Jeff Donaldson papers
The papers of African American artist and educator Jeff Donaldson measure 12.5 linear feet and 0.003 GB and date from 1918 to 2005, with the bulk of the records dating from the 1960s to 2005. The collection documents Donaldson's work as a professional artist, his academic career at Howard University, and his leadership role in the Black Arts Movement through biographical material, a small amount of professional and personal correspondence, personal business records, writings by Donaldson and others, research files, artist files, sound recordings of interviews Donaldson conducted with over 40 artists, teaching files, exhibition files, printed and digital material, and photographs. Also found are detailed records of his professional activities and leadership roles in AfriCOBRA, CONFABA, FESTAC, and the Organization of Black American Culture (OBAC), including documentation on the Wall of Respect mural.
This accession consists of records documenting workshops organized by the Office of Museum Programs for museum professionals. Materials include workshop series program files including course descriptions, course objectives, agendas, faculty lists, workshop materials, correspondence, memoranda, and surveys.
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.
MS 2372 Garrick Mallery Collection on Sign Language and Pictography
Garrick Mallery (1831-1894) was an ethnologist with the Bureau of American Ethnology who focused primarily on Native American sign language and pictography. This collection reflects Mallery's research interests and methods. Much of the collection is comprised of correspondence and notes relating to sign language and pictography and is organized chiefly by either the cultural or geographic region to which the material belongs. Bound volumes of several of his publications are included, along with annotated draft copies from collaborators. In the case of Mallery's work on pictography, the collection includes several oversize items including original works and reproductions.
This accession consists of records documenting the various professional activities of David H. DeVorkin, curator in the Department of Space Science and Exploration, later the Department of Space History and then the Division of Space History, including fellow evaluations, manuscript editing, and research, as well as professional correspondence. Also included …
Esther Baldwin Williams and Esther Williams papers
The papers of Boston area painters Esther Baldwin Williams and daughter Esther Williams measure 2.1 linear feet and date from 1887 to 1984. The scattered papers of both women include biographical information, personal business records, correspondence, writings and notes, two diaries, four sketchbooks, printed materials, photographs, and one photograph album.
Ellen Hulda Johnson papers
The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 61.5 linear feet and date from 1872-2018, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists. There is a 0.2 linear foot unprocessed addition to this collection donated in 2021 that includes letters to Ellen Johnson from others, letters from Johnson to Carl Gerber, and a sketch by Johnson. Materials date from circa 1956-1991.
Joanna Cohan Scherer Papers
Joanna Cohan Scherer was employed by the Smithsonian Institution from 1966-2006. She worked at the Smithsonian Office of Anthropology Archives (later known as the National Anthropological Archives) as a museum technician until 1970 when she was asked to become illustrations researcher of the Handbook of North American Indians, a 20-volume encyclopedia. She …
Bellcomm, Inc Technical Library Collection
This collection contains the non-book portion of Bellcomm's Technical Library. The material in the collection consists of technical reports prepared by NASA subcontractors and/or NASA facilities during the first decade of space exploration (1960-1970). The collections also includes some reports issued by the California Institute of Technology's Jet Propulsion Lab (JPL) at Pasadena, CA, including Space Program and Research Summaries, as well as technical and engineering documents.
John K. Parlett Collection of Agricultural Ephemera
Parlett, John K., 1937-2005
The John K. Parlett Collection of Agricultural Ephemera, 1859-2011, undated, is a collection of operator's instruction manuals, parts illustrations manuals, dealership materials, farming, farm life, and agriculture-related ephemera. The material is from national companies as well as local manufacturers and businesses.