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Creators:
Smithsonian Institution, Traveling Exhibition Service
Dates:
circa 1986-2001
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 02-186
Repository:
Smithsonian Institution Archives

These records document the organization, design, and promotion of exhibits. Major traveling exhibitions represented include "Fred E. Miller: Photographer of the Crows," "Kids Bridge," "Millennium Messages," "An Ocean Apart: Contemporary Vietnamese Art from the United States and Vietnam," and "VanDerZee Photographer (1886-1983)." The last ...

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Creators:
Lazzell, Blanche, 1878-1956
Dates:
1893-1986
bulk 1901-1940
Size:
4.6 Linear feet
Collection ID:
AAA.lazzblan
Repository:
Archives of American Art

The papers of printmaker, etcher, and painter Blanche Lazzell (1878-1956) measure 4.6 linear feet and date from 1893 to 1986, with the bulk of the material dating from 1901 to 1940. Found within the papers are biographical materials; correspondence with family, friends, and colleagues; writings; five diaries; scattered personal business records; printed material; artwork; photographs; and artifacts.

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Creators:
National Portrait Gallery, Office of the Director
Dates:
1937-1990
Size:
15.58 linear meters.
Collection ID:
Record Unit 426
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Gifford, Sanford Robinson, 1823-1880
Dates:
1840s-1900, circa 1960s-1970s
Size:
0.9 Linear feet
Collection ID:
AAA.giffsanf
Repository:
Archives of American Art

The papers of landscape painter Sanford Robinson Gifford, date from the 1840s through 1900, and circa 1960s-1970s. The bulk of the papers fall between 1855-1881; material from the circa 1960s-1970s consists of photographic copy prints for which the Archives does not have the originals. The small collection measures 0.9 linear feet of scattered documentation of Gifford's life, primarily extensive biographical accounts of his travels in the mid 1850s and late 1860s in the form of bound letters to his father. These serve as detailed journals of his impressions of Europe and the Middle East, the development of his painting, and his relationships with other artists such as Albert Bierstadt and Worthington Whittredge. The collection also contains sketches by Gifford, printed material including catalogs of Gifford's paintings, and photographs of Gifford and others.

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Creators:
Barnet, Will, 1911-2012
Dates:
1897
1929-2016
Size:
30.7 Linear feet
7.24 Gigabytes
Collection ID:
AAA.barnwill
Repository:
Archives of American Art

The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.

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Creators:
National Collection of Fine Arts. Office of Administration
Dates:
1964-1980
Size:
15 cu. ft. (30 document boxes)
Collection ID:
Record Unit 447
Repository:
Smithsonian Institution Archives

These records include administrative subject files, personnel records, financial and budgetary materials, and exhibition files. The administrative subject files contain letters, memoranda, reports, inventories, and other records which chronicle the day-to-day operations of NCFA. Among these are correspondence with NCFA curators and Smithsonian...

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Creators:
Martin, Edith T.
Dates:
1961-2004
bulk 1970-2000
Size:
11.16 Linear feet (9 boxes)
Collection ID:
ACMA.06-050
Repository:
Anacostia Community Museum Archives

The collection, which dates from 1961 to 2004 and measures 11.16 linear feet, documents the career of artist, curator, and museum technician Edith T. Martin. The papers in the collection include education documents, professional correspondence, sketches, promotional material, news clippings, newsletters, catalogues/magazines from exhibits and arts organizations, and exhibit photographs and slides.

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Creators:
Bunker, Dennis Miller, 1861-1890
Dates:
1882-1943
bulk 1882-1890
Size:
0.4 Linear Feet
Collection ID:
AAA.bunkdenn
Repository:
Archives of American Art

The Dennis Miller Bunker collection of letters, an exhibition catalog, and photographs measures 0.4 linear feet and dates from 1882 to 1943, with the bulk of the material dating from 1882 to 1890. Most of the collection consists of letters to Bunker's friend Joseph Evans (46 letters) in New York City, written between 1882-1889. Four volumes of letterpress books, circa 1889-1890, contain letters to Bunker's fiancée Eleanor Hardy prior to their marriage in the fall of 1890, and his untimely death a few months later. There are also a 1943 exhibition catalog and three photographs of Bunker.

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Creators:
Horowitz, Raymond J., 1916-2005
Dates:
1903-2007
bulk 1960-2007
Size:
5.4 Linear feet
Collection ID:
AAA.hororaym
Repository:
Archives of American Art

The papers of collectors Raymond and Margaret Horowitz measure 5.4 linear feet and date from 1903-2007, with the bulk of the material dating from 1960- 2007. The collection documents the Horowitzes' activities as collectors through art collection files, including appraisals, sales information, printed material, and photographs of artwork; files of artwork sold or donated; accession records, including inventory lists of paintings and prints; and catalog information.

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Creators:
Feitelson, Lorser, 1898-1978
Dates:
circa 1890s-2002
Size:
15.6 Linear feet
Collection ID:
AAA.feitlors
Repository:
Archives of American Art

The papers of Los Angeles painters and art instructors Lorser Feitelson and Helen Lundeberg measure 15.6 linear feet and date from circa 1890s to 2002. The papers document the careers of the two artists, including their establishment of the Post-surrealism movement in southern California, their work for federal arts programs, and their later abstract artwork. Found are biographical materials, correspondence, personal business records, exhibition files, printed materials, photographs, and one sound recording.

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