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Creators:
Acosta, Gustavo, 1958-
Dates:
circa 1958-2017
Size:
1 Linear foot
0.057 Gigabytes
Collection ID:
AAA.acosgust
Repository:
Archives of American Art

The papers of painter Gustavo Acosta measure 1.0 linear feet and date from 1958 to 2017. Biographical material including artist statements and interviews are included, as well as documentation from Acosta's education and art production in Cuba. Correspondence is mostly professional in nature and spans from 1987 to 2012, in both Spanish and English. The professional files series includes exhibition documentation and proposals, as well as artwork inventories and a lecture including a digital slide presentation. Printed material includes exhibition announcements and catalogs as well as press clippings. Photographs include images of the artist and artwork among other subjects. The artwork series includes various drawings and sketchbooks, in addition to art source materials including numerous photographs, many with notation and traces of drawing or paint.

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Creators:
Smithsonian Institution. Anacostia Community Museum
Dates:
undated
Size:
0.4 Linear feet (1 box)
Collection ID:
ACMA.03-047
Repository:
Anacostia Community Museum Archives

An exhibition exploring the role of the black soldier in the American Revolution. The exhibit was organized by the Anacostia Neighborhood Museum and exhibited there from July 1970 through September 1970.

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Creators:
National Museum of African Art. Associate Director for Collections and Research
Dates:
circa 1983-1993
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 94-027
Repository:
Smithsonian Institution Archives

This accession consists of the records of Roy Sieber, Associate Director for Collections and Research at the National Museum of African Art (NMAfA), from 1983 to 1993. Materials include incoming and outgoing correspondence with other museums, universities, private collectors, and the general public; information pertaining to NMAfA exhibitions,...

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Creators:
Ranger, Henry Ward, 1858-1916
Dates:
1888-circa 1999
bulk 1904-1954
Size:
1 Linear foot
Collection ID:
AAA.ranghenr
Repository:
Archives of American Art

The estate papers of New York tonalist painter Henry Ward Ranger, measure one linear foot and date from 1888-circa 1999, with the bulk of the material dating from 1904-1954.The collection primarily documents the settlement of Ranger's contested will and the administration of his estate, but also provides scattered biographical information on Ranger's life, provenance information about his work, and documentation of the significance of his estate gift to the National Academy of Design. Records include appraisal information including an estate ledger, correspondence and memoranda including two letters from Ranger, court documents, financial and real estate records, news clippings, and two photographs and eight negatives of Ranger.

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Creators:
Barbara Jarocki
Dates:
1983
Size:
65 photographs (color, 4 x 6 inches)
1 postcard (color)
2 photographs (color, 5 x 7 inches)
Collection ID:
EEPA.2016-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of one postcard and 67 photographs documenting the installation for and art objects in the exhibition "African Art from Nigeria and the Ivory Coast" (April 6-25, 1983), held at the Sarah Lawrence College Art Galley, and curated by Barbara Jarocki. The postcard is an invitation to the opening reception.

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Creators:
Tobias, Abraham Joel, 1913-1996
Dates:
1913-2000
Size:
2.8 Linear feet
Collection ID:
AAA.tobijoel
Repository:
Archives of American Art

The Abraham Joel Tobias papers date from 1913 to 2000 and measure 2.8 linear feet. Through project and exhibition files, printed material, correspondence, and photographs, the collection provides an overview of Tobias's career as a painter and muralist in New York City.

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Creators:
Smithsonian American Art Museum, Exhibition Manager
Dates:
2002-2008
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 10-091
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records created and maintained by the Exhibitions Manager, Marie Elena Amatangelo, in her work planning and coordinating exhibitions at the Smithsonian American Art Museum and the Renwick Gallery. Exhibitions represented include "High Fiber;" "Modernism in American Silver: 20th Century Design;" "American ...

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Creators:
Provincetown Art Association
Dates:
1916
circa 2006
Size:
0.44 Linear feet
0.116 Gigabytes
Collection ID:
AAA.philanth
Repository:
Archives of American Art

The glass plate negatives of the Provincetown Art Association measure 0.44 linear feet and 0.116 GB and date from 1916 and include images believed to have been taken for A. J. Philpott's August 1916 Boston Globe article entitled "Biggest Art Colony in the World at Provincetown." In addition to the twelve glass plate images of artists at work in Provincetown, including George Elmer Browne and E. Ambrose Webster, the collection includes the original negative box, a circa 2006 photocopy of Philpott's article, and digital copies of the glass plates.

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Creators:
National Museum of African Art
Dates:
2010-2013
Collection ID:
Accession 13-304
Repository:
Smithsonian Institution Archives

This accession consists of two blogs maintained by the National Museum of African Art. "Africa Underground," crawled May 7, 2013, promotes an occasional event series of the same name. Africa Underground opens the doors of the National Museum of African Art after hours for the public to enjoy the museum's exhibitions and features performances,...

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Creators:
Gross, Chaim, 1904-1991
Dates:
1920-2004
Size:
20.9 Linear feet
Collection ID:
AAA.groschai
Repository:
Archives of American Art

The papers of New York City sculptor and teacher Chaim Gross measure 20.9 linear feet and date from 1920-2004. The collection provides comprehensive documentation of Gross's career through biographical material, personal and professional correspondence with family, artists, writers, galleries, museums, educational institutions, and religious and philanthropic organizations, writings, personal business records, extensive printed and published material including motion picture film and video recordings of four documentaries, one hundred and fifteen sketchbooks spanning the bulk of Gross's career, and photographs of Gross, his family, many friends and colleagues from the art world, his studio, personal art collection, and works of art.

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