)
10 electronic discs (cd)
5 electronic discs (dvd)
14 videocassettes (betacamsp)
38 videocassettes (u-matic)
9 videocassettes (vhs)
1 videocassettes (digital betacam)
Collection ID:
NMAH.AC.1129
Repository:
Archives Center, National Museum of American History

The Bobcat Company Records document a post-war invention process and American manufacturing system through the case study of a dynamic machine, the Bobcat skid-steer loader. The records focus primarily on Bobcat's products, marketing, and advertising through product literature, photographs, advertisements, posters, newsletters, and audiovisual materials.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 2013
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2013
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution, Office of Exhibits Central, Exhibits Editor's Office
Dates:
1948-1978
Size:
12.2 linear meters.
Collection ID:
Record Unit 90
Repository:
Smithsonian Institution Archives

Exhibit scripts are the textual component of exhibits. These records document the production of labels and other text that accompany Smithsonian exhibits, and deal with matters of concept, design, scope, and style. The records occasionally contain photographs, brochures, memoranda and correspondence with curators, exhibits specialists, an...

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Creators:
Northern States Power Company
Hooks, Benjamin, Dr.
Xcel Energy
Reddy Communications, Inc.
More …
Dates:
1926-1999
Size:
30 Cubic feet (119 boxes )
Collection ID:
NMAH.AC.0913
Repository:
Archives Center, National Museum of American History

The records document the development and use of Reddy Kilowatt, a cartoon figure trademark created in 1926 by Ashton B. Collins, Sr. More than 150 investor-owned electric utilities in the United States and at least twelve foreign countries licensed the use of the Reddy Kilowatt trademark. The records include a wide range of textual and visual materials and sound and moving image recordings.

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Creators:
Lipchitz, Jacques, 1891-1973
Dates:
circa 1910-2001
bulk 1941-2001
Size:
52.8 Linear feet
Collection ID:
AAA.lipcjacq2
Repository:
Archives of American Art

The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.

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Creators:
Orth, Edward J.
Exhibition Collectors Historical Organization
Dates:
1900 - 1989
Size:
130 Cubic feet (417 boxes)
Collection ID:
NMAH.AC.0560
Repository:
Archives Center, National Museum of American History

Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes materials on other world's fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and Disney.

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Creators:
Robinson, Franklin A., Jr., 1959- (actor)
Dates:
1838-2017, undated
bulk 1872-1985
Size:
22.1 Cubic feet (67 boxes, 3 map-size folders)
Collection ID:
NMAH.AC.0475
Repository:
Archives Center, National Museum of American History

Papers documenting the farming and family life of the Robinson family of Prince George's County and after 1975, Charles County, Maryland. Papers documenting the farming and family of the Via family of Greene County, Virginia, Washington, D.C., Prince George's and Calvert Counties, Maryland, by 1949.

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Creators:
Hofmann, Hans, 1880-1966
Dates:
circa 1904-2011
Size:
29.92 Linear feet
5 Gigabytes
Collection ID:
AAA.hofmhans
Repository:
Archives of American Art

The papers of painter, teacher, and writer Hans Hofmann measure 29.92 linear feet and 5.00 GB and date from circa 1904 to 2011, with the bulk of the materials dating from 1945 to 2000. The majority of the papers were created after 1932 and document Hofmann's life and professional career after settling in the United States. Among his papers are personal and professional correspondence; records of his schools in Munich, New York City, and Provincetown, Mass.; writings and notes; financial records; photographs; printed matter; estate records; and a small number of personal papers of his second wife, Renate Schmitz Hofmann. Hofmann's personal papers are augmented by a large selection of printed matter, including exhibition catalogs, articles, news clippings, and monographs about Hofmann and modern art, as well as documentary projects including Tina Dickey's compilation of oral histories and records of Hofmann's students, and research materials, sound and video recordings, digital material, and motion picture film created and gathered by Madeline Amgott during the production of two video documentaries about Hans Hofmann released in 1999 and 2002. Hofmann's Library was acquired with his papers; inscribed/annotated volumes have been retained with the collection.

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Creators:
Underwood & Underwood
Dates:
1895-1921
Size:
160 Cubic feet
Collection ID:
NMAH.AC.0143
Repository:
Archives Center, National Museum of American History

The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...

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41 records — Page 3 of 5