612 records — Page 3 of 62
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Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1907-1996, undated
Size:
66 Boxes
Collection ID:
NMAH.AC.0618.S08
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1907-1996, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 8 consists of paperwork pertaining to the administration of the business, the financial documentation of the business, the records of sales, the advertising signs and promotions of the business, the files kept on employees, and other materials kept at the Scurlock Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1902-1995, undated
Size:
18 Boxes
Collection ID:
NMAH.AC.0618.S12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 12 primarily includes historical and background information about the family and studio, reference materials relating to the photography trade, and information pertaining to publications and exhibitions that used Scurlock photographs. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1930-1995, undated
Size:
115 Boxes
Collection ID:
NMAH.AC.0618.S02
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 2 primarily consists of color and hand-colored photographs but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
More …
Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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Creators:
Davis, Norman
Dates:
circa 1930 - 1977
Size:
0.06 Linear feet (1 box)
Collection ID:
ACMA.06-070
Repository:
Anacostia Community Museum Archives

The collection, which dates from circa 1930 to 1977 and measures .17 linear feet, includes images of African American baseball players from the Anacostia community, as well as documents the youth activities organized by the Metropolitan Police Boys Club #11 in the neighborhood. The collection is comprised of photographic prints.

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Creators:
Snowden, Sylvia
Dates:
1947-2017
Size:
1.7 Linear feet
Collection ID:
AAA.snowsylv
Repository:
Archives of American Art

The papers of abstract painter Sylvia Snowden measure 1.7 linear feet and date from 1947-2017. Included are biographical information; correspondence with curators, artists and collectors; exhibition files; sales and invoices; and printed material. A portion of the collection contains electronic media and audio visual recordings on VHS.

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Creators:
Jones, Lois Mailou, 1905-1998
Dates:
1922-1992
Size:
5 Microfilm reels (27 volumes on 5 microfilm reels)
Collection ID:
AAA.jonelois
Repository:
Archives of American Art

This microfilm collection contains Lois Mailou Jones' scrapbooks documenting her career as an African American artist and educator. Scrapbooks contain correspondence (1928-1992) primarily regarding Jones' exhibitions, Howard University, and her art education in Paris, and include a letter and photograph from Emile Bernard; photographs of Jones in h...

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Creators:
Anacostia Community Museum
Dates:
1991
Size:
2 Folders
Collection ID:
ACMA.03-084
Repository:
Anacostia Community Museum Archives

An exhibition lighlighting the work of African American photographers in the Washington, D.C. area. Through a sampling of works by both well-known and emerging photographers, the exhibition makes a solid statement about he strenght of vision, skill and sensibilities of artists involved in this arena of artistic expression. The exhbition was curated...

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Creators:
Anacostia Museum and Center for African American History and Culture
Dates:
1996
Size:
8.5 Linear feet (15 boxes)
Collection ID:
ACMA.03-025
Repository:
Anacostia Community Museum Archives

An exhibitionn celebrating the work of five African American photographers who documented segregated black communities in Washington, D.C., rural Virginia, and New York City in the 1930s and 1940s. Curated by Deborah Willis the exhibition was held at the Smithsonian Arts & Industries Building, South Gallery from April 18, 1996 to September 29, 1996. Photographers included: Robert H. McNeil, The Scurlock Studio, Morgan and Marvin Smith, and Gordon Parks.

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Creators:
Gilliam, Sam, 1933-
Forgey, Benjamin, art critic
Dates:
1989 Nov. 4-11
Size:
4 Items (Sound recording, sound cassettes)
54 Pages (Transcript)
Collection ID:
AAA.gillia89
Repository:
Archives of American Art

An interview of Sam Gilliam conducted 1989 Nov. 4-11, by Ben Forgey for the Archives of American Art. Gilliam speaks of his decision to come to Washington, D.C., from Louisville, Ky.; his shift from figurative painting to abstract painting; meeting Washington painters Robert Gates and Tom Downing; the "stature" of Tom Downing in the Washington art ...

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612 records — Page 3 of 62