United States National Museum Department of Anthropology photograph collection relating to Native Americans
8 Prints (halftone and color halftone)
56 Photographic prints (albumen and silver gelatin)
10 Copy prints
1 Stereograph (albumen)
2 Color lithographs
The bulk of the collection consists of portraits of identified Native Americans and some government officials and interpreters. It includes cabinet cards, other mounted prints, newspaper articles, illustrations, and a photographic postcard. Depicted individuals include American Horse, Oglala; Black Hawk, Sauk; Bob Tail, Cheyenne; Crowfoot, Hunkpapa; Gaul, Hunkpapa; Geronimo, Chiricahua …
Julian Hinds Collection
A letter dated August 4, 1971 from the Executive Director, American Society of Civil Engineers, New York, NY, to Julian Hinds stated: "This is addressed to you as an Honorary Member of the Society at the request of the ASCE Committee on the History and Heritage of American Civil Engineering to bring …
Herbert Waide Hemphill papers
The papers of folk art collector and museum curator Herbert Waide Hemphill date from 1776-1998, bulk 1876-1998, and measure 26.7 linear feet. Found within the papers are biographical materials, personal business records, files documenting his collecting, writings, art work, minutes of meetings, a scrapbook, printed material including exhibition and auction announcements and catalogs, and miscellaneous artifacts. The collection also contains numerous photographs of Hemphill, family members, his residences, friends and colleagues, exhibitions, travel, and art work. Sound and video recordings include interviews of Hemphill.
This accession consists of records that were transferred from the Department of Painting and Sculpture at the National Portrait Gallery (NPG). They were mostly created by Robert G. Stewart, Associate Curator, 1964, Curator, 1965, Curator of Painting and Sculpture, 1979-1994, and Senior Curator of Painting and Sculpture, 1994. A small volume of records was …
James G. Swan drawings of a Tlingit house and salmon carving
The collection consists of two (2) drawings by James Gilcrest Swan. Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology …
Woman's Building records
The records of the Woman's Building feminist arts organization in Los Angeles measure 33.5 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.
Records of the Bureau of American Ethnology
The records in this collection embody the administrative functions of the Bureau of American Ethnology from 1879 to 1965. The collection consists of correspondence, card files, registers, official notices, annual and monthly work reports, research statements, research proposals, grant applications, personnel action requests, notices of personnel action, meeting minutes, purchase orders and requisitions, property records, biographical sketches, resolutions, newspaper clippings, reviews of publications, drafts of publications, circulars, programs, pamphlets, announcements, illustrations, cartographic materials, photographic prints, photographic negatives, bibliographies, and reprinted publications.
This record unit documents the growth and management of the Smithsonian from 1890 to 1929. Of special interest is the Institution's entry into the field of the fine arts through the creation of the National Gallery of Art and the Freer Gallery of Art. The Smithsonian continued to pursue a wide variety …
Aleš Hrdlička photographs from Mexico and Arizona
Pepper, George H. (George Hubbard), 1873-1924
190 Copy negatives
This collection contains photographic prints and copy negatives taken by Ales Hrdlicka in Arizona and Mexico between 1898 and 1902. The majority of the photographs were donated by George Pepper to the Museum of the American Indian, Heye Foundation in 1923. Native communities that Hrdlicka photographed during his research include--Purepecha (Tarasco), Yoeme (Yaqui), Hualapai (Walapai), Havasupai (Coconino), Piipaash (Maricopa), Mojave (Mahave), Tohono O'odham (Papapgo), Quechan (Yuma/Cuchan), Tepecano, Akimel O'odham (Pima), Opata, Cora, Seri, Wixarika (Huichol), Nahua, Otomi and Yoreme (Mayo). Ales Hrdlicka (1869-1943) was born in the Czech Republic moved to the United States in 1881. Hrdlicka became known as the "Father" of Physical Anthropology and worked at the U.S. National Museum (now the National Museum of Natural History).
W. Oscar Sullivan Papers
Sullivan, W. Oscar, 1891-
Papers and photographs document the careers in show business (traveling medicine shows, vaudeville acts and acting in stage shows) of Mr. Sullivan, members of his family and associates.