44 records — Page 3 of 5
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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1900-1949
Size:
16 Boxes
The subseries contains glass plate negatives.
Collection ID:
NMAH.AC.0618.S04.10
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.10 consists of orders placed at the Scurlock Studio. The negatives depict individual portrait sittings and formal group portraits. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1902-1995, undated
Size:
18 Boxes
Collection ID:
NMAH.AC.0618.S12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 12 primarily includes historical and background information about the family and studio, reference materials relating to the photography trade, and information pertaining to publications and exhibitions that used Scurlock photographs. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Custom Craft
More …
Dates:
1948-1954, undated
Size:
4 Boxes
Collection ID:
NMAH.AC.0618.S10
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 10 documents the administrative activities of the school and the work of its students. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
More …
Dates:
1923-1940
Size:
15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1900-1994
Size:
320 Boxes
The subseries consists of black and white silver gelatin negatives..
Collection ID:
NMAH.AC.0618.S04.04
Repository:
Archives Center, National Museum of American History

The materials document negatives that could not be connected to a specific client. The subjects include art, buildings, and unidentified individuals.

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Custom Craft
More …
Dates:
1931-1971
Size:
320 Boxes
The materials in the subseries are black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.02
Repository:
Archives Center, National Museum of American History

The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of boxes were reduced and the old freezer box numbers were...

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1928-1994
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.05
Repository:
Archives Center, National Museum of American History

The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1932-1959
Size:
320 Boxes
The subseries includes black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.03
Repository:
Archives Center, National Museum of American History

The majority of materials are portrait sittings of individuals but there are also formal portraits of couples, families, groups, and organizations.

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Creators:
Layton, Benjamin
Dates:
circa 1865-1977
Size:
3.45 Linear feet (5 boxes; 1 folder)
Collection ID:
ACMA.06-031
Repository:
Anacostia Community Museum Archives

The Benjamin Layton collection documents the life, family history, and interests of Benjamin T. Layton. Items date from circa 1865 to 1977. The collection measures 3.45 linear feet and is composed of newsletters, clippings, pamphlets, newspapers, correspondence, certificates, photographs, memorabilia, books, stamps, etchings, and programs.

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Creators:
Byrd, Charlene Hodges, 1929-2009
Dates:
circa 1750-2009
bulk 1880-1960
Size:
43 Linear feet (35 document boxes and 39 oversize boxes)
Collection ID:
NMAAHC.2010.26
Repository:
National Museum of African American History and Culture

The Charlene Hodges Byrd collection measures 43 linear feet, and dates from circa 1750-2009, with the bulk of the material dating from 1880-1960. The collection documents the personal life and professional career of Charlene Hodges Byrd, an African American teacher from Washington, D.C., along with material for several related families from Pennsylvania, Maryland, and Washington, D.C. Family members prominently represented include Sarah A. Shimm, teacher and essayist under the name Faith Lichen; her daughters Erminie F. Shimm and Grace E. Shimm Cummings, both teachers; and Byrd's mother, Joyce Ethel Cummings Hodges, also a teacher. Correspondence and writings chiefly discuss family life, religion, race, education, and the relationship with Frederick Douglass and his family. The collection is arranged in 10 series: Biographical Material, Correspondence, Writings, Subject Files, Financial and Legal Records, Printed Material, Volumes, Memorabilia, Textiles, and Photographs.

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44 records — Page 3 of 5